Tag: actress

  • Ayumi Ito for Shanghai Love Fragrance

    I remember the first time I got to watch Swallowtail Butterfly and found it interesting that Ayumi Ito spoke a couple of lines in Mandarin. Later I was surprised she was in the cast of The Go Master; it just seemed like Ayumi Ito had maybe some interest in working outside Japan. Interestingly, she’s also the one Japanese actress working in Kpop music videos [1], and I know for certain she speaks pretty good English.

    Then again, Japan doesn’t seem to like its actresses trying to work in other markets [eg. Rinko Kikuchi, Koyuki xD]. I wonder if she hasn’t considered working in the US or Europe, or maybe they don’t consider her Japanese enough or hot enough. After all, US and European casting seems to be so random at times.

    Anyway, while googling a photo of Ito for the previous post, I ended up running into this short film she did back in 2005 directed by someone called Nomura Yasuo (野村泰夫) titled Shanghai Lian Xiang (上海恋香) or translated to Shanghai Love Fragrance… or possibly referring to the smell of incense. The short that lasts 50ish minutes sees a Japanese young woman (I don’t think they mention her name) that arrives to Shanghai to deliver her grandmother’s ashes to the bay because she had spent the 1930s in the Japanese concession of the city. In there she met a young Chinese man and fell in love… and it’s all melancholy and sadness due to the events of the time.

    [iframe height=380 width=580 src=”https://player.youku.com/embed/XNzkyMjg4NTY=” ]

    There’s no much info except for this page.

    Ito plays both characters of the woman and the young version of her grandmother, with dialog in different levels of Mandarin and Japanese. It gets a little confusing when you have to read Japanese for big chunks of Mandarin, and Chinese characters for most chunks of Japanese dialog xD But I think you get the point across.

    You gotta get your Ayumi Ito fix any way you can.

    There’s also a song that plays throughout~

    春天来了树发芽
    冬天来了飘雪花
    你等的人等来了吗
    我还在等我还在等
    我还在等他
    千山越过到你家
    万水越过到我的家
    你找的人找到了吗
    我在寻找我在寻找
    我在寻找他
    夏天来了花儿美
    秋天到了云追月
    你等的人等来了吗
    我还在等我还在等
    我还在等他

  • Let the Drum Beat Roll – Dholi Taro Dhol Baaje

    This is my first (proper) Aishwarya Rai movie, and though I wasn’t blown away or bothered by her acting (maybe yet); Sanjay Leela Bhansali more than over-compensates for his direction. While watching Hum Dil De Chuke Sanam, I just kept thinking “this has got to be the most artistic movie to ever have a fart joke in.” It’s a pretty gorgeous movie to watch.

    While watching the performance for Dholi Taro Dhol Baaje [lyrics + translation], my brain just went “OMG, this is a beautiful sequence.” Then again, so was my reaction while watching Black. And so it was with Khamoshi: The Musical. Can you tell I’ve been taken by his directing?

    And the music in this was awesome. Is it really true that they spent two years working on it? Coz with IMDb, you never really know these things for sure.

    Think this already deserves an India tag.

    I just checked Amazon (and other online sources), and there doesn’t seem to be HD releases of his movies, though. It pains me so much.

  • There, There, Rena Nounen

    *pats, pats*

    there-there-rena-nounen

    I really need to make time to watch Rena Nounen and have a clear opinion on her, instead of clouding it with Ama-chan.

  • Top Flicks About Chicks

    I really can’t remember exactly when I started out the Top Flicks About Chicks list on MUBI, but it must have been around the same time I wrote how Chick Flicks was a doomed genre in regards of critics. So it might be almost 4 years… and I’ve finally reached 300 titles in the list!!!

    A Chick Flick should center on little girls, girls, young women and women… as students, as neighbors, as friends, as daughters, as granddaughters, as sisters, as mothers, as lovers. They are simply women. With that alone, we can tell all sort of other stories that have little to do with romantic comedies.

    The purpose of the list, of course, was to encompass an array of female character — not only in the binary sense, since the list also includes men/boys who identify as women/girls… and viceversa — of various cultural, ethnic, social backgrounds. Not favoring one genre over the other, not valuing dramas over comedies… just simple stories about different women.

