Archives For Moving Media

Not gonna lie and say I haven’t been obsessing over the trailer for Crew since it dropped, and looking at the clips for Ghagra [1] and kinda giddy at the cover remix of Choli Ke Peeche [1].

I even finally re-watched Idhi Sangathi (with synced subs!) because of it.

Tabu finding riches in highly unusual places!

My only grip with the film, currently, is that my suspense of disbelief is dropped when I see them carrying kilos of gold. Autistic.

Other than that, I’m a super fan of potty-mouthed Tabu (I hope the announcement that theatrical was edited only means we get the potty-mouthed version on Netflix), and I want someone to ask them how much of the funny bits were ad-lib and improv, because that scene where they tell Kriti to sell her assets and the reaction to it was hilarious.

Buying physical media has been a chore lately, you gotta keep an eye out so you make sure you don’t miss your delivery because, for some reason, people cannot just leave your package any longer.

Plus, distributors are doing physical media less and less. The whole of the Indian Cinema industry has decided to phase out physical media in favor of going all in on OTT and VOD. Even enormous hits like RRR are left with no physical release, even in the West. Even Disney is letting Sony handle its physical media, which seems like the end of an era. Then there’s the whole thing about editing and disappearing media from libraries.

So these are some of the most recent -and not so recent- films that have been added to the physical library. I wish I had more disposable income because there are a bunch of titles (and upgrades) that had been added to the wishlist.

These on top of some Bluray upgrades like Sion Sono’s Love Exposure, Kalatozov’s The Cranes Are Flying, brand new Criterion’s for Los Otros and Laberinto del Fauno. Some random BR UK release for Whatever Happened to Baby Jane?

Also, this post makes it so that this year is the most I’ve blogged since 2020. I’m coming for you 2019. Four posts in Feb’24 is the most continuous blogging since Aug’18.

Having debuted back in 2022 under the name Song Soowoo (송수우) with the edgy-sounding song Love Me or Hate Me [MV], Song is back under the name NINA (니나) [almost impossible to look up without running into other Ninas] with the music video for Love Like This, directed by Jonah George.

Alt link available at Super Sound Bugs!

Which, if you’ve seen the Bugs thumbnail on YouTube, looks Yu Aoi-inspired. I say Yu Aoi-inspired, because it’s mostly Yuki Tanada’s One Million Yen Girl and heavily references Shunji Iwai’s Hana & Alice for obvious shots. However, it also heavily references Iwai’s 1995 Asian hit Love Letter which has inspired a whole generation of filmmakers [1][2] and idols.

That’s me. People will ask me if I’m watching which and what show, and I would usually say that I really don’t have time to watch much television. However, the past week I’ve been catching up with my “to watch” list and inundated.

I watched one single episode of Prime India’s Jubilee, which I’m looking forward to finishing. And I just binged through Apple’s Pachinko. I’m usually hit or miss with Kogonada (After Yang was excellent), but my only complaint about Pachinko is that I really wish American series would do their just one off series and not make me wait for two or three seasons.

I’ve also just started Nicole Kidman’s Nine Perfect Strangers (after going through Hulu’s Tiny Beautiful Things with Kathryn Hahn). Going though Showtime’s The Good Lord Bird, and have been catching Demon Slayer episodes, as well as rewatching shows like Cowboy Bebop and Orange Days (went through Tiger & Dragon, as well as Quartet a while back). Picking up old school Trigun, and planning to finally go through Emily Blunt’s The English and FINALLY trying to get through McQueen’s Small Axe.

Not even counting that I really wanted to watch that Prime The Underground Railroad series.

The original latino dub of my Operación Dragón de Bruce Lee memories. After years searching, several copies acquired (The first thing I did when I bought my Special Edition DVD was check the dub). I even had to go through several copies of Spain’s Spanish, only to find out that the Latino version had a do-over, and that the original Latino dub of Bruce Lee’s Enter the Dragon was probably lost media.

I even wrote to OG Hector Lee, who was the original Bruce Lee voice in the film.

