I’ve got some pretty nice recommendations to share.
Archives For Misc.
Juanes said that he dreams in Spanish, so that’s why he usually doesn’t sing in another language, even though he’s collaborated with artists that don’t necessarily sing in Spanish. So when he did his song Hoy Me Voy [YouTube] — included in his 2007 album La Vida Es un Ratico — and did a Spanglish version with Colbie Caillat, it was interesting.
For the most part, the Spanglish version does a good job at translating the Spanish — “Devuélveme ese corazón que tú no supiste valorar lo que te daba yo de verdad.” to a pretty close “So give me back this heart of mine ’cause you didn’t feel the love that I would give to you every day and night.”
A literal translation would be “Give me back this heart that you didn’t value what I really gave to you.”
You know there’s a problem when you add the words “every day and night,” as well as the cringe-worthy random “baby.” xD Which they use in the chorus (nonetheless!!!) — “Tengo miedo de no olvidarte y por eso de ti me despido” with the line “I am scared baby, I won’t forget you and that’s why i need to let you go, so-”
The literal translation for that would be “I’m scared of not forgetting you, and that’s why I’m saying goodbye.” Compared to that, the Portuguese/Spanish version (Spanguese? Portugish?) goes the dramatic way with the line “Tive medo, fui covarde, é por isso que de ti me despeço” which translates literally to “I was scared, I was a coward, and that’s why I’m saying goodbye.”
https://www.youtube.com/watch?v=T4K7zySqNas
Obviously, the mixing of Spanish and Portuguese is way more natural than with English. However, it’s super interesting that the changed lyrics in Portguese are even more dramatic than in Spanish… which usually have dramatic lyrics.
Anyway, I prefer the arrangements for this version with Paula Fernandes because it gives it a super serious and more devastating tone. The original version of just Juanes in Spanish is a little too peppy, and the version with Colbie Caillat is just… too soft.
Continue Reading…
Unofficial Yu Aoi Film Discussion post. LOL
Has any of you gotten the chance to watch Tamatama yet? (are there subs out?)
I don’t… even know how she does it.
Or in general. How does Japan do it to not let anyone outside the production know that they’re making any type of movie? Because when they want you to, they make sure you know.
How is it possible that we find out Yu Aoi was shooting a movie in location in Ireland a little over a month before the movie is set to open? Yes, Yu Aoi’s new movie is called Tamatama (translated to “by chance”) and is set to open on October 15th.
Little details are known from this Tokyograph report:
The film’s main concept is “tamatama,” which means “by chance.” Aoi plays a young woman who travels to Ireland, and the fantasy story depicts her life there as she encounters different people and places, resulting in occasional “miracles.”
Except for the miracle part, it sounds a lot like One Million Yen Girl… sans the Bitter-bug. xD
The film marks the debut for CM and MV director Komatsu Mayumi (小松真弓).
Once again, if you were subscribed to the YAM Magazine RSS Feed, you would know about this two-part post with LGBT music videos from around the world.
Also, you probably missed our LGBT Blogathon, didn’t you???
Here’s:
I was beat last night. Full of anxiety xD
But it’s finally out. Please, visit yam-mag.com leave a comment and subscribe ;P
It’s begun~~~ officially xD
and look! Another banner~~~ LOL
I generally like the Indie Spirits marketing. It’s a little more loose, but also generally more fun than the Golden Globes or the Oscar. And it’s certainly better than most Critics Choices…
This year’s nominations… don’t surprise much, actually. It seems those most nominated have been “big” independent films. You know, we’ve talked about this already — American independent films: There are different types of indie films~~~ The pseudo-indie, known in Hollywood as indie because they “only” cost $1M, there’s the more regular indie that could cost between a few thousand dollars, then there’s indie-indie of a couple of thousand dollars, and hardcore indie which… is, just really hardcore.
This year’s Indies seem more like pseudo-indie. Sadly… and at the same time exciting.
I hope we get good screeners. =D Last year we got a few good ones. The most elaborate one that time was Precious. Don’t worry, I didn’t vote because of the packaging.
I think it should be required for First Features, foreign, docus and the John Cassavetes noms to send screeners, or allow screeners to be sent. But maybe that’s just me.
Anyway~~~ here are the nominees~~~
Ahhhh, Failte!! – sorry, too lazy to type accents.
You know, before I started posting so much about Asian stuffs~~~ I was pretty obsessed with Celtic Woman and Meav – coinciding with my 6-month mark. I left “fandom” and began my Asian ramblings. But you know, I always complain there’s so many idols in my Asian radar… not enough vocalists, or dancers. When I thought of vocalists, I often think about Celtic Woman, because… man, those women could sing.
I don’t think many people would actually look at me and say, ahhh see… Amy is a Celtic Woman fan. I don’t look the part, and I certainly don’t follow other Celtic music groups. I was in old downtown Lima, where they sell a lot of fake goods from clothing to music and films – don’t worry, I went there for Chinese food, not buying fake goods – and in one of the music stands, they had Celtic Woman music. I told my dad, because I thought it was surprising. He told me that a local channel had been broadcasting Celtic Woman concerts, and that my dad’s friend had taken a liking for the women. In the end, I gave him a copy of Meav’s Silver Sea album. LOL
I wouldn’t mind Meav coming for a concert xD
Ahhh… that Dulaman performance has so much sex appeal. LOL
First reaction was a shriek. What the hell had happened to my TheAuteurs.com account? Well, it had just turned into a MUBI account instead.
From indieWIRE;
It had to happen. The cinephile site The Auteurs has changed its name.
…
Cakarel wants to grow members into the millions. So he went on a quest for a new name. He called on ad agencies all over the world to find a simple, easily-typed name. “Find me my global brand, my Sony,” he told them. It took nine months, but finally an agency in Tokyo knew they had found the name. Mubi.
The word “movie” is mispronounced in many cultures that have trouble with the letter V. It isn’t a word in any language. It is a city in Nigeria. And Cakarel plans to make that city the movie-lover capital of the world.
Even if finding out about the change of names through indieWIRE and not TheAuteurs itself is just a little offensive, I could understand a change in branding. However, the change in brand seems to be a complete move towards the mainstream market to attract more members, who aren’t necessarily interested in auteur-driven films, and hence wouldn’t know how to type “auteur” in the first place… than a re-brand to actually make the product better for its core audience. It’s like Inca Kola trying to be hip and cool, when it doesn’t taste the same.
With this “strategic” branding idea, they have stirred up their community by having many users complaining about the change of name, and those who aren’t complaining? Well, they are indifferent to the change. Overall feedback seems to be quite negative so it has prompted forum boards by now-MUBI Efe (Cakarel) titled “Why did we change our name to MUBI”
The most interesting part of it all, is their deals with the Sao Paulo Film Fest to stream their films — and possible future deals with the likes of Tribeca — and deals with Cannes.
Let’s just hope they continue to focus on Silents, Foreign Films, Classic Films and other hard to watch films, and/or other hard to find for people to share with, than mainstream Hollywood films.
