Archives For Music

Not gonna lie and say I haven’t been obsessing over the trailer for Crew since it dropped, and looking at the clips for Ghagra [1] and kinda giddy at the cover remix of Choli Ke Peeche [1].

I even finally re-watched Idhi Sangathi (with synced subs!) because of it.

Tabu finding riches in highly unusual places!

My only grip with the film, currently, is that my suspense of disbelief is dropped when I see them carrying kilos of gold. Autistic.

Other than that, I’m a super fan of potty-mouthed Tabu (I hope the announcement that theatrical was edited only means we get the potty-mouthed version on Netflix), and I want someone to ask them how much of the funny bits were ad-lib and improv, because that scene where they tell Kriti to sell her assets and the reaction to it was hilarious.

Having debuted back in 2022 under the name Song Soowoo (송수우) with the edgy-sounding song Love Me or Hate Me [MV], Song is back under the name NINA (니나) [almost impossible to look up without running into other Ninas] with the music video for Love Like This, directed by Jonah George.

Alt link available at Super Sound Bugs!

Which, if you’ve seen the Bugs thumbnail on YouTube, looks Yu Aoi-inspired. I say Yu Aoi-inspired, because it’s mostly Yuki Tanada’s One Million Yen Girl and heavily references Shunji Iwai’s Hana & Alice for obvious shots. However, it also heavily references Iwai’s 1995 Asian hit Love Letter which has inspired a whole generation of filmmakers [1][2] and idols.

Happy sort of belated Christmas, everyone!

I’m bummed! I was expecting to spend a quiet Xmas day with my mother, as we had agreed to catch a viewing of Celtic Woman’s A Christmas Celebration, which I happened to own a DVD of. Everything was going smoothly, we were already finishing Green the Whole Year Round when the DVD stopped playing. After checking again on the same player, through the track selection page, and testing a different player. I determined it was a disc issue.

It’s the dreaded disc rot.

I ended up testing my other two Celtic Woman DVDs. When they both had similar issues, the Celtic Woman 2005 release gets stuck at Orinoco Flow and A New Journey gets stuck at Panis Angelicus, I got worried similar DVD releases (that might be even slightly older than these) stored in the same place might have similar issues. However, it doesn’t seem to be a storage issue, as it’s a Manhattan (Now Capitol Music Group) release issue. I don’t even know if I’m allowed to post this on Amazon to try and find someone that might have similar issues, so I decided to post here just in case someone might be searching for this specific issue.

At the moment, both Celtic Woman and A New Journey seem to still be available on Amazon through sellers (wonder if they have similar disc rot issues), and A Christmas Celebration offers copies of upwards $30 from other sellers not the same ‘url product’ where it was originally purchased. A New Journey remains the only release errrr “easier” to back up in case of physical loss.

The fact that other Arista and Sony releases that are slightly older and stored in the same condition as these show no signs of rot tells me that smaller no-label releases are the most in danger of decay and most in danger of becoming lost media.

If you have a good copy of the 2005 Celtic Woman concert or A Christmas Celebration to share, please, let me know through a comment or drop me a line.

So I did this.

Na hosh chale
Na junoon chale
Dil par kiska qanoon chale

Tu jaan meri
Meri jaan hai tu
Chal jaise ragon mein khoon chale

Tu kya hai
Kya ehsas hai tu
Ehsas ka koi wajood nahi

Main kaise tujhe chhu leta hu
Jab samne tu maujuud nahi

Ae jaan meri
Meri jaan hai tu
Chal jaise ragon mein khoon chale

Palko ki chhaon dhundta hu
Main teri nazar ki dhoop tale
Uss pyaase ka kya hoga bataa
Jo sabnam ke paataal pai palin

Ae jaan meri
Meri jaan hai tu
Chal jaise ragon mein khoon chale

Full version of the audio is available here.

Vishal’s version (labeled as “Film Version”) is slightly different after the first chorus, so might share in separate post.

Translations to English would be appreciated.

Continue Reading…

So Long, My Xiami

January 6, 2021 — Leave a comment

Greetings, my fellow lurkers, if you are lurking still. Knowing that I haven’t updated anywhere and I’m hardly active on social media, I just wanted to say that I haven’t died and haven’t been swallowed by the Earth. I hope 2020 didn’t wreck you, and that 2021 finds you in a more… calm path.

