Re-pimping this old list~ xD
It’s always been tough to be a working actress on the big screen, as you turn a little older, offers often seem to be linked to “being someone else’s mother,” but cable television seems to be becoming more and more attractive to not only writers – because they get to write more challenging stories and skip censors – but also to women who were movie actresses and have found new complex roles to take on.
you can read the whole thing on YAM Magazine~
I just finally burnt Zhong Ping Huang’s (黄中平) name in my head.
Because of A-Mei’s latest MV.
Having realized that he’s made my favorite Faye Wong video, I just spent all night “curating” a list of 77 MVs of some of the music videos he’s directed since 1997… but only of the artists I follow… otherwise the list is just endless~
Most of the time, his style is described as just about style, emotion and composition. Though, I have seen a few of those that have something resembling a plot.
Faye Wong – Bu Liu/ Nothing Left
I think that video captures what I essentially love about Faye Wong.
Can we agree that Hanna looks like she could be on our list of Top5 Little Girls on Film?
You can head over here to read the interview.
By the way, first time doing an interview via email. Interesting experience.
Let’s start off by saying that my Chinese/Hong Kong film viewing… isn’t, just isn’t. LOL Of all the nominees, I have only seen two. Hahaha, I’m a little ashamed of that considering I’ve seen over 120 movies last year. Though, there were 3 other films I wanted to watch before the nominations were announced: Love in a Puff, Gallants, Under The Hawthorn Tree, and Detective Dee ;D
And I’ve decided I should watch Reign of Assassins with my dad, and Hot Summer Days with my mom. LOL
Also, Tetsuya Nakashima’s Kokuhaku was crowned as Best Asian Film, beating the likes of Aftershocks and Monga.
Anyway, we’re here because of the Best Song category, which had the most artists I was familiar with, and we’re going to be looking at each of them and their respective songs~ First, the winner:
Jun Kung’s Here to Stay from Merry-Go Round
I told you there were a few posts…
Anyway, did any of you watched Ryomaden last season? I did try to watch it at the beginning but wasn’t that into it, so it was really troublesome to gather the energy to find a subtitled version of it. Plus, there weren’t any small files, and I didn’t feel like download HD versions.
So I watched on TV with no subs.
Until the very last episode that Yu was on… and then till the very last of the year.
I remember that when I saw the preview of episode 44 with Yu’s character Omoto saying goodbye, I thought to myself — well, what bad number of episode to leave the show xD and it ended up being her 13th guest appearance — pretty sure about that.
Anyway, for those who didn’t watch the show — Yu played Omoto, a geisha who’s a closeted Christian (oh, the irony!). She plays the shamisen, does some traditional dancing and performing, and has some non-explored sexual tension with Ryoma. She was good in it, but I understand that Taiga dramas are a long-term commitment.
Here’s the capture of the interview with photos for those of you who won’t touch a Taiga with a stick xD
I have another confession to make.
As you may have already figured out, I grew up in a time when there was barely any stability. When things settled down, we had about 4 or 5 networks, usually broadcasting local productions.
But there was also syndication.
American television loves syndication, they ensure making a living with it. What’s a better example of syndication than… Baywatch. Yup, that’s my confession. I grew up with Baywatch. Especially the first season and the second… maybe the third. They re-ran those seasons a lot those years, so I’m pretty sure I’ve seen them more than once.
So when I was like 5 or 6, we would all watch the show — most likely for different reasons LOL — since we kids liked going to the beach, we would always joke that our local lifeguards looked like they had floatability devices inside them. We would laugh, and move on.
Then there was Shauni. Before there was Stephanie Holden… Shauni was the only girl in the cast — pretty sure, I could be wrong. I was Team Shauni! As a kid, I don’t know why I thought she was awesome. She seemed nice, no problems — I’m seeing a pattern here — and she had Eddie xD
I just realized I’m a crazy shipper… almost since I was born. LOL
Anyway, time passed. Country got better, we got cable. Sony had just launched their signal, and were re-running Baywatch. Browsing channels, there was this episode – or was it a movie? – of Tales from the Crypt: Bordello of Blood. Ha! I didn’t know what a bordello was at the time. I didn’t speak any English, all I remember saying was “Hey! That’s Shauni!” And I watched it. The memory of it — me watching that — is hilarious.
