I’m terrible with timing, aren’t I?
I’m always dissatisfied with my end of the year lists, but I supposed a WHOLE year of catching up is good enough for me to have a proper idea of what I like, right? I managed to squeeze in 227 movies, the rest is history. I hope you like it, that you don’t hate on me for not including some of your faves, that you celebrate that we loved some of others, and that you love me for introducing you to one title you missed.
After the Razia Sultan movie starring Hema Malini back in 1983, the story needs a modern international-money-backed re-vamp… and Tabu should play her, am I right or am I RIGHT?
Tabu is practically aching to do heavy action on a film (she just wants an action film really… I would put her as Wonder Woman if I could), and though ideally you’d pick an Indian director (Ashutosh Gowariker and Santosh Sivan come close to grand-scale production without the Sanjay Leela Bhansali masala), I’d like to see a full-on international production maybe at the hands of John Woo (enormous scale and grand battles a la Red Cliff are of his fancy nowadays) or have Tabu back with Ang Lee, or go the Korean route with Kim Han-min (War of the Arrows), Kang Je-Gyu (Tae Guk Gi) or Kim Sung-su (The Warrior).
I know Tabu chooses projects at times with set comfort in mind, and I don’t know how the others are on set (you don’t want one that’s as extreme as Von Trier… or such an asshole as David O. Russell LOL), so Lee would be a safe bet. Or… we could go the American-Indian, British-Indian or Indo-Canadian way. Asif Kapadia is looking like a good choice.
Historical political action drama sounds good, avoiding to outright do a dancing sequence unless it’s a court sequence and it’s not Tabu doing it. LOL
Ever since she said she wants to do an action film, I’ve been trying to think of a project for her to do… even though she wouldn’t be my first choice of an action star. But if she wants to put in the work for it, who are we to deny her wishes, right?
I remember I was watching Filhaal… and thinking to myself that I obviously didn’t have any amazing great female friendships -despite my support for female friendships on film- because I didn’t know anyone that I would mother a baby for nor be comfortable enough to ask to mother one for me. When Sushmita Sen’s character tells Tabu’s that she’ll mother her baby, I was saying “oh, girl~ you’re just asking for trouble.” xD However, through all the complications in their relationship and interaction, I kept saying “I gotta admit, that’s pretty gay.” LOL
Though Wikipedia or IMDb don’t list it as a connection, according to this (sometimes grasping-at-straws) list of 100 Queer Films of India [Part 1][Part 2][Part 3][Part 4] calls it a -sorta- adaptation of Chutney Popcorn, except Filhaal… takes (or tries to take) the gayness out of it. It’s like Pre-Code films all over again, but I gotta admit- kinda fun. Plus, Tabu looks really REALLY good on the Le Chalen Doliyon [clip] number, which also features pretty flashy cinematography even if it doesn’t reach Meenaxi levels.
And despite not warming to Sushmita Sen over Main Hoon Na or Biwi No. 1 (come on, you can’t expect me to fall for that, right?), I did enjoy her chemistry with Tabu here enough to watch her episode on Comedy Nights with Kapil and actually get to like her.
Looking at these captures, you’d think Tabu just fathered this child, LOL and they’re all playing Hebe Tien’s Love! [MV]:
I love you
You love her
She loves her
She loves him[1]
Who made it and who didn’t? I was surprised myself. LOL Don’t forget to comment and share ;)
You do probably know that my Hindi should suck, but that doesn’t stop me from keeping my iTunes library in order… which means I take all of the tracks from Indian movies that I’ve downloaded and try to give an English translation — after all, I should know, at least, what the title of a song means! That, of course, means that titles from hard-to-find movies/OSTs have to do with my own interpretation. One of them is Hu Tu Tu, because no one’s bothered to translate the songs… and my copy of the movie doesn’t come with subtitles in the sung parts.
Most of the titles are easy- Chhai Chhapa Chhai is classic onomatopoeic Gulzar (Jhini Mini Jhini from Maqbool gave me a clue), Jai Hind Hind (Hail, India!), Bandobast Hai (It’s the System), Ghapla Hai Bhai (It’s a Mess, Brother), and Jago Jago Jagte Raho (Get Up, Always Be Awake) seem quite straight forward. Even Yeh Nam Aankhein (These Drenched Eyes) can seem easy when compared to Itna Lamba Kash Lo Yaaron and Nikla Neem Ke Talese Nikla.
So what do those last titles mean?
