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The end of another era [1][2][3], I suppose~ xD

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I had never really been a RapidShare user, though had encountered the site several times over in many of my movie/TV journeys, but they’ve always been a pain for me. It doesn’t surprise me that bandwidth caps (for both free users AND PREMIUM), limited speeds and incredibly annoying waiting times that got longer and longer with captchas decreased users and traffic to finally put it out of business.

The relationship with cloud and file-sharing services with the DMCA or MPAA is a strange one. No matter what these services do to please them, it’ll never be enough.

source.

If you read this blog and/or have stumbled upon a post on the subject or -somehow- seen my comments on social media or… maybe a review or feature I’ve written, you’d know I’m not very fond of Sonam Kapoor [1]. Or I wasn’t. At the moment, I’m not sure anymore. A while ago, I saw her on Khoobsurat, which in normal circumstances I wouldn’t have picked, but it was Disney (!) so I couldn’t help myself.

It’s perfectly fine light entertainment, though I think this is the first time I’ve seen a Disney movie where our female protagonist gets (though admitedly quite endearingly funny) pissed drunk, who then later accepts a bottle of soda with ruffies to end up kidnapped (don’t worry, it’s still Disney so nothing happens), and finally ends up with a (hot) prince that was engaged to some other woman. Anyway~ since then, I found myself not hating Sonam as it seems like she’s TRYING. Like- you can sense a change of pace/vibe.

Dolly ki Doli doesn’t look awful.

And in this segment for Anupama Chopra’s The Meeting Ground, Rajkummar Rao (who is also in DkD) makes her palatable. It gets a bit awkward when they keep going on their talk on star children and their upper hand in the industry. Sonam tries to make a point, but Angelina Jolie didn’t make her starring debut in a studio picture with a brand director. Angelina’s credits went from a small role in one of her dad’s films, to straight-to-video releases and shorts until Without Evidence.

Gwyneth and all her Gwynethness is a bit more lucky, but not as lucky as star children in India. TV Movie debut directed by her dad, small role on a movie until she cameo’d on godfather Steven Spielberg’s Hook. It wasn’t until a few years later when she landed Se7en with Fincher and PTA’s Hard Eight.

Nobody goes to Eva Amurri or Rumer Willis and tells their parents Susan Sarandon, Demi Moore or Bruce Willis, “I want to launch your daughter with this banner.

LOL, this seemingly harmless post turned into a rant. But honestly, no one would care if a star child would begin with small roles in movies, working their way up. Instead, they are given starring roles in medium-big budget films to launch them.

Rant over.

Farah Khan’s and Shahrukh Khan’s latest Happy New Year [Español] just hit the market officially with VOD… or as they’re calling it DTF (Direct to Fans), which is less technical and much more personal. It’s also way cheaper than regular VOD too, which usually charges $5USD per one-time stream or 4-5-day rental. You basically get to download the movie for that price. I’m just supposing it’s subtitled (being aimed at all markets except India and China), but I could be supposing erroneously [1].

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No cons, just pros really. It would have been much cooler and much more trailblazing if this had happened on opening week (or the week later), but it’s something. I’m just hoping UTV (EROSNOW had its one moment with the pretty horrible Lekar Hum Deewana Dil) gets their shit together with the distribution of films like Haider and PK, really because those two are my bias at the moment. Imagine if more European and other big Asian movies did the same. Isn’t THAT what they want? Piece of the Hollywood pie? You need to indoctrinate people first, get them on the habit of watching you. Hollywood’s been doing this to us for the past 70 years.

Here’s the link.

I may not be a BSB fangirl any longer, but they’ll always have a tiny place in my heart~

I dunno why on earth they have a US/International cut of the trailer if both are exactly the same. The documentary opens in (I suppose) selected theaters in the USA and Canada on January 30th, as well as iTunes [US][Canada], and selected theaters in the UK and Europe on February 26th.

Honey, I Shrunk the Kids meets Metamorphosis meets Eega.

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It’s pretty awesome. You can watch it on AnimatorExpo.com

Oh, who am I kidding. What I love about the end of the year is all the Best Of lists, rankings and voting. Expect my annual Top50 Songs of 2014, My fave movies of the year, and My fave local 2014 releases. I might even have enough material for a 2014 Music Highlights.

We started voting early on the YAM Magazine lounge because we are all lobbying for our favorite films, and prepping our personal End of the Year lists. I’m the most serious of all because lists can only matter when you grab the biggest possible sample. Not watching Indian movies meant that I wasn’t watching roughly 30-35% of the worldwide output.

So this is my first year online voting for Indian movies! I actually kinda like how MANY categories there are for actors to get a nod. LOL They don’t always make sense (Superstar of Tomorrow, hahahahaha and the Male Thriller/Action is quite rubbish), but I’m generally happy when I get to vote for Tabu, Madhuri and Rani without much conflict. So~ YEAH!

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You can vote here.

It’s always interesting to see educational (short) clips about different languages; did you guys ever see the one about the guy that could speak like 20 languages? At that time, my niece (6) and nephew (5) were struggling with picking up Italian and English at school, while they spoke Spanish and Swedish at home. That was, of course, on top of their other school subjects like math, because schooling is just incredibly ridiculous nowadays.

The only bad thing about the clip is the incredibly boring tone of the voice over. In any case, I thought it was funny they lumped Mandarin, Cantonese, etc into one big chunk of Chinese language. I thought the formal label was “Sino-Tibetan language,” even though Tibetan feels more like it would be more like Indo-Aryan, no? Isn’t Sanskrit both part of Tibetan and Indo-Aryan languages? Sighs.

I don’t exactly understand how branching works with languages, how does Indo-European come about? Isn’t that like stretching things out? What would languages like Spanish, German and Hindi have in common with each other? And how does Japonic or Koreanic come about? And how do they have more in common with Mongolian than with Chinese?

Not so much ‘big vocal chops’ as ‘lyricist to watch out for,’ but Laura Marling’s voice is lovely nonetheless. This is a lovely medley she did for WNYC with -probably- the strongest segment in her album Once I Was an Eagle; Take the Night Off, I Was an Eagle, You Know and Breathe.

She’s a 24-year-old from the UK… and this is hardly ‘new talent’ as she’s on her 4th album already. She’s 4 or 5 years younger than Lady Gaga, Katy Perry, and 2 years younger than Rihanna.

Whatever happened to the US music industry?

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Xiami had been pimping a new project they had going on for the last couple of days, and they’ve just revealed that it’s a 2-disc compilation featuring Chinese-Taiwan-UK Beijing-based indie artists. It’s a pretty good set that I’ve freely translated as the Seeking Light Compilation (寻光集, Xun Guang Ji) or in Español- Colección Buscando la Luz.

See, this is what happens when you have no official ‘christian’ name.

Check my English and Español announcements for translated group names and songs. Looking forward to exploring everyone’s discography.

You can get the album on Xiami.

This is the first time in my movie-counting life that I’ve seen over 50 movies by the middle of the year. As a general number, I picked 48 a year, to make sure I -at least- watched one film a week for my end of the year list.

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There’s a LOT of bad and meh movies so far, but there’s also a decent Top10. Not unbelievable, but decent. It’s a working one that would do for a Dec.31 or Jan.01 publishing date. LOL