Archives For mtv

It’s been a LONG time since I shared anything here xD… but this sure is memorable. It’s also been a long time since I paid any attention to MTV or the VMAs. I have no idea who was doing what where, but since Missy Elliott just dropped Iconology [YT], there wasn’t a better time to catch up with news.

In a decade of forgettable American/Western mainstream music, and an even more forgettable MTV music era, it’s hard to come up with a magical moment that marked this decade… but this could be IT. It’s not the best in the history of VMAs, but it could be very well the best performance VMA has offered this decade.

Missy was, after all, at the top during the peak MTV performance years. Bless her soul. And bless her love for baby girl Aaliyah.

Oh, No I Didn’t~

October 21, 2017 — Leave a comment

Yes, I did. xD

This is the actual first time I’ve ever given my info to MAMA. LOL

The only blind-votes are for Best New Male Artist, Male Groups categories, and I wasn’t too in love with any of the MV nominees.

Do vote for HYUKOH, Bolbbalgan4, IU, Hyori, SNSD, Chungha, Zico and F.O elder YJS xD ^^

Also do vote for the dumb European MTV Awards and their buzz-grabbing international awards for Best Korean Act, on top votes for KOHH or Suiyoubi no Campanella for Best Japan Acts, and Henry Zuo [1] for Best Greater China Act. I thought I was old AF, and done with MTV and EMA stuff, but I guess not. LOL

And if EMA history serves me right, well~ and Henry Zuo passes to the next rounds. He’s gonna win it, just like Chris Lee did, just like BiBi and Jane Zhang. Coz, you know. China. LOL And I don’t wanna see y’all moaning.

My Life in Music

August 2, 2015 — Leave a comment

Will keep this list updated here.

Oh, Happy Chinese New Year! Let’s start my (supposedly) bad-luck Goat Year with the now-mandatory Letterboxd list of my film collection~

amys-film-collection-letterboxd

I have a really weird history with films– born in the late 80s, you’d think I would’ve grown watching loads of 90s kids stuff, but I actually grew up with a lot of Silly Symphonies (which were released in the 30s) and loads of Disney 40s, 50s, 60s, 70s stuff, plus a lot of more grown up 80s movies. Poltergeist, The Thing, The Fly and The Stuff were particularly scary stuff (and I’m pretty sure I was scared of yogurt or white stuff at some point).

I don’t ever remember buying any original VHS tape, except for the rare birthday gift of a Disney’s Sing-Along Songs chapter or that X-Men tape I have. My first DVDs buys were Coyote Ugly, She’s All That and Loser — you can’t blame me. I was a 15-year-old girl. The collection grew bigger, and possibly exploded during my years abroad. I’m nearing my 500th movie.

For the International HIV/AIDS day, Ranveer Singh (ever the sexy) got together with MTV India and Durex to try to demystify sex in the country, where the topic is usually completely hush-hush or chup-chup. He’s straight-forward, candid, sexy, funny… and gets to awkward moments when he conjures the images of everyone’s parents creating us. Though, he does have a point.

https://www.youtube.com/watch?v=0SFTkE-Zzuo

It’s been a while already – over six months, to be exact – my quiverations for Ranveer are still pretty consistent. Like, he seems completely changed, focus and serious funny in the latest Anupama Chopra interview he had where he even makes her laugh. Polka dotted suit and all. His last test will be sitting on a couch with Arjun Kapoor and NOT BE THIS EVER AGAIN.

I do enjoy where his personality brand is going.

britney-spears-vma-2000-oops-i-did-it-again

I don’t think anyone needs more than a few words on this [1].

Remember when this was standard?

Except for that 3-year break MTV took off the Breakthrough Music Video category, they had continued giving away the prize — which had been given to the likes of Spike Jonze, Michel Gondry and Chris Cunningham — until 2010, when they officially removed the category.

So I ask again, what happened to Breakthrough Music Videos?

As a reminder, I put together a list with all the winners.

[iframe width=”580″ height=”326″ src=”https://www.youtube.com/embed/videoseries?list=PLE88395EDFAA954B7″ /]

If I had been picking winners (from that past post), I chose:

  • 2006 – U2 for Window in the Skies [MV]
  • 2007 – Tom Waits for Come On Up to the House [MV]
  • 2008 – Bjork for Wanderlust [MV]

For the other two years, you know I’m probably partial to SunnyHill [1], but I’ll go with Salyu’s Tadano Tomodachi [1] concept because it’s much more a production concept than a music video concept. For 2012, despite its serious hard-hitting concept [1], I would have to go with Graham Coxon’s What’ll It Take [MV] due to its imaginative execution using fan footage.

So what are some of your favorite music videos?

You know you’re fucking awesome when you lipsync through a whole show and nobody gives a shit, because it’s still awesome. Though, I would argue that MJ should’ve stopped his performance in Dangerous.

Not since Michael Jackson began dazzling the pop music stage has there been any other pop act that has been able to define dancing the way Michael did. To this day and age, when dance pop music (in America) is stale, and Korea gives me pretty choreographed skill [1] — there’s still no one bringing anything new to the pop table.

You’re still missed MJ.

Well, this one is an “oldie” alright.

I remember in 1999, I was obsessed with this song — at least, it was one of the many songs I obsessed over in those years. It has nothing to do with the video, even though I probably taped the video a million times over on VHS. Hey! We didn’t have YouTube back then!

The video is… very 90s Latin America. Floating face hovering on top of the movie — because Recuerda was the main theme song for an Argentinean movie called La Venganza. You would notice the use of Mistral in one of those scenes. It’s hilarious to watch the video now.

The song is pretty simple in lyrics. Diego Torres is an apt vocalist and songwriter at times, but nothing too extraordinary, so his songs tend to be easier to translate. He’s got some pretty good singles, though.
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Juanes said that he dreams in Spanish, so that’s why he usually doesn’t sing in another language, even though he’s collaborated with artists that don’t necessarily sing in Spanish. So when he did his song Hoy Me Voy [YouTube] — included in his 2007 album La Vida Es un Ratico — and did a Spanglish version with Colbie Caillat, it was interesting.

For the most part, the Spanglish version does a good job at translating the Spanish — “Devuélveme ese corazón que tú no supiste valorar lo que te daba yo de verdad.” to a pretty close “So give me back this heart of mine ’cause you didn’t feel the love that I would give to you every day and night.

A literal translation would be “Give me back this heart that you didn’t value what I really gave to you.

You know there’s a problem when you add the words “every day and night,” as well as the cringe-worthy random “baby.” xD Which they use in the chorus (nonetheless!!!) — “Tengo miedo de no olvidarte y por eso de ti me despido” with the line “I am scared baby, I won’t forget you and that’s why i need to let you go, so-

The literal translation for that would be “I’m scared of not forgetting you, and that’s why I’m saying goodbye.” Compared to that, the Portuguese/Spanish version (Spanguese? Portugish?) goes the dramatic way with the line “Tive medo, fui covarde, é por isso que de ti me despeço” which translates literally to “I was scared, I was a coward, and that’s why I’m saying goodbye.

https://www.youtube.com/watch?v=T4K7zySqNas

Obviously, the mixing of Spanish and Portuguese is way more natural than with English. However, it’s super interesting that the changed lyrics in Portguese are even more dramatic than in Spanish… which usually have dramatic lyrics.

Anyway, I prefer the arrangements for this version with Paula Fernandes because it gives it a super serious and more devastating tone. The original version of just Juanes in Spanish is a little too peppy, and the version with Colbie Caillat is just… too soft.
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