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Gomen, gomen. I skipped two months of random blogging this time around. I did, however, write my late 2024 Peruvian box office wrap-up, published in late February. And I did a small write up by the end of March about Malayalam cinema that is yet to be publish in case Jude Anthany Joseph’s 2018 is released locally this week. Just in case.

I have also picked up French once again! Officially since mid-January ;D Thanks to Nelly of Français avec Nelly. Everyday French (and slang, especially online slang) has improved, formal usage (has returned), but writing refuses to go back to levels (^=^!) to when I was a formal student and could actually write. It takes me ages to actually write, so it takes triple the ages to get something out in French.

Anyway- in one of the most recent videos where Nelly answers some subs questions, user tomas_valiunas asks about a website where you could watch French films for free, which is -of course- my expertise. I may not focus on writing about French films and festival films, because there are hundreds of others who do, but I do watch a number of French films and co-productions. And even though the French, and Europeans (and first worlders) in particular, are very finnicky about geo-restrictions and copyright, there are ways.

And the first and most obvious legal answer is TV5 Monde Plus.

I still have cable, so I don’t know how people who don’t have cable are supposed to find out about the TV5 Monde app for download or that they have a streaming website. Of course, there are a number of shows (broadcast on TV5 Monde) available to stream for free on YouTube like Echappées Belles or Des Racines et des Ailes.

They let you browse without an account, but you have to create one to actually watch the shows and films, otherwise you hit ‘play’ and just get the TV5 Monde logo and a ‘sad face’ lol

According to current (Mar 4th 2025) FAQ, opening an account and accessing the programs in the platform is free.

Right now they’re offering a bunch of Brigitte Bardot films like Boulevard du Rhum, Viva Maria!, La Bride Sur Le Cou, L’histoire très bonne et très joyeuse de Colinot Trousse-Chemise and En effeuillant la marguerite. Other classics like Peau d’âne by Jacques Demy, Jean Eustache’s La Maman et la Putain, and Truffaut’s Les Quatre Cents Coups are also available. And that rare Marlene Dietrich French film, Martin Roumagnac is also available.

Some of their co-productions are available, like Papicha by Mounia Meddour and Noces by Stephan Streker. However, considering the vast recent production of French animated films, I was a little underwhelmed from the selection of animation available; though Alain Ughetto’s Interdit aux chiens et aux Italiens, Florence Miailhe’s La Traversée and Une Vie de Chat by Jean-Loup Felicioli and Alain Gagnol are available as well.

But my favorite discovery available is Adrien Beau’s Le Vourdalak [Trailer] which I had been looking forward to watching. Sadly, it’s the only film labeled a fantasy. ^^’

Subtitles seem to vary, most (if not all) content seems subbed in English and French, there are also options for German (?), Arabic, Romanian and Spanish, though these two vary depending on the film you’re watching.

So I thought you should all know, even though no one reads blogs any longer, maybe someone will find this information on the vast nothingness of modern-day internet.

It’s unbelievable how quickly the year has come to an end. And though there’s still so many hours of un-watched films, we must all begin sharing our End of the Year lists.

As per tradition, here’s my 2018 music highlights. As Jocelle pointed out, might change drastically midway through 2019. LOL Remember when Su Yunying released an album on December 31st? Chinese people got no chills.

Happy listening!

Also, sharing that overdone Beginner’s Guide I did because I couldn’t make up my mind, LOL

Happy listening~ xD

I was just staring into space in the middle of the night, unable to sleep, and it hit me that it’s been ten years— It’s my 10th anniversary for a lot of things: it’s my tenth anniversary of Juri Ueno~~~ and Last Friends turned 10 this year! It’s also ten years since the Beijing Olympics, ten years since Beijing, Beijing! Wo Ai Beijing; it’s been ten years since BiBi, ten years of YAM Magazine, and ten-mother-freaking-years since I became a fan of Yu Aoi [1][2][3][4][5]. It didn’t come in this order, but you get the idea.

May 16th is the date. Remember that. This should’ve been posted that day, but I’m way to giddy to wait. It’s taken me a long time to sit down and look back at years of archives to update this entry, but I suppose it still beats trying to figure out how to write a comprehensive Wikipedia entry.

