It took a while, but
Happy 1000th fan!
If you aren’t following the list yet, you might discover a gem or two!
It took a while, but
Happy 1000th fan!
If you aren’t following the list yet, you might discover a gem or two!
You know, for a year when I didn’t watch that many movies, I’m doing pretty good. LOL Confession! I haven’t been following award season, it does feel like it’s my second or third year already. I do know that people have been freaking out because all critic guilds and industry guilds have been awarding all different movies. As the saying goes~ todos parecen más perdidos que cuy en tómbola!
Here’s my Spirit Award one.
Light blue highlights mean watched, hot pink are pending, and green on the queue already.
My favorite competing film this year (so far) is Lady Bird coz it got me in the feels. I wouldn’t mind The Shape of Water winning, though. Considering BAFTA nominations (Producers’ Guild win and Directors’ Guild nom), The Shape of Water does seem to have a love more momentum than actors-backed Three Billboards, and this one also has a strong BAFTA showing.
Fun fact, yo! Darkest Hour, Phantom Thread and Victoria & Abdul are [most likely] the first Chinese-backed films that make it to Oscar. All backed by Perfect World Pictures (北京完美影视传媒) [1].
Except for the mandatory appreciation for Boyhood (the Patricia Arquette show) and Whiplash, which had me contorting from all the conflictive feelings, I’m feeling rather lukewarm with this year’s award season as you can see from my 2014 Films Ranked compared to my Academy Award Watchlist.
Hot pink is watched, light blue on to-watched queue, highlighted in green haven’t been found yet. My excuse for lack of documentaries and shorts is because of access. I find them extra difficult to get. Also, any respectable award show needs the presence of Haider. LOL And I could do a LOT LESS from Clint Eastwood. I’m not even one of those complaining for lack of women behind/in front of the camera, the nominees are just so damn BLAH! except for the few couple of surprises- some spice with Marion Cotillard (even though I don’t feel strongly about the movie), Ida and Mr. Turner in cinematography… and The Tale of Princess Kaguya.
… of this selfie.
I really can’t remember exactly when I started out the Top Flicks About Chicks list on MUBI, but it must have been around the same time I wrote how Chick Flicks was a doomed genre in regards of critics. So it might be almost 4 years… and I’ve finally reached 300 titles in the list!!!
A Chick Flick should center on little girls, girls, young women and women… as students, as neighbors, as friends, as daughters, as granddaughters, as sisters, as mothers, as lovers. They are simply women. With that alone, we can tell all sort of other stories that have little to do with romantic comedies.
The purpose of the list, of course, was to encompass an array of female character — not only in the binary sense, since the list also includes men/boys who identify as women/girls… and viceversa — of various cultural, ethnic, social backgrounds. Not favoring one genre over the other, not valuing dramas over comedies… just simple stories about different women.
Though I’m sure the list could be longer, that’s 300 feature length films out of the 2896 (counting shorts) currently rated on the site- that’s roughly 10% so I suppose the list could expand to up to 500 or maybe 1000 once I reach 5000 or 10000 rated films on the site.
I picked 25 of the 300 films to illustrate some of the variety (I hope it’s AS varied as I intend the list to be), though I ran out of picks and couldn’t include any of the ‘older’ female characters. If I could pick 5 more, they’d be: Lemon Tree, Frozen River, Late Bloomers, Mother, For 80 Days.
The blog C’est la Gene had an article posted a while back during the release of Nine, titled La Plus Grande Actrice du Monde. That’s a big name to uphold… but you know, in honor of the positives reviews that Kidman’s Rabbit Hole has received, and for getting picked up by Lionsgate for distribution and entering the Award race, I decided to take some time to “translate” and dust off on my French.
I was thinking of adding a new set of posts highlighting good casting on films. It’s not about picking the greatest actor for a part… I mean, picking Meryl Streep for any role is not really “good casting”, it’s just that Meryl is that good — and to quote Cam on Modern Family… Meryl Streep can be Batman and be the right choice. Those are just things that simply are.
But this is more about picking the right actors to make an on-screen family, or actors that look the part for historical figures, or casting actors to play characters in different periods of their lives… and the likes.
So here we are with the troublesome film Die Päpstin, or Pope Joan — whatever your thoughts they may be on the film. How Telenovela it was, or how Pope Joan aged, but no one else did. LOL The most striking thing on the film, besides actress Johanna Wokalek’s face as she was getting her Pope-powder on, was the resemblance between Johanna (the character) aged 10-14 played by Lotte Flack, and grown-up Johanna played by Wokalek.
With casting by Anja Dihrberg and Toby Whale.
My mom thought they were real-life sisters xD