As I sit here making plans of wanting to do a lot of things, and then getting nowhere, I reminisce the days of internet freedom when roaming through websites was like the wild west. And that’s when I discovered Xiami— according to WP word search find, the earliest mention of the music site on the blog dates back to 2010… with an even older mention of forgotten HaoTing. lol Since then, over a decade ago and many an indie Chinese music discovery, Xiami had been part of my daily life for thousands and thousands of days.

I took a screencap for posterity! My Xiami account was supposed to last until the end of the year, and then an extra 4 months.

So it is with great sadness, but hardly any surprise, that I report that Xiami will be no more… on February 5th this year, to mark my 35ths birthday, nonetheless. End of an era for my music streaming, end of the era… of my youth, I suppose. With my only consolation prize that a lot of Chinese music is already available on not only iTunes and Spotify, but also on YouTube. I just need to re-find them and subscribe to whatever their channels are. It will be, of course, a lot more difficult to discover brand new Chinese music.

Now this is what we can call a comeback COMEBACK, not a regular Kpop Comeback. xD Years since their last album, Basic back in 2015, Brown Eyed Girls went their personal projects way— GaIn and JeA with solo music, Miryo releasing singles and participating on Unpretty Rapstar, and Narsha with varieties as well as getting married~

It’s good to have them BACK!

If you want to support Brown Eyed Girls’ RE_vive album cover compilation, you can order it at Ktown4u where it counts for Hanteo Sales. Album comes out on the 30th. YesAsia also carries the album with the poster tube, and without it.

It’s been a LONG time since I shared anything here xD… but this sure is memorable. It’s also been a long time since I paid any attention to MTV or the VMAs. I have no idea who was doing what where, but since Missy Elliott just dropped Iconology [YT], there wasn’t a better time to catch up with news.

In a decade of forgettable American/Western mainstream music, and an even more forgettable MTV music era, it’s hard to come up with a magical moment that marked this decade… but this could be IT. It’s not the best in the history of VMAs, but it could be very well the best performance VMA has offered this decade.

Missy was, after all, at the top during the peak MTV performance years. Bless her soul. And bless her love for baby girl Aaliyah.

I never considered myself a Blackjack or bought a lightstick before I got my Moobong, but I had been a Kpop listener for a decade. 2NE1 and Big Bang were on constant rotation on my playlist, and Big Bang popped my Kpop concert cherry. And honestly, Bom’s Spring [MV] couldn’t have come at a better timing. It’s been on constant repeat since it came out.

I’ve also been enjoying Bom’s music show performances. and was astonished with her MR Removed clip. Her press has also been so emotional, but this short interview given to Melon got my feelings up in a bunch. Not only because she shades saying Melon is the only chart she didn’t top, LOL or that she still loves corn despite not eating it as much anymore because she’s trying to lose weight. LOL, imagine a field of corn and radishes at a performance~

But then she gets to 2NE1, and Sandara, and how YG felt so much like family that she didn’t see herself continuing her career after that. And how Teddy was the first person she thought of when showing Spring for the first time. It’s been a roller-coaster of emotions, I’m glad she’s managed to pull herself together to a point where she is happy making music again and seeing her fans. Bless her.

I haven’t been much of an active moomoo lately coz somebody gotta adult, but I got to watch Hwasa’s meaningful 2nd Win accompanied by her members, which was the most satisfying experience in probably all year watching Mamamoo go through their 4 Seasons 4 Colors project.

What a wonderful way to start promotion cycle for White Wind‘s title gogobebe, which I gotta admit have been replaying more in this M2 Relay Dance version, because it reminds me so much of their Girl Crush video mixed with their Dingo Music performance of Um Oh Ah Yeh. Bless these children.

Also, it may be historic seeing an active girl group member winning the day their group is making a comeback. Mam-moo only.

I’m shook. For some reason SBS Catch has just uploaded the September 2017 episode of Law of the Jungle (정글의 법칙) featuring GFriend’s Yerin. I wasn’t expecting to sit through the whole episode, but I was really impressed with Yerin’s survival skills.

I was even more surprised to see how she handled the Monitor lizard, killing it, skinning it, and preparing it. I can’t relate. LOL She reminded me of Savage Yejin on Family Outing.

Ah, good times.

Mad respect. Yerin, fighting! Yeoja Chingu, fighting! YeoMaChinMoo, fighting!