Archives For animation

Buying physical media has been a chore lately, you gotta keep an eye out so you make sure you don’t miss your delivery because, for some reason, people cannot just leave your package any longer.

Plus, distributors are doing physical media less and less. The whole of the Indian Cinema industry has decided to phase out physical media in favor of going all in on OTT and VOD. Even enormous hits like RRR are left with no physical release, even in the West. Even Disney is letting Sony handle its physical media, which seems like the end of an era. Then there’s the whole thing about editing and disappearing media from libraries.

So these are some of the most recent -and not so recent- films that have been added to the physical library. I wish I had more disposable income because there are a bunch of titles (and upgrades) that had been added to the wishlist.

These on top of some Bluray upgrades like Sion Sono’s Love Exposure, Kalatozov’s The Cranes Are Flying, brand new Criterion’s for Los Otros and Laberinto del Fauno. Some random BR UK release for Whatever Happened to Baby Jane?

Also, this post makes it so that this year is the most I’ve blogged since 2020. I’m coming for you 2019. Four posts in Feb’24 is the most continuous blogging since Aug’18.

That’s me. People will ask me if I’m watching which and what show, and I would usually say that I really don’t have time to watch much television. However, the past week I’ve been catching up with my “to watch” list and inundated.

I watched one single episode of Prime India’s Jubilee, which I’m looking forward to finishing. And I just binged through Apple’s Pachinko. I’m usually hit or miss with Kogonada (After Yang was excellent), but my only complaint about Pachinko is that I really wish American series would do their just one off series and not make me wait for two or three seasons.

I’ve also just started Nicole Kidman’s Nine Perfect Strangers (after going through Hulu’s Tiny Beautiful Things with Kathryn Hahn). Going though Showtime’s The Good Lord Bird, and have been catching Demon Slayer episodes, as well as rewatching shows like Cowboy Bebop and Orange Days (went through Tiger & Dragon, as well as Quartet a while back). Picking up old school Trigun, and planning to finally go through Emily Blunt’s The English and FINALLY trying to get through McQueen’s Small Axe.

Not even counting that I really wanted to watch that Prime The Underground Railroad series.

It took a while, but

Happy 1000th fan!

If you aren’t following the list yet, you might discover a gem or two!

My only Letterboxd anticipated message came in the other day, but I took a little bit longer to post because the better side of my OCD got to me.

But here it is!

I went on a Stephen Chow binge, and got to watch a bunch of Hrishikesh Mukherjee films for MUBI. Not to be the Debbie Downer of the terrible 2020, but I hope 2021 picks up. This is the first time in my movie-watching history that I only have one single 4-star rating in my Year Films Ranked list. Two titles if you consider Marona’s Fantastic Tale.

This 2021, I have decided to shut off social media and restart blogging once again. It doesn’t matter if it’s into a blackhole of information. I’ve started with this Spanish translation of a review for Zoya Akhtar’s Dil Dhadakne Do, since the film is in rotation at the Indian entertainment channel ZeeMundo. We also have a proper Spanish title for Haider (!).

Oscar Ballot 2020

January 13, 2020 — Leave a comment

I’m probably two weeks ahead, compared to my Ballot posting last year, which means my Independent Spirit Awards ballot is still halfway done, but my Academy voting ballot is pretty complete.

I might end up watching The Two Popes, but all I’m really waiting for to open in theaters is Bombshell (which opens this Thursday), Little Women and 1917. Harriet is never going to open down here, but I really got a soft spot for this type of movies.

I’m really REALLY surprised Girl in the Hallway didn’t make the cut. You can watch the short on Vimeo.

Happy late holidays and New Year, everyone!

My most awaited Letterboxd e-mail came yesterday with my 2019 movie-data. Though my writing input has definitely not improved, cutting down on Mamamoo stuff has increased my movie watching habits, for sure.

Compared to 2018, I logged 480 films (though over 50 or even many more could be short films), which represents a 23% increase. In terms of hours, there was an increment of over 100hrs or 16%. This increase still doesn’t match my 2015 levels, when I reached 530 logged films (9.5% short) or clocked 959hrs (14% short)… but it’s getting there. I am still at 2017 New-To-Me level of movies, though.

My most-watched actor was Glenn Close because I went on a marathon of her movies because I really thought that she could win the Oscar, not that I wasn’t pleasantly surprised to see Olivia Colman win for The Favourite. And Francois Ozon was my most-watched director because MUBI programmed many of his films, including Les Amants Criminels, Water Drops on Burning Rocks, Young & Beautiful, and L’Amant Double.

And as my writing output has been so poor, I haven’t written any End of the Year (or Decade) posts. Gomen.

It’s a beautifully animated and textured short. Spooky enough, but I’m not crying, YOU ARE.

– What if someday there came a tomorrow when we were apart?
– As long as we’re apart together, we shall certainly be fine.

from: Pooh’s Most Grand Adventure: The Search For Christopher Robin

As long as we’re apart together

I’m ready to vote! I received the most digital screeners this year so far, so it’s been easier (and it’s made it lazy-proof) to sit through dozens of screeners. Plus, Netflix has a lot of the nominated movies readily available too. This year is possibly my best award season ballot in my history of keeping up with ballots. lol

It’s not only my Spirit Awards ballot~

I also have a pretty complete Oscar ballot. lol

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You know I’m a big fan of NHK’s Okaasan to Issho, right? Like, I’ve been watching it for years, I don’t have children, and my Japanese isn’t improving anymore… but I still watch it. LOL I’m still super shocked that Yoshihisa Kobayashi (小林よしひさ) – the guy that does the gymnastics – is still around since my original post a decade ago. He’s survived like two or three puppet changes, and this is like his third round of hosts— Takumi Mitani left a few years ago, and Daisuke Yokoyama officially left last year, giving way to Atsuko Ono subbing for Takumi, and Yuichiro Hanada taking over Daisuke.

I still miss Itou Mayu, tho xD

Anyway, I digress~ during the many changes in themes and puppets, they started showing the Galapico Poo (ガラピコぷ〜 , GARAPIKOPu) segment that begins with an animated intro that I’ve always been a fan of. It’s been years on air, and there’s no official clips (only poor TV-to-CAM captures, because LOL NHK), but I finally found Kuno Yoko (久野遥子) [Tumblr][Twitter] was in charge of the animation. FINALLY.

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