So yeah, I like Erika Eleniak.
Very much like on the other tales, I was browsing channels and ended up on Sony. What a surprise it was to see Erika Eleniak on the latest season of Desperate Housewives. Color me surprise. Even if I have stopped watching the show, I… for a split second or more, considered watching the show again. Then I didn’t when I found out it was a one-ep gig.
There’s been a recent item talking about Gou’s lowering ratings, and mostly pointing out Juri Ueno’s miscasting or her lacking experience in period dramas.
Of course, I cannot form an opinion on whether Juri’s use of Japanese is appropriate for the era or not, and neither are most of us. However, I do understand why it would turn people off.
I cannot for the life of me, however, understand why would people say they don’t understand Juri Ueno playing a 10-year-old version of Gou, when for the past few Taiga dramas it’s been used. I just began watching Taiga dramas just a few years ago, and I do understand why it would throw people off. It’s weird to you, I get it.
You cannot say Ueno is miscast as a 10-year old when Masaharu Fukuyama played a much MUCH younger version of Ryomaden at the beginning of the show, Satoshi Tsumabuki played a much younger version of his character in Tenchijin, Hideaki Takizawa (Tackey from Tackey & Tsubasa) played pre-teen Yoshitsune when he was 20-something…
and obviously, Aoi Miyazaki (and Eita) played little kids early on Atsuhime, as well as playing them as 40 or 50-ish year-old people.
Also, I want to admit it. I don’t feel passionate enough about Gou. I love Juri, Asami Mizukawa and Rie Miyazawa, I do. But I’m not feeling the story. The three sisters, though they married very important people, feel like simple pawns in the story instead of being the players.
It felt different in Atsuhime.
They made Atsuhime interested in history, learning, and go strategics. She was constantly sent to places, and did things on her own to change her purpose in there. In the show, she was sent to be able to control the Shogun, to disintegrate the Ooku… yet, when she marries into the family, she sets to protect her new family. It’s conflictive.
It was engaging. It was good.
And this is me telling you I like Juri Ueno more than Aoi Miyazaki.
Plus, you don’t need to be a kid to play a kid convincingly.
Most fans outside Japan haven’t even been able to watch Raiou… let alone Yogashiten Coin de Rue, yet here comes the news that Hollywood might be preparing their version already?
via Tokyohive
I’m trying not to have a biased, but remake news are getting ridiculous. At least wait a year before a remake, Hollywood. Coin de Rue hasn’e even been out for more than a month, and you do this. WHY?! xD You know allllllll those talks about how Hollywood is not original anymore? Well, this type of news ain’t making it any better.
Has any of you seen Coin de Rue?
What do you think of this?
Who would Yu Aoi fans cast in her role… since, you know, she doesn’t speak English. xD
Yay! And I can re-use the photo too~ LOL
Yoji Yamada was working on a new project based on the re-telling of beloved film Tokyo Story, which will be called Tokyo Kazoku (Tokyo Family). The cast has been announced as Bunta Sugawara, Etsuko Ichihara, Masashiko Nishimura, Yui Natsukawa, Shigeru Muroi, Shozo Hayashiya, Satoshi Tsumabuki and Yu Aoi.
Satoshi Tsumabuki (30) will play the younger son, with Yu Aoi (25) playing his girlfriend.
via Nippon Cinema
I know the reviews for About Her Brother, aka. Otouto, weren’t glowing, but I’m still giddy over the fact that Yoji Yamada decided to call Yu-chan once again. That must mean she’s a professional, and that people want to work with her more than once, right?
Shooting of Tokyo Kazoku starts on April 1st until late June, with a possible release (in Japan) by the end of the year… most likely early next year.
