Archives For Moving Media

Never have followed the Asian Pacific nominations… mainly because it’s hard to, you know~~~ watch films from that part of the world for me. However, distribution is getting better – dvds are being launched so much faster, and many of them come with subtitles in English (when needed), and there’s a lot more people willing to fansub when needed.

And YAY! Aftershocks has landed 6 nominations – including Best Film, Best Directing, Best Cinematography, Best Screenplay PLUS! Best Actor and Best Actress. Now, I’m trying not to be biased, I don’t think actor Chen Daoming was THAT good in Aftershocks, but actress Xu Fan completely deserves it.

The other big nominee of the night is South Korea’s Poetry (Shi) – crap! I’m really that good at film recommendations for distributors, someone hire me ASAP! – which received 4 nominations for Best Film, Best Directing, Best Screenplay and Best Actress. While Taiwan’s Monga – see, I’m good – was nominated for 3 awards for Best Film, Best Directing and Best Cinematography.

The APSA(wards) will be handed out December 2nd on a live webcast at the Asia Pacific Screen Awards site.

All nominations below the break~

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Did you see it?

It was amazing – LOL, the closest thing to it since I doubt he will ever perform here. I think it’s becoming a fixture… watching Sigur Ros, Bjork, Jonsi on live streams. xD

Anyway, in case you missed it – they will be re-running the nearly-hour show pretty much all of today. Just go to the NPR website, and check if the live stream is ready for re-viewing.

Raiou, based on the novel by Mari Ueza about tragic lovers, is set to open next week on Friday the 22nd. It stars idol-in-the-rise Masaki Okada opposite established-idol-transitioning-to-actress Yu Aoi. What does Raiou mean to their careers?

A rising-star and an established-idol starring in a period drama romance? If it succeeds, it means the rising-star will keep on rising, and the established-idol still has “it”. A period drama romance lays solely on its protagonists’ shoulders, and their chemistry. If it fails, it’s because of them. That’s a lot of scary thoughts right there~

Why does Yu Aoi need Raiou to succeed? She is indeed an idol still. She sponsors products, and she makes a living selling products. She’s young — to westerners, anyway — she’s cute, youthful… the whole shebang. However, the life-span of a Japanese female idol is short, some of them have retired at 20! So Yu, having turned 25 already, isn’t… well, a young idol any longer. She’s been away of major mainstream entertainment, she’s had relationships, she’s been on tabloids as people discuss who she really is dating. Everything takes its toll. She’s now a woman. An actress who is still an idol. Will people support her passed her prime-early-twenty years like they did when the hit Hula Girls came out?

Raiou holds Yu’s idol-hood future. Will it be a hit right away? Shoot to number one the first week to then drop the next? Will it slowly climb to number one in two or three weeks and stay there a week or two? Will it climb slowly up to stay there for several weeks? Will it never reach number one?? Whatever happens, it will change Yu’s bankability.

These are gorgeousity~~~ xD

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Film Business Asia is reporting that China Lion Film Distribution has made a deal with AMC to release Chinese films in the cities with most Chinese demographics in the United States and Canada the same day as the films open in China.

Now, that’s how you do distribution.

Sure, Hollywood’s kinda getting good in World Premiere business, but only the big-studio stuff. We actually have to wait a ton for a theater release, or the release of the DVD to catch a film that’s not mainstream. The Chinese film industry lacks distribution — only films that get distributed in the US, get distributed in Latin America. The last Chinese film I saw at the cinema was Curse of the Golden Flower~~~

So with this deal, China expands that ever-expanding Chinese film market with hopefully more than just Martial Arts Films and/or Arthouse Films. And HOPEFULLY, this will mean more Chinese films down here as well.

So guys! Get ready for Aftershocks (aka. After Shock) kicking off this new deal on October 29th in the cities of  New York, Los Angeles, Chicago, San Francisco, Washington D.C., Houston, Boston, Seattle, Toronto and Ottawa.

Hello, Goodbye YAM012~

October 15, 2010 — Leave a comment

Hello to YAM012.

Goodbye (sorta) to YAM PDF.

Hello to yam-mag.com~

Head over, for the last time, to my portfolio to download the latest and last issue.

I can feel it in the air. Award season is approaching. I think Indie Spirit Awards are also done with submissions, and their nominations should arrive come early December.

In the meantime, the Academy Awards has released the list of the 65 countries (or not-countries… Greenland?) that will be competing for 5 spots as “Best Foreign” nominees, as well as their 8 short documentaries.

Here are some of the reviews of the ones I’ve seen.

Let’s talk wild guess predictions in here. Which countries will be the 5 chosen ones?

Mexico’s Biutiful seems like an easy assumption.

China’s Aftershocks seems to be a good candidate for several reasons besides “film”. Whatever your thoughts on melodrama are, I mean… you really need to be a sour grape not to feel something for the family in that film. Either that, or you’ve never been in a natural disaster. Having said that, it is because it’s a melodrama that it’s perfect for Oscar. Moving family drama that deals with catastrophe with a really powerful and magnificently handled Earthquake scene that was a box office hit in China. It’s just good business.

Also, China being nominated is controversial. Anything to do with China since 2008 is controversial. Controversial always brings ratings. Also nominating China is just plain good business. If China gets nominated – I dunno, what are the chances of some state channel broadcasting the Oscar? Just imaging 2/3 of China’s internet population watches the Oscar that night. That’s 200 million viewers. Anything in China is big.

