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Isabella Leong has been on and off since she made her official film comeback back in 2015 with Murmur of the Hearts, which is an amazing film. Se also had small roles or almost cameos on 12 Golden Ducks that same year, and got back together with Pang Ho-Cheung for a small role in Missbehavior in 2019.

From her recent interview on A Date with Luyu (鲁豫有约), you can tell that she enjoyed or had fond memories of her debut film Isabella, which Pang directed almost 20 years ago— which also amazes Leong when she realizes how fast/much time has passed. I was also amazed at how she remembered the tracking of the shot, all the more amusing when both clips were put together for contrast.

In 2020, she appeared on Ann Hui’s Love After Love, which was available to watch on MUBI in some territories, and might be available on places like Netflix or Prime, depending on your territory. Now, she’s part of the most recent Dante Lam HK film starring William Chan and Nick Cheung, titled Bursting Point (爆裂點) [Trailer], which I’ve mostly heard positive things about.

Since her teenaged (!!!) sons already give her enough time to move about life, she’s been a lot more active at events and, if you follow her on Instagram, photoshoots. Which finally gets me the reason I was writing this post- she’s the first cover of 2024 for the Condé Nast Traveler China edition, which is a luxury travel magazine based in New York.

I checked their website to see who was the photographer of the shoot, but it looks like they haven’t updated that since their May 2023 issue was published (relatable). Editorial director Shawn Ong only mentions their collaboration with Eastern & Oriental Express Southeast Asia in prep for the launch of their luxury train in two different seasonal routes. The train interiors look (and photograph) amazing. They’re elegant, colorful and textured without looking overwhelming [1][2][3].

However, this is not a travel blog. I took these bad screencaps of some of my favorite shots.

Director Ong’s post features many more pictures, in case anyone’s interested. My favorite is this out of focus one. lol

Color of Yu

January 18, 2022 — 1 Comment

Hi, guys!

Long time, no see! I found these new photos of Yu-chan the other day, when my computer broke down. I finally managed to get through that hard disk.

These are done by Mana Yamamoto for Lula Magazine [2][3].

Verve Magazine has a wonderful cover this month featuring Tabu — shot by Bikramjit Bose [Website][Instagram], because the promotions for Andhadhun [Trailer][1][2] are on full steam. I hope someone gets to scan it, ‘coz lol where to get a single issue.

Why Tabu Prefers Flying Solo.

Rajeev Masand also just posted a +40min. interview with Tabu, and has her overview her 10 favorite roles in her +80-film filmography. Her long-time favorite roles make it, of course. It makes for a great Beginner’s Guide to Tabu, except I’m not a big fan of Biwi No. 2 lol — Don’t judge me, I laughed so much more to Saajan Chale Sasural xD, and I was quite lukewarm with Cheeni Kum.

Continue Reading…

I’m a Ni Ni stan now, have I mentioned it before? No? I really REALLY enjoyed watching Mo Zhang’s Suddenly Seventeen (28岁未成年). The ending is a bit straight rom-com, but Ni Ni— Woah. She was amazing.

Cfensi has always loved Ni Ni, so she’s also gushing about this new photoshoot for The New York Times Travel Magazine by photographer Yin Chao (尹超), centered on Nanjing Girls and also featuring actresses Hai Qing, Yang Zishan and Mei Ting, as well as model Bonnie Chen.

The favorite shot, tho, the watermelon one~ xD

You can also follow Yin Chao’s activities on his studio’s Weibo— SUPERSTUDIO.

Also, I haven’t even gone through 5 episodes of Lost in 1949 (脱身), but I’m looking forward to Rise of the Phoenixes (天盛长歌) :)

GINZA has just published a piece titled REDI no Shozo (レディの肖像, Portrait of a Lady) by Tomoko Kurose; and two black & white shots by Yasuhide Kuge. It’s a rare interview because it’s actually readable in Google Translate, lol. She talks about taking photos (she’s bad at it), what feelings she gets shooting movies and working on stage, how she perceives herself, a bit on her childhood, her work on voice-acting for animation… some talk on Penguin Highway and her speech for the Japanese Academy Award win where she talked about movies and being bullied.

Give it a read.

So close to perfect styling, I’m crying. TuT

Silver, pink, dark brown (white balance seems pushed) bop, long dark.

I’m supposed to be focusing on work, LOL. But Mamamoo comeback news, flood of content. Moo tears, everywhere.

No high resolution pictures (yet), but you can check the Girl Group Zone thread for all the BNT pictures.

I mean, really.

You can tell I’ve been watching a lot of Sister’s Slam Dunk lately; like- I’m not even waiting for subtitles to watch, and I re-watch the episode once again with subtitles once it’s uploaded on the KBS YT channel. I’m following Unnies on VLive LOL

Han Chaeyoung is so interesting ‘coz she’s so out of her element. I mean, everyone’s hilarious. Somi’s giraffe impression was so on point, Yewon’s dancing levels are top-notch (and her improvement levels is off the chart), Jinyoung’s levels of charisma is crazy, Kim Sook and Jinkyung continue being hilarious (Kim Sook continues to surprise), Minzy’s levels of professionalism and talent are apparent. However, the level of difficulty for Chaeyoung is very noticeable, which makes her the most endearing.

I mean, we all wish we could have Hong Jinkyung levels of confidence when singing and dancing LOL but we’re all so self-conscious, Chaeyoung is all of us. I mean, she’s Korea’s Barbie Doll, sure, but she’s all of us in the show, no?

The new year is blessing us with an upcoming Harper’s Bazaar China featuring Takeshi Kaneshiro. Bless us all!

You can check out some extra pics here.

I didn’t even bother to search for a photographer x’D If you know, please, help a pal~

I had this picture stored for a couple of weeks already, and forgot to post. Over 13 years ago, I was a really REALLY big fan of Evan Rachel Wood xD It was probably during one of the seasons of Once & Again, I remember I’ve rented a whole bunch of her movies, so when I moved to Vancouver, I was ecstatic to be actually able to watch Thirteen on the big screen. During my time there, I probably watched all her movies at the cinema :P

evan-rachel-wood-600x800

It was on and off after leaving Canada, I still managed to watch a whole bunch of her films, but there was a period when I didn’t know anything about her. I didn’t know I missed her until I caught Into the Forest, and I was super psyched to hear that she was gonna be in HBO’s Westworld. Usually, HBO and I are not that compatible, but I caught the first episode [and read that list of actors, phew!], and I liked it quite a bit, so I’ll definitely catch the whole season when it’s done.

I just got a notification that the November edition of Discover Japan [HMV JP] titled Watashi no Kyuushuu (私の九州) features Yu-chan on the cover and on several pictures inside.

Discover Japan 2016?11?? Vol.61 | ebook5

If you visit the Discover Japan website [1][2], you can check out more on the content. There’s even a short clip of Yu riding the JR Kyuudai Main Line (久大本線).