I’ve sort of translated Itna Lamba Kash Lo Yaaron– since Itna refers to a Quantity (this much or so much), Lamba refers to the Length (height or otherwise), Kash means to Take a Puff or a Smoke (considering the scene), and Yaaron refers to Friends. I sorta translated it to It’s Such a Long Smoke, My Friend. And in the lyrics~
Itna lamba kash lo yaaron, dam nikal jaaye
Zindagi sulagaao yaaron, gam nikal jaaye
Yaaron, yaaronDam = (staying) Power
Nikal = Get out/get lost
Sulagaao/Sulagana = Ignite/set on fire
Gam = RegretIt’s such a long smoke, my friend.
Power, be gone.
Life is set on fire, my friend.
Regret, be gone.
How did I do with that?
Though, Nikla Neem Ke Talese Nikla escapes my comprehension. It doesn’t even look Hindi to me- oh, wait. Never mind. *goes crazy* Why is Talese together when it should be Tale Se? As in Nikla Neem Ke Tale Se Nikla (निकला नीम के तले से निकला) *growls*
Anyone ANYONE who is able to help me out with that title and make my life easier?- I’ll love you forever! LOL From the deep Google that I did, Nikla seemed to refer to “being out,” or “something that sticks out” and I know Neem can refer to the bitterness of the Neem tree [1] or the tree itself, and Tale is “the bottom or base of something” — Does that mean… The Bottom of the Neem Tree Turned Upside Down? LOL, I need to watch this movie again. xD
In honor of the release of Haider today/tomorrow and me not being able to watch it until it hits the DVD/Bluray shelves… or EROSNOW (or someone else) decides to VOD it early or *cough*… I had been curating a YouTube playlist of all the music sequences -choreographed or not- (and item songs or special apperances) in Tabu’s filmography, which has resulted in a list of over 83 clips (est: 6 hours) from Tabu’s participation not only in Hindi films, but also Telugu, Tamil… and the random Malayalam clip that I was able to find.
The list has time to expand with rarer to find clips, I suppose, including (at least) one or two more clips for Idee Sanghati, as well as other regional movies that aren’t on YouTube. There are also clips that are included in their dubbed version (with the original title and the language they’re on), because the original audio isn’t available… as well as repeated clips in better resolutions than their “official” uploads.
The Boy and the World screen print that reminded me of my dad, who is ‘turning one-year old’ this week. Us, sitting together and looking up at the sky.
But you know what takes the cake? O Menino e o Mundo opened in Brazil on my dad’s bday: January 17th. You gotta be kidding me.
It’s another double feature!
La Doña has been in the mood for fighting this week [1], and this time she’s taking Deepika Padukone- or I suppose El Peñon de las Animas (The Rock of Souls) is taking Sanjay Leela Bhansali’s Ram-Leela, where both balas and golis are exchanged nonchalantly, and music is spared in between two families that have been warring for generations.
Though Maria Felix is playing much more of a señorita role on this one (than usual), and this western musical (that’s what all rancheras are, right?) gets some pretty nifty cinematography and sassy moments and lyrics, there’s one thing that Ram-Leela has~~~ and that is Supriya Pathak.
Are! Mashallah, mashallah~
I obviously didn’t know about this cover because it predates my Indian movie journey… but it’s just so damn good, you gotta put it out there, you know? Mother India is so the quintessential Indian movie that every single person (in Peru) that has ever spoken to me about what Indian films they’ve seen, they’ve all name-checked Mother India. Regardless of social status… university professors, business owners, bloggers, taxi drivers, waiters… they all name-check “Madre India.”
It’s always interesting to see educational (short) clips about different languages; did you guys ever see the one about the guy that could speak like 20 languages? At that time, my niece (6) and nephew (5) were struggling with picking up Italian and English at school, while they spoke Spanish and Swedish at home. That was, of course, on top of their other school subjects like math, because schooling is just incredibly ridiculous nowadays.
The only bad thing about the clip is the incredibly boring tone of the voice over. In any case, I thought it was funny they lumped Mandarin, Cantonese, etc into one big chunk of Chinese language. I thought the formal label was “Sino-Tibetan language,” even though Tibetan feels more like it would be more like Indo-Aryan, no? Isn’t Sanskrit both part of Tibetan and Indo-Aryan languages? Sighs.
I don’t exactly understand how branching works with languages, how does Indo-European come about? Isn’t that like stretching things out? What would languages like Spanish, German and Hindi have in common with each other? And how does Japonic or Koreanic come about? And how do they have more in common with Mongolian than with Chinese?
