Archives For DVD/BR

Except for the mandatory appreciation for Boyhood (the Patricia Arquette show) and Whiplash, which had me contorting from all the conflictive feelings, I’m feeling rather lukewarm with this year’s award season as you can see from my 2014 Films Ranked compared to my Academy Award Watchlist.

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Hot pink is watched, light blue on to-watched queue, highlighted in green haven’t been found yet. My excuse for lack of documentaries and shorts is because of access. I find them extra difficult to get. Also, any respectable award show needs the presence of Haider. LOL And I could do a LOT LESS from Clint Eastwood. I’m not even one of those complaining for lack of women behind/in front of the camera, the nominees are just so damn BLAH! except for the few couple of surprises- some spice with Marion Cotillard (even though I don’t feel strongly about the movie), Ida and Mr. Turner in cinematography… and The Tale of Princess Kaguya.

Oh, who am I kidding. What I love about the end of the year is all the Best Of lists, rankings and voting. Expect my annual Top50 Songs of 2014, My fave movies of the year, and My fave local 2014 releases. I might even have enough material for a 2014 Music Highlights.

We started voting early on the YAM Magazine lounge because we are all lobbying for our favorite films, and prepping our personal End of the Year lists. I’m the most serious of all because lists can only matter when you grab the biggest possible sample. Not watching Indian movies meant that I wasn’t watching roughly 30-35% of the worldwide output.

So this is my first year online voting for Indian movies! I actually kinda like how MANY categories there are for actors to get a nod. LOL They don’t always make sense (Superstar of Tomorrow, hahahahaha and the Male Thriller/Action is quite rubbish), but I’m generally happy when I get to vote for Tabu, Madhuri and Rani without much conflict. So~ YEAH!

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You can vote here.

A country bumpkin (with a heavy Shandong accent, I suppose… with my level of Chinese, I can’t tell.) and a cow are the only survivors of a terrible Japanese airstrike during the Sino-Japanese War. I never thought I would ever say this, but that’s the best damn cow performance I’ve ever seen in my life. Alongside Dolly (the dog performance in Korean film Blind), it might be one of my favorite animal performances on film.

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Even though it didn’t slay in any categories in my Best of 2013 post, The Chef, The Actor, The Scoundrel (厨子‧戏子‧痞子) was one of my favorite movies last year. After Cow (斗牛, Dou Niu), I’ve become a Guan Hu and Huang Bo fan.

I’m terrible with timing, aren’t I?

I’m always dissatisfied with my end of the year lists, but I supposed a WHOLE year of catching up is good enough for me to have a proper idea of what I like, right? I managed to squeeze in 227 movies, the rest is history. I hope you like it, that you don’t hate on me for not including some of your faves, that you celebrate that we loved some of others, and that you love me for introducing you to one title you missed.

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Do your thing.

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I remember I was watching Filhaal… and thinking to myself that I obviously didn’t have any amazing great female friendships -despite my support for female friendships on film- because I didn’t know anyone that I would mother a baby for nor be comfortable enough to ask to mother one for me. When Sushmita Sen’s character tells Tabu’s that she’ll mother her baby, I was saying “oh, girl~ you’re just asking for trouble.” xD However, through all the complications in their relationship and interaction, I kept saying “I gotta admit, that’s pretty gay.” LOL

Though Wikipedia or IMDb don’t list it as a connection, according to this (sometimes grasping-at-straws) list of 100 Queer Films of India [Part 1][Part 2][Part 3][Part 4] calls it a -sorta- adaptation of Chutney Popcorn, except Filhaal… takes (or tries to take) the gayness out of it. It’s like Pre-Code films all over again, but I gotta admit- kinda fun. Plus, Tabu looks really REALLY good on the Le Chalen Doliyon [clip] number, which also features pretty flashy cinematography even if it doesn’t reach Meenaxi levels.

And despite not warming to Sushmita Sen over Main Hoon Na or Biwi No. 1 (come on, you can’t expect me to fall for that, right?), I did enjoy her chemistry with Tabu here enough to watch her episode on Comedy Nights with Kapil and actually get to like her.

Looking at these captures, you’d think Tabu just fathered this child, LOL and they’re all playing Hebe Tien’s Love! [MV]:

I love you
You love her
She loves her
She loves him

[1]

Exciting news! Shokuzai will be released on DVD/Blu Ray and VOD (in the US) on October 31st, which only means affordable and subtitled Yu Aoi (et others). Amazon date says November 18th.

https://www.youtube.com/watch?v=7ehdRryYEIQ

You know what to do, use those Amazon links~

In honor of the release of Haider today/tomorrow and me not being able to watch it until it hits the DVD/Bluray shelves… or EROSNOW (or someone else) decides to VOD it early or *cough*… I had been curating a YouTube playlist of all the music sequences -choreographed or not- (and item songs or special apperances) in Tabu’s filmography, which has resulted in a list of over 83 clips (est: 6 hours) from Tabu’s participation not only in Hindi films, but also Telugu, Tamil… and the random Malayalam clip that I was able to find.

The list has time to expand with rarer to find clips, I suppose, including (at least) one or two more clips for Idee Sanghati, as well as other regional movies that aren’t on YouTube. There are also clips that are included in their dubbed version (with the original title and the language they’re on), because the original audio isn’t available… as well as repeated clips in better resolutions than their “official” uploads.

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I would get a time machine, go back in time and have a torrid affair with 1930s Joan, if I could. xD I know this is a Sadie McKee still, but she was so good-looking in Dancing Lady.

It’s another double feature!

La Doña has been in the mood for fighting this week [1], and this time she’s taking Deepika Padukone- or I suppose El Peñon de las Animas (The Rock of Souls) is taking Sanjay Leela Bhansali’s Ram-Leela, where both balas and golis are exchanged nonchalantly, and music is spared in between two families that have been warring for generations.

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Though Maria Felix is playing much more of a señorita role on this one (than usual), and this western musical (that’s what all rancheras are, right?) gets some pretty nifty cinematography and sassy moments and lyrics, there’s one thing that Ram-Leela has~~~ and that is Supriya Pathak.

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Are! Mashallah, mashallah~

Oh.mah.gosh.

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It’s a battle of the horse-riding sword-brandishing tough ladies that -actually- existed in real life, with lives brought onto the silver screen, beautified while being personified by THE faces of their own Golden Eras.

In the case of Greta Garbo, of course, with Hollywood in her most fun and most relaxed Queen Christina, often mistaken for a man and featuring the infamous scenes of Garbo kissing a lady and being romanced by John Gilbert while in mannish get-up. Then there’s the Mexican and Latin movie classic diva La Doña Maria Felix as Catalina Erauso, escaping a convent and dragging it up as Don Alonso, making the ladies of the Peruvian Viceroyalty swoon in La Monja Alferez, with a twist ending to match Some Like It Hot.

And to quote Toni Collette:

We’re women dressed as men dressed as women!

This is a tough one. I do have a terrible Greta Garbo bias, but I think I’m handing it down to La Doña on this one. Maria Felix is like the awesome fusion of everything that’s good with both Greta Garbo and Joan Crawford.