I could be wrong, but streaming in different sites is not that good for hits, right? Why not just show it in MUBI? After all, don’t you want people to sign up? Anyway, it’s nice that MUBI YouTube lets you embed a whole movie! xD
I haven’t seen it yet.
Watch out for it, it’s almost 2hrs~~~
Thanks to Acerk for the find, as well as user gp0patt0jp for the upload~~~
Now time to slap myself for not understanding Japanese. Major fail, Amy. Major~
It’s interesting to see that Yu Aoi’s interviews this year have been… more relaxed than before. It’s really really great to see her smiling and giggling during an interview.
From what I got, they talked about her piano playing… and her piano practicing habits before? They also talked a bit about something about English.
And of course she talks about food. I can’t be mistaken about that one xD
[iframe src=”https://www.tudou.com/v/W7EsjPNV5Sk/v.swf” width=”480″ height=”400″]
someone cares to explain the video to us? xD
— EDIT w/ on-the-go translation by Nina —
Not really the best of captures, but we’ll take what we can with YouTube removing stuff. Once again, YouTube users~~~ contact me in order to figure out how to keep the videos online. Your upload credits will be kept.
Thanks hirokisakurajima for the upload~
OMG, Yu-chan plays the piano!!!
I had read about that, but never actually believed it… you know, it is the internet.
I think it might be time for a Wikipedia update, right?
By the way, her last Ongaku appearance… which was uploaded by rocking user aoinohoho is gone because YouTube deleted the account – understandable. Aoinohoho, if you still visit the site would love to get hold of those videos.
Which leads me to a rant. Seriously Japan broadcasters, REALLY? As if you’re going to release interviews for sale. Even the likes of Letterman, and all those night shows have clips online. What’s up with that!?
Fuji TV, you fail at worldwide distribution.
In honor of Top 10 Films’ 1st anniversary~~~
1. First Film: Enter the Dragon
I figured it must be one of my dad’s favorites, since he’s the one who got the tapes and did the recordings on the Betamax from tv broadcasts…
It’s begun. The beginning of the end. After the 7th book came out, and left me unsatisfied — a feeling carried over the 6th book and the 5th film — I swore to never see Harry Potter at the cinema ever again. A promise easy to keep with the 6th film, but then… it was hard to keep it when the first promotional materials for HP7 were released.
Well played, Warner. Well played.
Deathly Hallows is perhaps Yates’ best attempt at a Harry Potter adaption, but considering the other two – it isn’t saying that much. In the greater scale of things, it might follow on Azkaban’s footsteps as an interesting film filled with anguish and desperation… of I guess, the teenage sort. If the book didn’t work for you, the film seems to improve on action and characters. It’s also of great comfort to say that The WB’s decision of splitting the film in two parts was hardly a bad commercial or creative choice… at least for the fans of the books, who will savor each an every detail.
But then again, considering how many chapters were crammed into this first part, one has to wonder what’s left for part two if not only the “last battle” which, in the book, happened off-page… and that epilogue that’s ripped out of the most poorly written fanfiction.
For the non-readers or those who haven’t seen HP6… well, you’re screwed. It really doesn’t work without the background, and you’re better without watching it, if you’re going to start complaining. Harry Potter and the Deathly Hallows feels like made for the fans of the series only.
I was watching my newly-purchased copy of Strait-Jacket with my father, having a blast — seriously, that movie is a hoot! Can’t really wait to take a look at the extras, and see Ms. Crawford with that ax.
But then, almost at the end of the film when Crawford is wrapping up, my dad goes on and says “Look, it’s Mario Vargas Llosa!” Freezing the image, we burst out laughing.
do you see it? I mean this photo of Crawford in the film isn’t really it. You must see her with her not-a-wig hair from where she is normal. It’s uncanny.
It is common knowledge that I’m not really partial to un-scripted television. I grew up with things like MTV’s The Real World in the background of my mind, sometimes watching it quietly when I was a teen. But then it just exploded, and it’s not like I’m bothered by the actual programs… what bothers me is that contestants later become “celebrities”. It’s like being a celebrity means nothing. You can eat crap (literally) for money, win and become a “celebrity”. That’s sad.
Having said that, I have a few shows that I do watch. It doesn’t have to do with who’s in it, or who’s going to be in it… who says it’s what, or if it’s hot or not to watch it.
It’s simply 3 things I would like to be able to do.
First, dancing.
I was re-watching the DVD for Swallowtail Butterfly that I bought after watching the film on YouTube xD – and Because I’m cheap, I bought the Hong Kong version, when the Japanese version comes with English subtitles. I don’t think it’s the DVD per se, but the way it was shot. I don’t really know what it is, it’s scratchy, and it could certainly be because the film is kinda old. However, I would like to see a clean better release by Criterion… of all of Shunji Iwai written and directed films~
Considering I didn’t think the Latin Grammy was anything special, I thought I’d give the search for my favorite performance of the Video Music Awards.
The initial shot works perfect, despite some problems with the camera zooming out. Moreover, the cuts when everyone shows up dancing work to show the whole stage, and closer shots for all the jumping.
The song is catchy, and the performance is different enough from the rest of the performances of the night to be memorable, and perfect to stand out. I hope Vimeo doesn’t delete it because it’s the only good version I’ve found.
[iframe width=”580″ height=”334″ src=”https://www.dailymotion.com/embed/video/xet2b8″]
Continuing with posts on main titles, this is Desperate Housewives by yu+co
Check the yu+co link for a better resolution one.
What’s so cool about this title sequence is that it’s simple. Women from famous paintings as housewives. At the time, it was giddy for anyone taking an art history class. Plus, it captured the essence of the show.
Frankly, I’ve stopped watching the show… and I think they’ve stopped playing the intro last last season. But it still brings back memories of better Desperate times. The last season I bought on DVD was when they did the 5 year jump. I’m going to pretend the show ended there.
