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On December, I wrote about a couple of my concert music DVDs rotting away.

And the YT algo just popped this on the feed, talking about a number of Warner Bros titles that are apparently being affected.

Somebody on forums (!!! They still exist!) posted a list of probable affected titles, and to my dismay, the Greta Garbo and (both) Joan Crawford collections are affected. I just popped Mata Hari and Possessed on the player and seem to be playing fine.

Another one of the fears with (new) media and products that developed in types of plastic is that they’re decaying faster than people expected. I’ve had older (retired) players that were kept on storage that have a general sticky texture after a while. However, this doesn’t seem to happen to players that are in general exposure, not directly with sunlight, but in a generally airy room that’s in use, unlike a display room. I also happen to live in the mildest of climates, though high in humidity, temperatures never go above 30C (above 90F) or lower than 14C (lower than 55F). So maybe these conditions are affecting the storage of physical media.

I did the vast majority of my library collection before 2007, though. I did buy a number of things in between the mid-2000s to late-2000s, so if disc rot is affecting a general batch produced in between 2007-2009, it is a concern. I’m generally more worried with collections I keep in drawers instead of a regular shelf display.

… is Amy.

I asked the collective conscious who the biggest Yu Aoi fan was, and it pulled this up.

I’ll take it.

Amy is the biggest Yu Aoi fan.

Oh, wow. Look at this ridiculously good-looking photo of Dita Von Teese. What a face. What a shot. Bless Beau Nelson for this shot.

credits to Dita Von Teese’s FB, who -by the way- won’t let me access her Linktree because it says it goes against community standards. Facebook has become insane. It was bad before, now it’s worse. It’s almost nearly unusable now.

It took a while, but

Happy 1000th fan!

If you aren’t following the list yet, you might discover a gem or two!

My only Letterboxd anticipated message came in the other day, but I took a little bit longer to post because the better side of my OCD got to me.

But here it is!

I went on a Stephen Chow binge, and got to watch a bunch of Hrishikesh Mukherjee films for MUBI. Not to be the Debbie Downer of the terrible 2020, but I hope 2021 picks up. This is the first time in my movie-watching history that I only have one single 4-star rating in my Year Films Ranked list. Two titles if you consider Marona’s Fantastic Tale.

This 2021, I have decided to shut off social media and restart blogging once again. It doesn’t matter if it’s into a blackhole of information. I’ve started with this Spanish translation of a review for Zoya Akhtar’s Dil Dhadakne Do, since the film is in rotation at the Indian entertainment channel ZeeMundo. We also have a proper Spanish title for Haider (!).

So Long, My Xiami

January 6, 2021 — Leave a comment

Greetings, my fellow lurkers, if you are lurking still. Knowing that I haven’t updated anywhere and I’m hardly active on social media, I just wanted to say that I haven’t died and haven’t been swallowed by the Earth. I hope 2020 didn’t wreck you, and that 2021 finds you in a more… calm path.

As I sit here making plans of wanting to do a lot of things, and then getting nowhere, I reminisce the days of internet freedom when roaming through websites was like the wild west. And that’s when I discovered Xiami— according to WP word search find, the earliest mention of the music site on the blog dates back to 2010… with an even older mention of forgotten HaoTing. lol Since then, over a decade ago and many an indie Chinese music discovery, Xiami had been part of my daily life for thousands and thousands of days.

I took a screencap for posterity! My Xiami account was supposed to last until the end of the year, and then an extra 4 months.

So it is with great sadness, but hardly any surprise, that I report that Xiami will be no more… on February 5th this year, to mark my 35ths birthday, nonetheless. End of an era for my music streaming, end of the era… of my youth, I suppose. With my only consolation prize that a lot of Chinese music is already available on not only iTunes and Spotify, but also on YouTube. I just need to re-find them and subscribe to whatever their channels are. It will be, of course, a lot more difficult to discover brand new Chinese music.

Happy late holidays and New Year, everyone!

My most awaited Letterboxd e-mail came yesterday with my 2019 movie-data. Though my writing input has definitely not improved, cutting down on Mamamoo stuff has increased my movie watching habits, for sure.

Compared to 2018, I logged 480 films (though over 50 or even many more could be short films), which represents a 23% increase. In terms of hours, there was an increment of over 100hrs or 16%. This increase still doesn’t match my 2015 levels, when I reached 530 logged films (9.5% short) or clocked 959hrs (14% short)… but it’s getting there. I am still at 2017 New-To-Me level of movies, though.

My most-watched actor was Glenn Close because I went on a marathon of her movies because I really thought that she could win the Oscar, not that I wasn’t pleasantly surprised to see Olivia Colman win for The Favourite. And Francois Ozon was my most-watched director because MUBI programmed many of his films, including Les Amants Criminels, Water Drops on Burning Rocks, Young & Beautiful, and L’Amant Double.

And as my writing output has been so poor, I haven’t written any End of the Year (or Decade) posts. Gomen.

After years [1][2][3] of data; Yes, it’s Mamamoo’s fault. The positives, though, I have registered 31 more hours than I did last year with an extra 18 movies. My movie-watching in general got better because I managed to watch 132 brand new 2018 movies (compared to the 103 in 2017).

This year, I didn’t make any particular movie goal. Though, some of my favorite movies this year were Indian, as reflected by my latest highest ratings. No one has been able to surpass my love for Rene Liu’s Us and Them so far, though. It’s been an incredible year for… not movies made by Netflix, but they have expanded their distribution library enough to make it interesting.

My goal for this year is to increase the titles I watch; seeing that from this interview at Film Independent, the guy from IMDb states that “You should feel disappointed if you haven’t seen 700 movies in a particular year [laughs].” O.o I don’t feel half bad about registering half the amount of movies the guy from IMDb watches. Just saying.

Damn, I missed ya, Gaji~ I still miss Seju and all her drama, but Pet Aesthetics (애완의 미학) is as close as it’s gonna get for a while (at least), and I did see what you did there *wink wink nudge nudge* Also, I missed those *badump badump* The art, the aesthetic. Damn it.

I do wonder… are you gonna make me cry? lol

Interesting! I figured I watched less movies this 2017 than I did in 2016, but turns out I got a couple more films/hours logged. And there were a couple more titles that I didn’t log because they’re not on Letterboxd. They just happened to be not current movies, I suppose.

I’m still, currently, very much obsessed with Mamamoo, though. LOL That’s 30% of my movie-watching time doing Mamamoo-related stuff.

2018 doesn’t look to be an improvement to 2015 levels xD

I’m also not sure whether Ryo Kase is my Most Watched Actor this year, considering I went on a non-logged marathon of Shweta Menon movies— like 4 or 5. But, once again, latest highest-rated movies reflect some of my movie-watching; a little American indie, a little Indian and a little Chinese.

I did find enough for my usual Top30 Favorite Film Discovery post :)

And a super lengthy post on my favorite films this year, which has already changed xDDDDDD