I also sat down for my first watch of Shunji Iwai’s latest— A Bride for Rip Van Winkle. It was glorious. At the moment, it’s battling it out with Kubo for my #1 spot~
I have a really weird history with films– born in the late 80s, you’d think I would’ve grown watching loads of 90s kids stuff, but I actually grew up with a lot of Silly Symphonies (which were released in the 30s) and loads of Disney 40s, 50s, 60s, 70s stuff, plus a lot of more grown up 80s movies. Poltergeist, The Thing, The Fly and The Stuff were particularly scary stuff (and I’m pretty sure I was scared of yogurt or white stuff at some point).
I don’t ever remember buying any original VHS tape, except for the rare birthday gift of a Disney’s Sing-Along Songs chapter or that X-Men tape I have. My first DVDs buys were Coyote Ugly, She’s All That and Loser — you can’t blame me. I was a 15-year-old girl. The collection grew bigger, and possibly exploded during my years abroad. I’m nearing my 500th movie.
I also made a [nomination] list of all my favorite foreign things of the last decade. If I had included all movies, general suspects would have applied (eg. Children of Men, Dancer in the Dark), but still remains a very ME list. I hope you like the selection, and don’t hesitate in suggesting films to watch.
Except for that 3-year break MTV took off the Breakthrough Music Video category, they had continued giving away the prize — which had been given to the likes of Spike Jonze, Michel Gondry and Chris Cunningham — until 2010, when they officially removed the category.
For the other two years, you know I’m probably partial to SunnyHill [1], but I’ll go with Salyu’s Tadano Tomodachi [1] concept because it’s much more a production concept than a music video concept. For 2012, despite its serious hard-hitting concept [1], I would have to go with Graham Coxon’s What’ll It Take [MV] due to its imaginative execution using fan footage.