Well, it’s been a long time. But I’m not letting October be the month of no posts, so here’s a little something~
Since my return to Kpop, I’ve become a lot more lethargic (plus, working overnight), so I’ve been trying to find that time again to run and exercise. Ranveer Singh, been the Master of Hype, has the two best songs to get ya pumping; and the crew at Exodus Artistry have a mix of both songs that’s the perfect workout!
Ice-skaters Tatiana Volosozhar and Maxim Trankov did a rendition of Nagada Sang Dhol [clip] in their ice-skating routine (which, apparently, won them a gold medal) that made me want to watch Devdas on Ice~~~ or specifically Dola Re Dola on Ice because I’m like that!
As you know~ Russia is big on the ice-skating events, even more so than the Koreans (who had the reality Kim Yu-na’s Kiss & Cry), the Japanese who broadcast ice-skating competitions quite regularly throughout the year, and the Americans (the other day I caught a broadcast of Musselman’s Apple Sauce Family Skating Tribute on ESPN).
Anyone who’ve seen both Sanjay Leela Bhansali’s 1996 directorial debut Khamoshi: The Musical (Silence: The Musical) and last year’s Belgian-French La Famille Bélier -by Eric Lartigau- can spot the similarities between the two (as well as the 1996 German film Beyond Silence (Jenseits der Stille) by Caroline Link). You can even spot the similar plot points by either reading the outline or watching the trailer.
In the pivotal emotional punch of the movie, the daughter (played by Manisha Koirala and Louane Emera respectively) auditions to the coveted singing position, when her (deaf) parents -who had been against the idea- show up to see their daughter perform both vocally and in sign language. Koirala (voiced by playback singer Kavita Krishnamurthy) doing Yeh Dil Sun Raha Hain (This Heart Is Listening), and Emera singing Je Vole (I Fly).
Though Lartigau’s more modern take is much more musically accessible (let’s be honest, the film starts out with 2008 staple That’s Not My Name ), it’s also lighter. Bhansali’s story focuses a big chunk of his running time to tell the story of Manisha’s parents, also incredibly played by Nana Patekar and Seema Biswas, their struggle to raise a (hearing) child in near poverty levels, to the point that Patekar goes door to door with his daughter to make a living selling things.
Of course, both also have a love interest, and both Salman and Ilian Bergala are the weakest link.
I have a really weird history with films– born in the late 80s, you’d think I would’ve grown watching loads of 90s kids stuff, but I actually grew up with a lot of Silly Symphonies (which were released in the 30s) and loads of Disney 40s, 50s, 60s, 70s stuff, plus a lot of more grown up 80s movies. Poltergeist, The Thing, The Fly and The Stuff were particularly scary stuff (and I’m pretty sure I was scared of yogurt or white stuff at some point).
I don’t ever remember buying any original VHS tape, except for the rare birthday gift of a Disney’s Sing-Along Songs chapter or that X-Men tape I have. My first DVDs buys were Coyote Ugly, She’s All That and Loser — you can’t blame me. I was a 15-year-old girl. The collection grew bigger, and possibly exploded during my years abroad. I’m nearing my 500th movie.