Archives For motion graphics

It’s always interesting to see educational (short) clips about different languages; did you guys ever see the one about the guy that could speak like 20 languages? At that time, my niece (6) and nephew (5) were struggling with picking up Italian and English at school, while they spoke Spanish and Swedish at home. That was, of course, on top of their other school subjects like math, because schooling is just incredibly ridiculous nowadays.

The only bad thing about the clip is the incredibly boring tone of the voice over. In any case, I thought it was funny they lumped Mandarin, Cantonese, etc into one big chunk of Chinese language. I thought the formal label was “Sino-Tibetan language,” even though Tibetan feels more like it would be more like Indo-Aryan, no? Isn’t Sanskrit both part of Tibetan and Indo-Aryan languages? Sighs.

I don’t exactly understand how branching works with languages, how does Indo-European come about? Isn’t that like stretching things out? What would languages like Spanish, German and Hindi have in common with each other? And how does Japonic or Koreanic come about? And how do they have more in common with Mongolian than with Chinese?

Vancouver-based motion graphic studio, Giant Ant, took part in the making of an animation collaborative effort centered on the poem titled To This Day by Shane Koyczan, who was in charge of the We Are More poem used for the Vancouver 2010 Winter Olympics [1]. To This Day focuses on the lasting impact of bullying on its victims, and though it feels heavy-handed with a +6min of running time with a narrative of negative lows in contrast to Koyczan’s climbing monologue, it’s still a project worth checking out because of…

it’s animation.

Giant Ant (which includes work by Jorge Canedo Estrada [1]) asked animators and motion designers to come up with 20-sec sequences to go along to Koyczan’s spoken poem, developing a wonderful mismatch of styles within its narrative.

You can check out more of the To This Day project on:

My friend is super excited to be coming [1], so he sent me this video he ran into.

I did take a peek of the pizza in Cuzco I so want to have again. You know, it’s not very often I step on Cuzco.

I’m uncertain of the track, though, Fado by Galinhazz, some people say it’s kind of Spanish… maybe a little bit Flamenco-ish? I thought Arab. Maybe having to do with the Moors in Spain?

Over the years there has been some outstanding whiteboard marker illustration videos, like Drive: The Surprising Truth about what Motivates Us [1], Where Good Ideas Come From by Steven Johnson, or variations like James & Amy’s Electric Fence [MV] (drawn by James Cooper).

Spanish artist Pablo Morales de los Rios takes a look at the history of music and lays it out all on the table.

It’s a thing of beauty.

This, you have to admit, is pretty darn good-looking.

Psyop is doing a series — in all honesty, it’s only three webisodes — as prequel to a video game, and decided to do the animation by hand with some 3D enhancements.

Ahhhh… Tokyo. What I wouldn’t give to visit that once in a lifetime…

Remember when time-lapse used to be the craze within designer circles? You used to find all the good ones in design blogs, and stuff…

I found this on Facebook, posted from a second-hand rate website.

There’s also a Vimeo version.

I can see why people hate time-lapse now, though I gotta admit the time-lapse with Machu Picchu is quite stunning. We don’t get to see Machu Picchu shot as beautiful as it was shown there.

This is… sorta like a romantic version of infographics, right? xD

https://www.youtube.com/watch?v=EZ79b3BWbT8

There’s also a Vimeo version available.

There was a surge on Yu Aoi searches today, so I was browsing what I was missing~

First~ there’s a new batch of CMs for JINS glasses that were released in early May and on May 31st. This Making Of clip is from the last batch of commercials.

–EDIT–

The JINS YouTube channel has released most of the videos.

x

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Stop fueling the Machine!

Cocaine Unwrapped in a documentary by Rachel Seifert on how cocaine consumption affects South America’s production of drugs.

Agency: Leo Burnett London
Production house: Stink
Postproduction studio: Platige Image
Director: Tomek Bagiński
CG Supervisor: Grzegorz Kukuś
Producer: Agata Socha
Art director/Concept Art: Piotr Jabłoński
Compositing: Alan Uran
Rendering: Mateusz Bargiel, Grzegorz Kukuś
Animatic: Damian Nenow
Modellers: Mateusz Gajewski, Artur Owśnicki
Textures: Bartłomiej Walendziak
Additional Technical Director: Mateusz Popławski
Offline: Adam Kałuski
Conforming: Piotr Popielawski
DOP:: Kamil Pohl
Camera assistant: Maciej Żak
Make-up artist: Monika Bagińska
Cast: Karolina Mann

Here’s the Vimeo link. There’s also a YouTube version available.