    Though I’m sure the list could be longer, that’s 300 feature length films out of the 2896 (counting shorts) currently rated on the site- that’s roughly 10% so I suppose the list could expand to up to 500 or maybe 1000 once I reach 5000 or 10000 rated films on the site.

    top-flicks-about-chicks
    1. Treeless Mountain 2. Welcome to the Dollhouse 3. Juliana 4. Labyrinth 5. Fuckin’ Amal 6. Mirrormask 7. Gun Hill Road 8. Pariah 9. Bend it like Beckham 10. Swing Girls 11. The Land of the Deaf 12. Sunny 13. Whip It 14. Stoker 15. Maria Full of Grace 16. Breaking the Waves 17. My Marlon and Brando 18. 4 Months, 3 Weeks and 2 Days 19. Dil Bole Hadippa! 20. The Girl with the Dragon Tattoo 21. Kotoko 22. Violeta Went to Heaven 23. Skin 24. Raise the Red Lantern 25. Incendies

    I picked 25 of the 300 films to illustrate some of the variety (I hope it’s AS varied as I intend the list to be), though I ran out of picks and couldn’t include any of the ‘older’ female characters. If I could pick 5 more, they’d be: Lemon Tree, Frozen River, Late Bloomers, Mother, For 80 Days.

  • Bhangra Bistar – Dil Bole Hadippa

    When women play tomboy girls or girls who have to pretend to be boys on screen is hardly believable, mainly because mainstream actresses are normally TOO pretty and productions wouldn’t bump the masculinity to make them look less like girls — at least that USED to happen in a film like Queen Christina (and Morocco, though I don’t think Marlene Dietrich intends to play tomboy as much as play Dietrich on that) [1].

    Actresses like Bynes in She’s the Man [1] didn’t exactly hit the mark, though it could come close to Ella Chen’s level in Hana Kimi [1]. However, the other adaptations of the same manga series- the Japanese version of Hana Kimi with Horikita Maki [1] or the most recent Korean version To the Beautiful You with f(x)’s Sulli [1] suffer from similar problems. Same could be said for Zhao Wei- maybe I could overlook her role in Red Cliff [1][2], but I definitely CAN’T overlook her prettyfied self in Mulan [1].

    In general, though, Taiwan and China leave me very surprised with the gender-bending… intended or unintended. It’s countless the times that I’ve asked myself whether I was seeing or listening to a boy or a girl. It doesn’t help that most names (without characters) look very gender-neutral.

    ANYWAY, I’ve gone way off topic here. The main thing in this post is supposed to be Rani Mukerji, whom I saw for the very first time in Dil Bole Hadippa. Though it’s a pretty decent film, I’ve come to appreciate it more now for Rani- especially for her mannerisms in the Bhangra Bistar number. Though the number is before she gets to pretend to be a guy, her character works as a performer at a moving acting troop, with the lack of a leading man… she’s made to play the part.

    And she does it perfectly.

    I usually very hard to please on these issues, but Mukerji sells me the role of ‘the dude’ in this one. She pulls it off better than Ella or Bynes, though all of them get to be funny while doing so.

    You can even see a bit of the shooting of this part of the film [1].

    There’s also an official upload, but quality is not as good and they only include the musical numbers without context.

  • The Event, Sobytie

    This is one of the last movies I saw with Chulpan Khamatova in — titled The Event or Sobytie (Событие), it’s supposed to be a stage play or something by Vladmir Nabokov, but somehow it’s dramatically shot by Andrey Eshpay, who has directed Khamatova in Deti Arbata (Дети Арбата, aka. Children of the Arbat… or The Children of Arbat Street) as well as Mnogotochie (Многоточие, Ellipsis).

    I haven’t been able to watch all of Deti Arbata because it’s got no subtitles AT ALL, but the first episode seemed kinda good. Mnogotochie is supposed to be good, but it’s also sans-subtitles and I fell asleep. Also, Khamatova doesn’t play such a big role in that film, so maybe my bias made it possible for me to sit through Sobytie and enjoy it A LOT with or without subtitles.

    It’s a really quite gorgeous piece of cinematic theatricality.

    On the split YouTube uploads, it’s not as evident… but you could try to see for yourself. It’s dramatic as Russian theater can only seem to be, and Khamatova sports some very drastic style that actually… suits her really great!

    I have a thing for Khamatova’s hair style changes for roles. It’s crazy, she’s nuts. I’ve never seen anyone sport the hair she’s sport in the history of the worldwide arts EVER. She really REALLY must love her characters. xD

    If any Russian-knowing kind person stumbles upon this post, would anyone care to help me work out subtitles for it? You guys, where do you hang out for subtitles? So many films left without subtitles!

