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So I did this.

Na hosh chale
Na junoon chale
Dil par kiska qanoon chale

Tu jaan meri
Meri jaan hai tu
Chal jaise ragon mein khoon chale

Tu kya hai
Kya ehsas hai tu
Ehsas ka koi wajood nahi

Main kaise tujhe chhu leta hu
Jab samne tu maujuud nahi

Ae jaan meri
Meri jaan hai tu
Chal jaise ragon mein khoon chale

Palko ki chhaon dhundta hu
Main teri nazar ki dhoop tale
Uss pyaase ka kya hoga bataa
Jo sabnam ke paataal pai palin

Ae jaan meri
Meri jaan hai tu
Chal jaise ragon mein khoon chale

Full version of the audio is available here.

Vishal’s version (labeled as “Film Version”) is slightly different after the first chorus, so might share in separate post.

Translations to English would be appreciated.

It took a while, but

Happy 1000th fan!

If you aren’t following the list yet, you might discover a gem or two!

My only Letterboxd anticipated message came in the other day, but I took a little bit longer to post because the better side of my OCD got to me.

But here it is!

I went on a Stephen Chow binge, and got to watch a bunch of Hrishikesh Mukherjee films for MUBI. Not to be the Debbie Downer of the terrible 2020, but I hope 2021 picks up. This is the first time in my movie-watching history that I only have one single 4-star rating in my Year Films Ranked list. Two titles if you consider Marona’s Fantastic Tale.

This 2021, I have decided to shut off social media and restart blogging once again. It doesn’t matter if it’s into a blackhole of information. I’ve started with this Spanish translation of a review for Zoya Akhtar’s Dil Dhadakne Do, since the film is in rotation at the Indian entertainment channel ZeeMundo. We also have a proper Spanish title for Haider (!).

Oscar Ballot 2020

January 13, 2020 — Leave a comment

I’m probably two weeks ahead, compared to my Ballot posting last year, which means my Independent Spirit Awards ballot is still halfway done, but my Academy voting ballot is pretty complete.

I might end up watching The Two Popes, but all I’m really waiting for to open in theaters is Bombshell (which opens this Thursday), Little Women and 1917. Harriet is never going to open down here, but I really got a soft spot for this type of movies.

I’m really REALLY surprised Girl in the Hallway didn’t make the cut. You can watch the short on Vimeo.

Happy late holidays and New Year, everyone!

My most awaited Letterboxd e-mail came yesterday with my 2019 movie-data. Though my writing input has definitely not improved, cutting down on Mamamoo stuff has increased my movie watching habits, for sure.

Compared to 2018, I logged 480 films (though over 50 or even many more could be short films), which represents a 23% increase. In terms of hours, there was an increment of over 100hrs or 16%. This increase still doesn’t match my 2015 levels, when I reached 530 logged films (9.5% short) or clocked 959hrs (14% short)… but it’s getting there. I am still at 2017 New-To-Me level of movies, though.

My most-watched actor was Glenn Close because I went on a marathon of her movies because I really thought that she could win the Oscar, not that I wasn’t pleasantly surprised to see Olivia Colman win for The Favourite. And Francois Ozon was my most-watched director because MUBI programmed many of his films, including Les Amants Criminels, Water Drops on Burning Rocks, Young & Beautiful, and L’Amant Double.

And as my writing output has been so poor, I haven’t written any End of the Year (or Decade) posts. Gomen.

I haven’t had much time or chance to watch Yuki Tanada’s movies, and I’m still trying to catch up with recent Yu Aoi movies… BUT! Issei Takahashi has really sneaked into my Jdrama catching up. Incredible rise to fame.

I had no idea that Lee Hyori was doing a brand new variety reuniting with Fin.K.L after all these years! I’m almost offended no one in the timeline talked about it. UNbelievable.

Now all I have to do is find the time to sit through several episodes, but I’ve already spoiled myself with all the clips posted on the JTBC channel. Of course, feelings were had.

Also, Lee Hyori, Queen of the Innocent concept xD~

Bless this concept.

It’s been a LONG time since I shared anything here xD… but this sure is memorable. It’s also been a long time since I paid any attention to MTV or the VMAs. I have no idea who was doing what where, but since Missy Elliott just dropped Iconology [YT], there wasn’t a better time to catch up with news.

In a decade of forgettable American/Western mainstream music, and an even more forgettable MTV music era, it’s hard to come up with a magical moment that marked this decade… but this could be IT. It’s not the best in the history of VMAs, but it could be very well the best performance VMA has offered this decade.

Missy was, after all, at the top during the peak MTV performance years. Bless her soul. And bless her love for baby girl Aaliyah.

– What if someday there came a tomorrow when we were apart?
– As long as we’re apart together, we shall certainly be fine.

from: Pooh’s Most Grand Adventure: The Search For Christopher Robin

As long as we’re apart together

I’m one of the very few people that actually enjoyed The Golden Compass, and I must admit that I’m always the skeptic, but this latest trailer for HBO-BBC’s His Dark Materials adaptation has raised my expectations. I’m never a fan of season series, but I’ll allow three for this, of course.

I’m a hyper-real animation skeptic, as well. But it certainly works best in mixed media than *coughliveactionremakescough*.

I hope there’s blood in the bear fight. That always irked me.