Archives For Misc.

Holy shit!? Is this a thing? I could only find the Frigidaire that changes the freezer into a refrigerator and vice versa [1], but they’re not giving you extra space… just switching one for the other. my kitchen tech is way behind the times, since I still use the same microwave we bought like 25 years ago, and our refrigerator is -at least- 18 years old. LOL

Here’s another CM. Seems to be only available in India, for now.

And this seems super cheap- the most expensive one (480L) is 65,000 Rupees, which at the moment is about a bit over $1k USD. That’s like half or a third of what one of those double-door refrigerators that waste a lot of space because they give you the illusion of giving you loads of compartments is. The 322L one is only a bit more than $650USD. THAT’S FRIGGING CRAZY.

That’s like buying an iPhone, no? FML. Two 64GB iPod Touch, and maybe two 16GB iPad mini 4. For that, you can buy an appliance. Geez~

xD

I’m enjoying all these liquor short films [1] that are coming up. I don’t even drink. This time around Indian actresses Konkona Sen Sharma and Tillotama Shome are two neighbor friends despite their seemingly different personalities for a short sponsored by Seagram’s Royal Stag.

Directed by Jaydeep Sarkar, the short seems to come as… sort of a clash with the image of a whisky brand. But I’ll take it.

The struggle of concealing one’s self.

Really hard-hitting ending.

Yeh Dil Vole! xD

Anyone who’ve seen both Sanjay Leela Bhansali’s 1996 directorial debut Khamoshi: The Musical (Silence: The Musical) and last year’s Belgian-French La Famille Bélier -by Eric Lartigau- can spot the similarities between the two (as well as the 1996 German film Beyond Silence (Jenseits der Stille) by Caroline Link). You can even spot the similar plot points by either reading the outline or watching the trailer.

In the pivotal emotional punch of the movie, the daughter (played by Manisha Koirala and Louane Emera respectively) auditions to the coveted singing position, when her (deaf) parents -who had been against the idea- show up to see their daughter perform both vocally and in sign language. Koirala (voiced by playback singer Kavita Krishnamurthy) doing Yeh Dil Sun Raha Hain (This Heart Is Listening), and Emera singing Je Vole (I Fly).

Though Lartigau’s more modern take is much more musically accessible (let’s be honest, the film starts out with 2008 staple That’s Not My Name [1]), it’s also lighter. Bhansali’s story focuses a big chunk of his running time to tell the story of Manisha’s parents, also incredibly played by Nana Patekar and Seema Biswas, their struggle to raise a (hearing) child in near poverty levels, to the point that Patekar goes door to door with his daughter to make a living selling things.

Of course, both also have a love interest, and both Salman and Ilian Bergala are the weakest link.

I declare- DRAW!

I’m maybe one of two (or three) people that actually liked Ghaath. Actually, scratch that- IMDb is showing me that, at least, 20 people have voted this movie over 6. So there you go, we’re about 20 people. But maybe I have a strong bias, the film has a political moralistic theme of the late-90s early 00s era but avoids the masala shenanigans for the most part, it also has Anu Malik music — with two great songs that I enjoy — and the chemistry between Tabu and Manoj Bajpayee, who are also getting back together this year (after Salman in Jai Ho, Ajay in the upcoming Drishyam).

When a titillating item song comes on screen, I’m usually the one rolling my eyes at some of the embarrassment… and the Telugu film industry has usually taken the cake when it comes to silly sexism. Not even Tabu can escape it (her number in Pandurangadu gets the crown with that orange juice moment). However, I do remember the first time that I ever gasped seeing a Bollywood movie because *gasp* They kissed! It was the Chup Chup Ke [clip] number in Bunty Aur Babli. It was before I realized I did enjoyed seeing Abhishek and Rani together [1], but they were always married on film!

In the number for Teri Aashiqui Meri Zindagi, Tabu’s character is never married to Manoj’s, they fairly recently met at their family/friend’s wedding and had their moment in Hum Bhi Samajh Rahe Hain [clip] — there sure is a lot of rain and white-wearing caressing and singing, but it’s just playful boy-meets-girl girl-meets-boy, a lot of face-touching… but never EVER an engagement or wedding, yet… yet… there’s this 20-second love-making behind a torn down hellenistic column that results in a baby. LOL

There’s all sort of face and neck action foreplay (I’m like “Omo, omomomomomo I swear she’s licking that neck“) before the hellenistic column action, as well as the obvious after scene.

Of course there was a baby. There’s never a sex scene in these movies that doesn’t end with these consequences… it happens here in Ghaath, as it happens in Raiou.

I like these one-on-one interviews, especially when you have performance-oriented people. Too bad Nawazuddin Siddiqui doesn’t feel comfortable speaking English- 1. Maybe these Meeting Ground interviews are always in English. 2. If they’re not necessarily in English, I wouldn’t understand a thing he says in Hindi. xD

This time Kangana Ranaut and Irrfan Khan are one-on-one after the commercial success of Tanu Weds Manu Returns and Piku, respectively. In the brief 20min interview, they talk about acting nuances with a super brief Acting 101, as well as people’s obsession with Box Office numbers (in this case, making the 100 crore club), the -now- discerning audience (and the massy one), not longer being a working actor who needs to constantly do movies to make a living, being an outsider, PLUS! the strength and vitriol that is social media.

Happy watching!

On the Box Office obsession and audience talks, it’s a general worldwide problem, you guys. Last year headlines declared How to Train your Dragon 2 a box office flop when it made “just” $50M USD. Joining the $1B USD club is big on studio heads, and having the most profitable franchise is a plus for actors.

The audience everywhere is half and half- good movie don’t make money, bad movies that make loads. The audience and press vitriol on review and social media. They’re not solely Bollywood problems ;)

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