More stop-motion!
Pilfer.- to steal stealthily in small amounts and often again and again.
Now, if it were a bad-ass Peruvian version… it’d be Pigeon Pirañita~ LOL
Anyway, enjoy~~~
More stop-motion!
Pilfer.- to steal stealthily in small amounts and often again and again.
Now, if it were a bad-ass Peruvian version… it’d be Pigeon Pirañita~ LOL
Anyway, enjoy~~~
Geek alert!
LOL
Stop-motion, printers and music~
though, I dunno if it’s a video, a commercial, or something else xD
Loads of fun!
Not Coraline or Alice in Wonderland wicked,
but still worth watching~
And it’s filled with celebrity voices…
like George Clooney (Mr. Fox), Meryl Streep (Mrs. Fox), Michael Gambon,
Willem Dafoe, Bill Murray, Owen Wilson, Jason Schwartzman, Adrien Brody
Brian Cox, Anjelica Huston and even Wes Anderson who is also directing this
stop-motion animated film… hmm,
do I see a new Best Animated Feature nominee here?
[iframe width=”560″ height=”349″ src=”https://www.youtube.com/embed/n2igjYFojUo?rel=0″]
Motionographer made a post on the nominees for
Best Main Titles
(yes, motion designers can win Emmys too)
Of course, my favorite one (and crossing my fingers for its win) is
The United States of Tara… because!
I love pop-up books… the level of detail in it,
the style… and I also loved the theme.
it gives you the proper idea of what the show is,
it evokes the show and the style.
[iframe width=”560″ height=”349″ src=”https://www.youtube.com/embed/ivFAuqpeaz4?rel=0″]
Forget the Film (or show), Watch the Titles also had
a special on the titles for United States of Tara~
as well as True Blood, and Taking Chance
First, see it for yourself~~~
Now, I wasn’t to OMGWTFGOD when I saw the film. I liked it… I thought it was okay. The thing that I loved was singing that Ponyo song with the little girl – Ponyo, Ponyo sakana no ko!!! – Plus, Juri sings it too and that made me laugh so hard. I just had to mentioned that… just so you could see that part of the charm of the film is THAT song. This is why I think this trailer fails, makes it look all epic and sh!t… it is kinda, but it’s mostly cute.
People will feel mislead. I can feel it in the air… and critics will bash it as childish.
and a half~~~
I just read over NipponCinema that the Japanese Cinema Blogathon has started. (yesterday, really…)
What is the Japanese Cinema Blogathon?
Someone over at Wildgrounds.com thought it’d be a cool idea to unite forces in order to promote Japanese Cinema. Write, share ideas… anything goes as long as it’s about Japanese Cinema. Check their list of on-going activities…
I’ll start off with something simple…
My history with Japanese Cinema isn’t as broad as other people’s. I don’t watch too many older classics, because they are harder to get~~ I mean, it’s just easier to get contemporary stuff. ;P but there are some really great films that I’ve been able to watch this past year.
1. They can be about nothing at all, yet hold so much meaning or be so entertaining.
I saw Kore-eda’s Aruitemo, Aruitemo (Still Walking) a couple of days ago. I think that’s perhaps my favorite Japanese film from last year *laughs* – besides from the fact that I really like Hiroshi Abe *laughs*. That film felt so right to me, from the moment we saw Ryo’s sister and mother discussing and trying to cook in the kitchen, to the very last scene of Ryo’s family walking. There was no big reveal of someone having another kid, or someone getting kidnapped or killed, someone having an affair – none of that. One of the things that just stands out was Ryo and his mom finally remembering the name of the Sumo wrestler… and always being late. Heartbreaking.
A similar thing I can tell you of Linda Linda Linda, which I saw and liked, but LOVED after repeated viewings. Nobuhiro Yamashita’s story of a group of girls trying to make it on time to play on the school festival. Nothing at all! But add to that Doona Bae as non-Japanese lead singer, and rock!!
2. They can be bizarrely good.
From high-on-drug-styled film Survive Style 5+, bike-riding rococo lolita adventures on Shimotsuma Monogatari (Kamikaze Girls), Moulin Rouge!-meets-Amelie-meets-Sin City-esque dramedy musical Kiraware Matsuko no Issho (Memories of Matsuko) – or even high-school-hardcore-Survivor Battle Royale. They are not your typical film, they can only be Japanese. LOL
3. They don’t treat animation as if it’s only for kids.
Yes, Japanese Cinema is not only Anime – to the dismay of some of my friends – but they do a pretty darn good job animating films like Paprika, Tekkonkinkreet, Princess Mononoke, Grave of the Fireflies. Since the day I discovered Hotaru no Haka 6 years ago, it’s become my favorite animated film to date. LOL
Years… well, maybe a year ago – I ranted Peruvian animation not being compelling enough. I have also ranted about how tired I feel of 3d animation (most of the times), but there are times when I have to talk about things because they are important to note.
Machu Picchu Post is an animated short from Clement Crocq, Margaux Durand-Rival and Nicolas Novali. They are French, and did their whole Machu Picchu Post style reference from research. Research!!! Research is so important, and this is why I ultimately decided to blog them.
I have always found Alpamayo (and most recently, the team in charge of the Dolphin story blah blah) to be lacking research, not storywise (though I beg to differ sometimes) but on execution. Of course, you don’t only research styles, textures, colors, etc… you also research movement, and light quality. It’s not enough to just HAVE the best computer equipment… you also go on field trips, you do experiments.
Anyway, this is my brief rant. French animation students (and now animators) are creating more compelling animations regarding Peruvian culture. Here’s the video:
WOOOOOO!! A freakin’ year~~~~
Today a year ago, I was introduced to Yu Aoi’s work on Shunji Iwai’s All About Lily Chou Chou, and the Shunji Iwai-related Rainbow Song. Little did I know that the characters that interested me the most in the films were played by the same actress. Nine days later, I watched Hula Girls, and a month later I was completely hooked with Yu Aoi, and yet another Shunji Iwai film… Hana & Alice.