Category: DVD/BR

  • Bhangra Bistar – Dil Bole Hadippa

    When women play tomboy girls or girls who have to pretend to be boys on screen is hardly believable, mainly because mainstream actresses are normally TOO pretty and productions wouldn’t bump the masculinity to make them look less like girls — at least that USED to happen in a film like Queen Christina (and Morocco, though I don’t think Marlene Dietrich intends to play tomboy as much as play Dietrich on that) [1].

    Actresses like Bynes in She’s the Man [1] didn’t exactly hit the mark, though it could come close to Ella Chen’s level in Hana Kimi [1]. However, the other adaptations of the same manga series- the Japanese version of Hana Kimi with Horikita Maki [1] or the most recent Korean version To the Beautiful You with f(x)’s Sulli [1] suffer from similar problems. Same could be said for Zhao Wei- maybe I could overlook her role in Red Cliff [1][2], but I definitely CAN’T overlook her prettyfied self in Mulan [1].

    In general, though, Taiwan and China leave me very surprised with the gender-bending… intended or unintended. It’s countless the times that I’ve asked myself whether I was seeing or listening to a boy or a girl. It doesn’t help that most names (without characters) look very gender-neutral.

    ANYWAY, I’ve gone way off topic here. The main thing in this post is supposed to be Rani Mukerji, whom I saw for the very first time in Dil Bole Hadippa. Though it’s a pretty decent film, I’ve come to appreciate it more now for Rani- especially for her mannerisms in the Bhangra Bistar number. Though the number is before she gets to pretend to be a guy, her character works as a performer at a moving acting troop, with the lack of a leading man… she’s made to play the part.

    And she does it perfectly.

    I usually very hard to please on these issues, but Mukerji sells me the role of ‘the dude’ in this one. She pulls it off better than Ella or Bynes, though all of them get to be funny while doing so.

    You can even see a bit of the shooting of this part of the film [1].

    There’s also an official upload, but quality is not as good and they only include the musical numbers without context.


  • The Sun Dims into Twilight ~ Suraj Hua Madham

    All this much touching should be forbidden! They don’t eve kiss, yet-yet is just so over-the-top-Pyramid-dancing-and-musical-non-graphic-love-making. I’m obsessed with the song, and specially the clip of the video, which I actually had caught on a Top SRK-Kajol songs video, that I immediately added to my list to watch because THOSE VISUALS.

    That’s some sexy stuff without ever taking any piece of clothing or over-touching. Considering the lack of touchy-touch that I’ve seen in mainstream Bollywood, this feels like it almost should be censored for some audiences. Yet, deprive the audience of such a song feels like a sin.

    I also love the lyrics to the song…

    The sun dims into twilight, the moon beams simmer brightly,
    and the sky seems to be melting.
    I stand still as the earth spins around me,
    my heart beats faster, as my breath goes deeper.
    Is it the sigh of first love?
    My love, is it the sign of first love?

    Savour these beauteous moments, when everything changes-
    Our dream blends into the realms of reality,
    I wonder if our love travels through centuries,
    and has bound us in its silken threads.

    Let this season of love remain eternal,
    Let us meet through birth after birth, like today.

    The colors of our souls have melted into one,
    I’m losing myself to your love.
    Beloved, it’s the waves of your love that drown me,
    before transporting me to the shore.

    It’s the thirst of the ocean, it’s the dream of the night,
    the hearts of the flames have been set afire

    via IndianMusicLyrics.com


  • On Iwai’s Vampire and Yu Aoi’s Mina

    I just watched Shunji Iwai’s Vampire – FINALLY! – sadly, it didn’t give me any important feels about it despite the LONG wait. Not even Yu-chan’s performance, though I really think having to speak English hindered her usual scene-stealing capabilities. It also seemed Iwai was slacking around with his script, and he just dropped Mina’s role for Aoi there if she wanted it at the last minute because she’s just so damn relaxed in it.

    shunji-iwai-vampire-yu-aoi-016

    I have no feelings towards Kevin Zegers, and Iwai only used all her actresses as passersby so even Keisha Castle-Hughes (only in the beginning), Kristin Kreuk (all the way into the end) and Katharine Isabelle (somewhere in the middle for a few minuets) fans are going to be disappointed. Rachael Leigh Cook has a bigger part in the film, but plays not a very compelling character, which I think would have been a better fit for Isabelle.

