Archives For DVD/BR

Russian be gone! xD I’ve spent the last week watching Bollywood films!

First official Indian films with musicals, excluding A Wednesday (which didn’t have musical numbers, but does star Anupam Kher), Slumdog Millionair (which isn’t officially Indian), and some random Punjab film that I caught once when I was living in Vancouver and randomly watched the Punjabi channel. LOL

First thoughts? I’m loving it. It cost me a bit to get accustomed to the 3hr running time of most films, but I think I don’t care… that much any longer. Fluff musical numbers are still fluffs, and that’s what irks me the most… but at least they’re good for exercising.

It’s been my first week and I’ve already seen a couple of few Shahrukh Khan films, and I’ve already learned Kajol and Rani Mukerji’s names. Already reviewed Dilwale Dulhania Le Jayenge, and this is my second time watching Kuch Kuch Hota Hai. I think I took to the song because it’s one of the few that I can actually pronounce. LOL

https://www.youtube.com/watch?v=l-j5pzoN670

I love the complicated melodrama they get into. I can totally get why people in Peru are into Bollywood films and numbers.

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I have a feeling I’m never writing that “ø” in Bolsø ever again. I’m not even typing it. But damn, I was impressed with Ingrid Bolso Berdal while watching Flukt. She really made the film for me. You remember how many chills I got from Charlize Theron in Huntsman? Watching Berdal as Dagmar was downright chilling. She’s like a total badass Theron.

A long long LONG time ago (actually, about three years ago), I made a rough list of Yu Aoi films I had watched and ranked them on MUBI (then TheAuteurs). Since I’m way too lazy to bother adding films to their database, unless I really REALLY wanted the films to be on their database, I’m just gonna work on the ranking here, like I started with my Russian fandom love Chulpan Khamatova.

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New beautiful actor alert!

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I was deciding if he looked a little bit like Josh Hartnett mixed in with a little Chris O’Donnell but immensely more attractive. And luckily, age-appropriate as well!

Well, I think it’s time, no? This has been my Chulpan Khamatova’s journey so far. Surprisingly, most of the films that remain hard to find (and hence are not subtitled in other language) have been my least favorite. It could be a case of lost in not-translation, but I’m confident in my non-subtitled watch experience to trust my instinct.

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I’ve got some pretty nice recommendations to share.

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It’s crazy how technology has developed in the past 20 years. The latest consumer craze? 3D printing, of course! It hasn’t only been featured on shows (with a special mention on The Big Bang Theory), but it’s been used in a broad variety of ways [1]. Miniatures of yourself [1], your face in chocolate [1], miniature of yourself in gummy [1], or candy [1].

Its most striking use, because of its practicality, was how they used 3D Printing in the making of ParaNorman. Technically speaking, it was that usual “wow, why didn’t anyone else think of this before?” Printing the many faces needed to be able to animate your stop-motion movie. It gets the consistency so your animation doesn’t get blotches, and you get incredible detail (I LOVE THE LIGHT GOING THROUGH NORMAN’S EARS).

The question that arises is- if they print the faces needed to animate, once they’ve done the movements in a CG environment. Is it stop-motion? Mixed media is more common than ever. There was a lot of special effects in ParaNorman, especially in its incredibly visual last arc, but the film is still considered stop-motion. So how much use of the computer do you need to have for it to not be stop-motion?

Cloud Atlas was one of my highlight movies of 2012 [1] given that’s been a meh year — don’t fight me, less than 10% of the films I watched this past 2012 were rated higher than 8 on IMDb. So I’ve been waiting for its release on Bluray because I haven’t heard of theater releases in my country. The rumor I had heard was that it was going to get a release by February 5th, which of course it’s my birthday x)

To top it all, it appears Cloud Atlas its making its push in Mainland China with my favorite girl, BiBi doing a song. And another song featuring a bunch of artists [1].

On first listen the song, titled Under the Stars (星空之下), is so-so. But on further replays, I really like the verses, more so than the chorus. Of course I think pushing Cloud Atlas with a pop song seems completely misplaced considering how awesome the soundtrack to the movie is, but I’m game. I hope it’s a hit in China so it can recoup its missing budget, as it deserves more positive vibes than it has gotten.

I’ve been on a Chulpan Khamatova movie hunt for the past week or two. xD

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I had been trying to watch her filmography since… Goodbye Lenin! in 2004, but I never got to it. I, then, chose to watch Luna Papa. I realized I couldn’t call myself a fan if I hadn’t watch more of her movies, so I went finally hunting. I’ve already seen The Land of the Deaf, 72 Meters, Doctor Zhivago, The Sword Bearer, and Domovoy.

I also got The Dancer’s Time (but it’s got no subtitles), Tuvalu is on its way, and I’ve got Paper Soldier ready to go.

I hope that in a few months I have enough information to write a YAM Loves post about her :) Coz her face is perfection personified and from the little information I was able to find, she’s also a fascinating person.

I don’t really hunt down anything Twilight and I’ve been a lousy Buffy fan since my re-watch in 2006, but Joss has just posted this video of Buffy vs. Edward in which they overlap the different ideas presented by both materials to hilarious contrast that comes in an assortment of subtitles that include Portuguese (Brazilian or Portuguese), English captioning, Chinese Simplified, Arabic, Russian, Japanese, French, Spanish, etc — all brought to you by fans.

My re-imagined story was specifically constructed as a response to Edward, and what his behavior represents in our larger social context for both men and women. More than just a showdown between The Slayer and the Sparkly Vampire, it’s also a humorous visualization of the metaphorical battle between two opposing visions of gender roles in the 21ist century.

Read the whole thing here.

Also the author’s YouTube/Lionsgate copyright battle.