  • The Sun Dims into Twilight ~ Suraj Hua Madham

    All this much touching should be forbidden! They don’t eve kiss, yet-yet is just so over-the-top-Pyramid-dancing-and-musical-non-graphic-love-making. I’m obsessed with the song, and specially the clip of the video, which I actually had caught on a Top SRK-Kajol songs video, that I immediately added to my list to watch because THOSE VISUALS.

    That’s some sexy stuff without ever taking any piece of clothing or over-touching. Considering the lack of touchy-touch that I’ve seen in mainstream Bollywood, this feels like it almost should be censored for some audiences. Yet, deprive the audience of such a song feels like a sin.

    I also love the lyrics to the song…

    The sun dims into twilight, the moon beams simmer brightly,
    and the sky seems to be melting.
    I stand still as the earth spins around me,
    my heart beats faster, as my breath goes deeper.
    Is it the sigh of first love?
    My love, is it the sign of first love?

    Savour these beauteous moments, when everything changes-
    Our dream blends into the realms of reality,
    I wonder if our love travels through centuries,
    and has bound us in its silken threads.

    Let this season of love remain eternal,
    Let us meet through birth after birth, like today.

    The colors of our souls have melted into one,
    I’m losing myself to your love.
    Beloved, it’s the waves of your love that drown me,
    before transporting me to the shore.

    It’s the thirst of the ocean, it’s the dream of the night,
    the hearts of the flames have been set afire

    via IndianMusicLyrics.com

  • Some Things Happen: Kuch Kuch Hota Hai

    Russian be gone! xD I’ve spent the last week watching Bollywood films!

    First official Indian films with musicals, excluding A Wednesday (which didn’t have musical numbers, but does star Anupam Kher), Slumdog Millionair (which isn’t officially Indian), and some random Punjab film that I caught once when I was living in Vancouver and randomly watched the Punjabi channel. LOL

    First thoughts? I’m loving it. It cost me a bit to get accustomed to the 3hr running time of most films, but I think I don’t care… that much any longer. Fluff musical numbers are still fluffs, and that’s what irks me the most… but at least they’re good for exercising.

    It’s been my first week and I’ve already seen a couple of few Shahrukh Khan films, and I’ve already learned Kajol and Rani Mukerji’s names. Already reviewed Dilwale Dulhania Le Jayenge, and this is my second time watching Kuch Kuch Hota Hai. I think I took to the song because it’s one of the few that I can actually pronounce. LOL

    https://www.youtube.com/watch?v=l-j5pzoN670

    I love the complicated melodrama they get into. I can totally get why people in Peru are into Bollywood films and numbers.

  • Who Played Young Mako in Pacific Rim? Let Me Google That for You

    lmgtfy-ashida-mana-google

    Well, something worth pointing out from the Pacific Rim fans. How awesome is “let me google that for you” ??? It’s awesome. And perfect. So for those people that might be wondering- no, she’s not a newcomer, you guys.

    Here

  • Ohmahgosh~ Nounen Rena

    nounen-rena-amachan-001

    I remember how it was. The introduction to NHK’s newest morning drama played and I wondered what happened to Jun to Ai, I thought Asadoras lasted all year — I guess not. Anyway, the intro to Amachan seemed pretty funny, and of course it was. Apparently, it was written by Kankuro Kudo, so I stuck around for an episode. Aki (Nounen Rena) had forcefully decided — against her mother’s (Kyoko Koizumi) wishes — to become an Amasan. A photographer had been shooting pictures, and Kyoko Koizumi was running off to Koike Teppei’s lighthouse screaming “HENTAI!!!!” and he apologized for it LOL. I was laughing too much already.

    Then, of course, I saw Nounen Rena’s funny face when falling into the water, and her funny expression when she was not-so-much as deep-sea-diving, but she was stranded in the middle of the ocean. I wasn’t hooked, but I was peeking my interest. Damn, Nounen Rena is so charismatic… at least in the role of Aki.

    I want to see some of her other roles to figure out whether or not this charisma is hers or if it’s the role, and if it’s the role… then maybe she’s one hell of an actress. She seems super dorky too, and she has an aura that you kinda just can’t help but to root for her.