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  • Some Things Happen: Kuch Kuch Hota Hai

    Russian be gone! xD I’ve spent the last week watching Bollywood films!

    First official Indian films with musicals, excluding A Wednesday (which didn’t have musical numbers, but does star Anupam Kher), Slumdog Millionair (which isn’t officially Indian), and some random Punjab film that I caught once when I was living in Vancouver and randomly watched the Punjabi channel. LOL

    First thoughts? I’m loving it. It cost me a bit to get accustomed to the 3hr running time of most films, but I think I don’t care… that much any longer. Fluff musical numbers are still fluffs, and that’s what irks me the most… but at least they’re good for exercising.

    It’s been my first week and I’ve already seen a couple of few Shahrukh Khan films, and I’ve already learned Kajol and Rani Mukerji’s names. Already reviewed Dilwale Dulhania Le Jayenge, and this is my second time watching Kuch Kuch Hota Hai. I think I took to the song because it’s one of the few that I can actually pronounce. LOL

    https://www.youtube.com/watch?v=l-j5pzoN670

    I love the complicated melodrama they get into. I can totally get why people in Peru are into Bollywood films and numbers.


  • Ingrid Bolsø Berdal is Badass

    ingrid-bolsa-berdal-flukt

    I have a feeling I’m never writing that “ø” in Bolsø ever again. I’m not even typing it. But damn, I was impressed with Ingrid Bolso Berdal while watching Flukt. She really made the film for me. You remember how many chills I got from Charlize Theron in Huntsman? Watching Berdal as Dagmar was downright chilling. She’s like a total badass Theron.


  • Yu Aoi Films Ranked *Fancy Edition*

    A long long LONG time ago (actually, about three years ago), I made a rough list of Yu Aoi films I had watched and ranked them on MUBI (then TheAuteurs). Since I’m way too lazy to bother adding films to their database, unless I really REALLY wanted the films to be on their database, I’m just gonna work on the ranking here, like I started with my Russian fandom love Chulpan Khamatova.

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  • Ooh, Danila Kozlovsky — Why So Incredibly Sexy?

    New beautiful actor alert!

    danila-kozlovskiy-006

    I was deciding if he looked a little bit like Josh Hartnett mixed in with a little Chris O’Donnell but immensely more attractive. And luckily, age-appropriate as well!


  • Khamatova’s Films Ranked

    Well, I think it’s time, no? This has been my Chulpan Khamatova’s journey so far. Surprisingly, most of the films that remain hard to find (and hence are not subtitled in other language) have been my least favorite. It could be a case of lost in not-translation, but I’m confident in my non-subtitled watch experience to trust my instinct.

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  • Kodomo Ningyougekijou – Me lo Contaron en Japon

    kodomo-ningyougekijou-children-puppet-theater-me-lo-contaron-en-japon-kaguya-hime

    This is the first time I ever found the Japanese name of this show. Kodomo Ningyougekijou (こどもにんぎょう劇場) or Children’s Puppet Theater, known in Peru (and maybe Latin America) as Me lo Contaron en Japon.

    Though the DVDs are available on Amazon Japan — at a whopping price of nearly $50USD (over 4500 Yen) per volumen at 3 episodes a bundle [1][2][3][4][5][6][7][8][9][10][11][12], which results into over $600USD for 36 episodes. WHY, Japan? According to its Wikipedia page, the show possibly has over 50 episodes, running from 1990 to 2011.

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