Yu-chan and I, we’ve had our ups and downs, but I’ve always tried to stay as loyal as possible. LOL I may not stalk her tags online 24/7 (all my Japanese sources in English are rubbish now) and my Japanese skills are in the gutter, but I’ve managed to remain the biggest English/Spanish-speaking Yu Aoi fan in this side of the hemisphere (if not the world, xD). It’s been a good ride, Yu-chan. I’m looking forward to all the catching-up of all your latest movies. Here’s to another decade with Yu!

Cheap Yu-puns intended~

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You know, for a year when I didn’t watch that many movies, I’m doing pretty good. LOL Confession! I haven’t been following award season, it does feel like it’s my second or third year already. I do know that people have been freaking out because all critic guilds and industry guilds have been awarding all different movies.  As the saying goes~ todos parecen más perdidos que cuy en tómbola!

Here’s my Spirit Award one.

Light blue highlights mean watched, hot pink are pending, and green on the queue already.

My favorite competing film this year (so far) is Lady Bird coz it got me in the feels. I wouldn’t mind The Shape of Water winning, though. Considering BAFTA nominations (Producers’ Guild win and Directors’ Guild nom), The Shape of Water does seem to have a love more momentum than actors-backed Three Billboards, and this one also has a strong BAFTA showing.

Fun fact, yo! Darkest Hour, Phantom Thread and Victoria & Abdul are [most likely] the first Chinese-backed films that make it to Oscar. All backed by Perfect World Pictures (北京完美影视传媒) [1].

goran kudasai, dozo~

My yearly tradition~

(even though I haven’t been writing at all~~~ lol)

I hope I get to be more productive next year.

Sharing is caring!

Happy listening~

There was a time, a long time ago, when I really took to streaming music. My music buying habits, but specially my music download habits, changed to basically streaming to the point when licensing and catalogs began changing, and I found my music collection shrinking. In the end, I started downloading once again.

I have come to the realization that I buy less and less physical albums, or it takes me longer to buy them. :(

As I found myself deeper and deeper into Kpop fandom once again, so deep into Mamamoo fandom that I begun to get irked by fans who publicly post about their illegal downloads AND complain about numbers of comebacks/group activities. I ended up writing this nonchalant post about music earnings, as well as other Mamamoo activities fans can support besides comebacks [1][2][3]. Yes, I’ve become that type of fan. The old one. LOL

As a grown-up who loves the arts, I always try to remind people that if they love and support their artists that they should buy instead of stream because streaming doesn’t pay. I was literally shook when Hyori mentioned that she had learned that PSY’s Gangnam Style only made $38k [1]; even though I knew some of the horror stories like the one of musician Lee Lang (이랑) who, during her acceptance speech for winning Best Folk Song at the Korean Music Awards, stated that she had only made $370 USD in total earnings on the month of January, so she decided to auction her award starting from the base price of her rent [1].

You can support Lee Lang by buying her album, Playing God (신의 놀이), on Bandcamp :)

And to my surprise, one of my favorite groups this year~~~ the lovely girls from Bolbbalgan4, who are considered digital monsters with their songs almost always charting within the Top10 of Melon, South Korea’s most used music site, had made only $61k USD by August this year [1]. Red Diary Page.1 didn’t drop until a month later, and all 5 songs in the album charted within the Top15. But that’s still besides the point. The point being that your faves don’t make money because you stream music on YouTube or Apple Music or Spotify.

So stop demanding expensive music videos that can cost from $100k-$500k for an average medium size budget, or go up to $1M for the splashy ones that we don’t often see nowadays. At the height of the music video era in the 90s, Michael Jackson and Madonna’s most expensive videos hovered the $5M budget without adjustments for inflation [1]. Stop demanding multiple comebacks a year with infinite number of physical prints (these cost production budgets AND storage budget for large stocks) that you will be waiting for price drops and re-sellers.