It has not been lost. These are my memories. I will cherish them.

Happy sort of belated Christmas, everyone!

I’m bummed! I was expecting to spend a quiet Xmas day with my mother, as we had agreed to catch a viewing of Celtic Woman’s A Christmas Celebration, which I happened to own a DVD of. Everything was going smoothly, we were already finishing Green the Whole Year Round when the DVD stopped playing. After checking again on the same player, through the track selection page, and testing a different player. I determined it was a disc issue.

It’s the dreaded disc rot.

I ended up testing my other two Celtic Woman DVDs. When they both had similar issues, the Celtic Woman 2005 release gets stuck at Orinoco Flow and A New Journey gets stuck at Panis Angelicus, I got worried similar DVD releases (that might be even slightly older than these) stored in the same place might have similar issues. However, it doesn’t seem to be a storage issue, as it’s a Manhattan (Now Capitol Music Group) release issue. I don’t even know if I’m allowed to post this on Amazon to try and find someone that might have similar issues, so I decided to post here just in case someone might be searching for this specific issue.

At the moment, both Celtic Woman and A New Journey seem to still be available on Amazon through sellers (wonder if they have similar disc rot issues), and A Christmas Celebration offers copies of upwards $30 from other sellers not the same ‘url product’ where it was originally purchased. A New Journey remains the only release errrr “easier” to back up in case of physical loss.

The fact that other Arista and Sony releases that are slightly older and stored in the same condition as these show no signs of rot tells me that smaller no-label releases are the most in danger of decay and most in danger of becoming lost media.

If you have a good copy of the 2005 Celtic Woman concert or A Christmas Celebration to share, please, let me know through a comment or drop me a line.

So I did this.

Na hosh chale
Na junoon chale
Dil par kiska qanoon chale

Tu jaan meri
Meri jaan hai tu
Chal jaise ragon mein khoon chale

Tu kya hai
Kya ehsas hai tu
Ehsas ka koi wajood nahi

Main kaise tujhe chhu leta hu
Jab samne tu maujuud nahi

Ae jaan meri
Meri jaan hai tu
Chal jaise ragon mein khoon chale

Palko ki chhaon dhundta hu
Main teri nazar ki dhoop tale
Uss pyaase ka kya hoga bataa
Jo sabnam ke paataal pai palin

Ae jaan meri
Meri jaan hai tu
Chal jaise ragon mein khoon chale

Full version of the audio is available here.

Vishal’s version (labeled as “Film Version”) is slightly different after the first chorus, so might share in separate post.

Translations to English would be appreciated.

Continue Reading…

It took a while, but

Happy 1000th fan!

If you aren’t following the list yet, you might discover a gem or two!

My only Letterboxd anticipated message came in the other day, but I took a little bit longer to post because the better side of my OCD got to me.

But here it is!

I went on a Stephen Chow binge, and got to watch a bunch of Hrishikesh Mukherjee films for MUBI. Not to be the Debbie Downer of the terrible 2020, but I hope 2021 picks up. This is the first time in my movie-watching history that I only have one single 4-star rating in my Year Films Ranked list. Two titles if you consider Marona’s Fantastic Tale.

This 2021, I have decided to shut off social media and restart blogging once again. It doesn’t matter if it’s into a blackhole of information. I’ve started with this Spanish translation of a review for Zoya Akhtar’s Dil Dhadakne Do, since the film is in rotation at the Indian entertainment channel ZeeMundo. We also have a proper Spanish title for Haider (!).

Oscar Ballot 2020

January 13, 2020 — Leave a comment

I’m probably two weeks ahead, compared to my Ballot posting last year, which means my Independent Spirit Awards ballot is still halfway done, but my Academy voting ballot is pretty complete.

I might end up watching The Two Popes, but all I’m really waiting for to open in theaters is Bombshell (which opens this Thursday), Little Women and 1917. Harriet is never going to open down here, but I really got a soft spot for this type of movies.

I’m really REALLY surprised Girl in the Hallway didn’t make the cut. You can watch the short on Vimeo.