If there’s no China, it must be another cheese movie… like South Korea’s A Barefoot Dream. An underdog story of a kiddie football team and a coach. It shall make you feel happy xD

Canada’s Incendies?

and… I dunno what else. Peru’s chances? From what I have seen, and what I’ve heard. It could very well get into the nine before they select the final five. I’ll have a better grasp once the 9 are out xD

Sincerely, this has been Glee’s best episode of the 2nd season so far. We learned a bit from the characters, and the music didn’t take over. There was plenty of funny moments. However, I’m lazy – so this might be my last Glee Quote of the Week. Picking a quote each week is turning into “oh I don’t know what to pick” so it actually takes a lot more time than it did before.

With this post, I want to get off the hook in case I find it difficult next week.

Julie Andrews needs to be Kurt’s grandma, or auntie after his fierce number of Victor/Victoria. And talking about “aunties” – Tina, ain’t nothing wrong with dim sum. Or chicken feet. The Asian in me really wanted to use the chicken feet quote… because I can’t imagine salad with chicken feet. LOL

Having said that. What a gay episode. Rachel and Kurt are meant to be fag-hag and main-gay together. Brittany did Lady and the Tramp, but she had no one. Artie’s being a bitch. But the biggest bitch of all is Santana. The difference is that I like bitch Santana, and I think Artie’s just being a jerk. He’s all like “poor me, you took advantage of me”. Suck it, Wheels!

BitchSantana may be a major bitch, but still ain’t bitch enough to battle the biggest bitch of all. Santana meet Nicole Julian – I think you’re both known as Satan in your respective universes.

There was also cheerleader make-out scene. O_o

I’m like a lizard. I need something warm beneath me or I can’t digest my food.

I like that she doesn’t take offence in comparing herself with a lizard. xD

Okay, too much Yu-overload this week. My fan-brain can’t handle all this information. Plus, the new film opens nearly one week after my 25th bday –oh, Grilled Cheesus! I’m so old!

[iframe src=”https://www.nipponcinema.com/v2/play.swf?config=https://www.nipponcinema.com/cfg/yogashiten-coin-de-rue-trailer” width=”560″ height=”315″]

Highlights from the trailer? Hello, tasty pastries? It wasn’t long ago that I was trying to think of nice Foodie films. I think Coin de Rue could be a good candidate. That mousse looked potentially-mouthwatering-inducing.

Second, I love that Yu-chan gets to work with pastries. And this one’s even more about the pastries.

Third, Yu-chan cheek-pulling. I literally burst out laughing when I saw that. Does that happen a lot? I know that in America is considered very “aunt-y” for a woman to pull her nephew or niece’s cheek. I think it happens a lot in Asia. All my Korean roommates (and some friends), we used to pull each other’s cheeks all the time. But then again, there was also some un-wanted Korean spanking.

via Nippon Cinema.

The Town is Exciting Fun

October 12, 2010 — 3 Comments

… but the Spanish title sucks balls. Atracción Peligrosa – meaning: Dangerous Attraction. Pure cheese. First, a couple of fun pop culture differences. When the credits rolled, and the people began discussing the film. They started talking about “the prostitute” – “the junkie.” Then came another guy that said, “that Rebecca Hall is good, huh. She’s something.” And then we talked politics. LOL

-note: the paragraph was edited to not spoil the film-

So anyway, while people refer to Rebecca Hall – who’s only been on Vicky Cristina Barcelona in films here, people talk about Blake Lively’s character as “the prostitute” or “the junkie” while her show Gossip Girl plays on TV every single day of the week. Not even a “the Gossip Girl girl is something.” Just saying. It was interesting to see.

Adapted from the novel Prince of Thieves by Chuck Hogan, The Town tells the story of a group of bank robbers from the city of Charlestown in Boston. Passed from father to son as if it were traditional work, there’s Doug MacRay (Ben Affleck), and his fellows Jim (Jeremy Renner), “Gloansy” and “Dez” – they’re about to rob a bank, and successfully take the money without leaving any evidence, except for the bank manager Claire Keesey (Rebecca Hall). They take her hostage, only to set her free and to keep an eye for anything she might know.

As Doug befriends Claire and gets info on what she knows and is or not telling FBI agent Adam Frawley (Jon Hamm), Doug and his “buddies” get going on their next targets, because the money is never enough… not for Fergie (Pete Postlethwaite) anyway.

Actually, I’m making it sound so very complicated, when it’s not. The Town is a very straightforward film, that gets you going from the minute the film begins. It seems Ben Affleck’s talent for directing wasn’t mere luck when Gone Baby Gone was done. If you had any doubt, The Town just proved he’s good for real. In here, he does it bigger, faster and better – it’s a bigger production, it’s a faster-paced film, and it turns out better. The film’s engaging in terms of action for those who need adrenaline in what they watch, and it terms of performances for those who need “more than a mindless action flick”. It also has drama, romance… and even humor. My mom watches a lot of CSI, too.

Best, and craziest, performance goes to Jeremy Renner who, after this and The Hurt Locker, might be turning into an adrenaline junkie for real. The highest moment of tension, for me, it’s possibly the scene in which Renner’s Jim runs into Affleck’s Doug while he’s having a lunch date with Hall’s Claire. You don’t really know what’s going to happen, but it grips you in a way none of the car chasing and shooting got to you. Maybe it’s because we’re Claire… or we’re Doug. We think she knows, but we don’t want her to know?

The frailty of Claire’s character – she’s new in town… a yuppie? No friends in town, no family. She was just kidnapped, it’s easy to understand why she might have befriended Doug – her friends said so, kidnap rebound. Did I want the bad guys to succeed? I think many in the theater did. Maybe that’s why no one liked Blake Lively’s character. She’s a junkie prostitute with a kid… in the end, she’s still a junkie prostitute with a kid. Did not love or hate her.

Anyway, film’s good fun. Very exciting, and very recommended. Women and men, FYI. xD

4/5