So now, let’s do some math~

Let’s say a physical album, a regular jewel case priced at -let’s say- $10 USD. According to prices in 2017— Apple takes a 30% cut [1], Bandcamp takes a 15% cut for digital sales and a 10% for merch [1], whereas CD baby takes a 9% cut off digital sales and $4 USD off physical sales [1]. That means that by selling a $14USD album, the independent artist makes $10USD. In the parallel universe in which your fave is an independent, they keep $7 of those $10 in iTunes, but if there’s a label, the artist (meaning singer) probably gets $1 of those $10. If they’re their own lyricist, musician, producer or sound engineer, fees are different.

Streaming is a whole different beast— according to this post on Digital Music News from 2016, to make a single dollar $1 in Tidal, Google Play, Apple Music and Deezer; you gotta play the song +180 times. 196, to be exact, for Apple Music and Deezer. Make that 279 times on Spotify, 483 times on Vevo, 766 times on Soundcloud, and… at the end of the list, YouTube, where you gotta play songs 776 times to make that one dollar. That means a song/music video that has 100 million views on its YouTube official channel, has made roughly $125k USD, which would be made by selling 12.5k physical albums on CD Baby.

So remember, the next time you complain about X official store prices or limited stocks, it’s because all adds up to the price. If you found a cheap album, it’s because someone along the way lost money.

Yes, I’m low-key talking about Bizent LOL I’ve compared prices with YesAsia, and since I don’t get YesAsia free shipping, that’s paying double shipping because the YA price includes the Bizent $20 shipping fee. I’d rather that money go directly to Mamamoo. xD

~~~~

xD

I haven’t been like this for like, maybe, a decade. Okay, maybe a little bit less if it’s not just music.

I had so much fun watching Moosical last night, and though I’m waiting for the Bluray release, I might keep the DVD if the BR release doesn’t match the current packaging for Mamamoo goods RBW has going so far. I also had so much fun overnight listening to the usual MMM streams we don’t get to attend. Thank you, Tale~

So Chan Whee (소찬휘)’s Tears, Love Battery (사랑의 배터리) AND Bingeul Bingeul [1]? I was in heaven already before I got to listen to Recipe LIVE. Blessed.

And a complete version of Sleep in the Car (잠이라도 자즤)? Geez, I need RBW to release that ASAP. You’ve spoiled me rotten.

We are also currently giving away two copies of Purple for two fans across the Americas (except Canada and the US, HA!).

I started listening to Chen Weilun (陈伟伦)’s album, Think Miss Sorrow (念思愁), which just came out last week. While adding it to my iTunes library, it struck me how difficult it was to translate the song names. xD

For those who don’t know because you’ve just stumble upon this post, I usually keep a very organized library of foreign music, which includes ‘Original Name (romanization) – English Name/Translation’; so I was looking if there were official English titles for the songs on Chen Weilun’s album available on Xiami, KKBox or iNDIEVOX. There were not. On my search, already on title #3, I realized they were all titles (or most are, I haven’t gone through all of them yet xDDDDD) for Li Qingzhao (李清照), who is known as the greatest Chinese female poet of the Song Dynasty, mostly for her ci (词)/lyrics form of poetry [1][2].

So this is going to be a (hopefully brief) project to translate just the song names xDDDDDDDD

  1. 一剪梅·红藕香残玉簟秋
    A Twig of Plum Blossoms: The Jade-like Mat Feels Autumn’s Cold [1][2]
  2. 念奴娇·春情
    The Charm of Nien-nu: Spring Feelings [1][2]
  3. 如梦令·常记溪亭日暮
    Like a Dream: I Will Always Recall that Day at Dusk, the Pavilion by the Creek [1][2]
  4. 相见欢·无言独上西楼
    Happy Meeting: Wordless, A Lone Ascend Up the West Tower [1][2]
  5. 浪淘沙令·帘外雨潺潺
    Waves Against Sand: As the Rain Patters Outside the Drapes [1][2][3]
  6. 声声慢·寻寻觅觅
    The Sounds of Adagio: Searching and Searching [1]
  7. 渔家傲·秋思
    Fisherman’s Pride: Autumn Thoughts [1][2]
  8. 行香子·述怀
    Incense Burning: Describing my Emotions [1][2]

I only got three so far. xD

— September 22nd 2017 —

There~