Archives For kokuhaku

Let’s start off by saying that my Chinese/Hong Kong film viewing… isn’t, just isn’t. LOL Of all the nominees, I have only seen two. Hahaha, I’m a little ashamed of that considering I’ve seen over 120 movies last year. Though, there were 3 other films I wanted to watch before the nominations were announced: Love in a Puff, Gallants, Under The Hawthorn Tree, and Detective Dee ;D

And I’ve decided I should watch Reign of Assassins with my dad, and Hot Summer Days with my mom. LOL

Also, Tetsuya Nakashima’s Kokuhaku was crowned as Best Asian Film, beating the likes of Aftershocks and Monga.

Anyway, we’re here because of the Best Song category, which had the most artists I was familiar with, and we’re going to be looking at each of them and their respective songs~ First, the winner:

Jun Kung’s Here to Stay from Merry-Go Round

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That’s the longest title I’ve ever written. I think. Not sure, but pretty~

First, let’s start with Oscar talk. There are 10 animated shorts line-up for 3/5 spots at the Academy.

  • Coyote Falls
  • Day & Night
  • Let’s Pollute
  • Madagascar, carnet de voyage (Madagascar, A Journey Diary)
  • Sensology
  • The Cow Who Wanted to Be a Hamburger
  • The Gruffalo
  • The Lost Thing
  • Le Silence Sous l’Ecorce (The Silence Beneath the Bark)
  • Urs

Continue Reading…

I can feel it in the air. Award season is approaching. I think Indie Spirit Awards are also done with submissions, and their nominations should arrive come early December.

In the meantime, the Academy Awards has released the list of the 65 countries (or not-countries… Greenland?) that will be competing for 5 spots as “Best Foreign” nominees, as well as their 8 short documentaries.

Here are some of the reviews of the ones I’ve seen.

Let’s talk wild guess predictions in here. Which countries will be the 5 chosen ones?

Mexico’s Biutiful seems like an easy assumption.

China’s Aftershocks seems to be a good candidate for several reasons besides “film”. Whatever your thoughts on melodrama are, I mean… you really need to be a sour grape not to feel something for the family in that film. Either that, or you’ve never been in a natural disaster. Having said that, it is because it’s a melodrama that it’s perfect for Oscar. Moving family drama that deals with catastrophe with a really powerful and magnificently handled Earthquake scene that was a box office hit in China. It’s just good business.

Also, China being nominated is controversial. Anything to do with China since 2008 is controversial. Controversial always brings ratings. Also nominating China is just plain good business. If China gets nominated – I dunno, what are the chances of some state channel broadcasting the Oscar? Just imaging 2/3 of China’s internet population watches the Oscar that night. That’s 200 million viewers. Anything in China is big.

If there’s no China, it must be another cheese movie… like South Korea’s A Barefoot Dream. An underdog story of a kiddie football team and a coach. It shall make you feel happy xD

Canada’s Incendies?

and… I dunno what else. Peru’s chances? From what I have seen, and what I’ve heard. It could very well get into the nine before they select the final five. I’ll have a better grasp once the 9 are out xD

Some very exciting news – First, it seems I’ve seen more than TWO of the Foreign submissions this year LOL. Of course that’s without considering the 9 films that will go through the other stage, and the 5 that will be chosen. I’ll probably get a 1/5 ratio at the most.

Second of all… China chose Xiaogang Feng’s earthquake drama Aftershocks to represent them. *jumpy claps* Now, this is my weakness. I love tear-jerking dramas. Anyone who’s lived through an earthquake should and will be affected by the story, anyone who’s lived through a hurricane, typhoon, any catastrophic natural disaster. Aftershocks is for you. But this is not to say that Aftershocks is exploitative of the tragedy, because this “earthquake” film is little about the earthquake and all about the people affected by it.

Considering the technical achievement this is, and how human and audience-friendly this drama is, I think this might have high chances of passing to the “chosen 9”. *crosses fingers*

Here are some of the submissions I’ve seen and reviewed:

The updated titles via Indie Wire!

Look, I made a banner. LOL

While reading my usual news, I found out that Kokuhaku (aka. Confessions) by Tetsuya Nakashima has been chosen by Japan as their submission for the upcoming Academy Awards. I haven’t even seen the film, but I really thought they would choose something like Norwegian Wood, which seems to be getting in all the major festivals, while Kokuhaku… has been, well… doing well in Japanese Box Office. So it’s a surprise.

These are the other films sent for consideration:

  • Austria – La Pivellina
  • Hungary – Bibliothèque Pascal [Variety]
  • Iraq – Son of Babylon
  • Netherlands – Tirza
  • Peru – Undertow [review]
  • Poland – All that I Love/Everything I Love [Poland]
  • Romania – If I Want to Whistle, I Whistle [The Hollywood Reporter]
  • South Korea – A Barefoot Dream
  • Sweden – Simple Simon [The Hollywood Reporter]
  • Taiwan – Monga
  • Venezuela – Hermano

Any more? xD

Germany has a shortlist that include 3 Nazi-related dramas. Their pick will be announced in about 10 days.

Not because she’s gonna be there, don’t get your hopes up, people.

LOL

From July 1 – 16, 2010 in NYC

The following Yu Aoi related films will be there:
Otouto (About her Brother/Younger Brother)
Hyakuman-en to Nigamushi Onna (One Million Yen Girl)

joining the line-up…

Ultra Miracle Love Story (Bare Essence of Life) with Kenichi Matsuyama
Dear Doctor with Eita
Memories of Matsuko by Tetsuya Nakashima
Kokuhaku (Confessions) by Tetsuya Nakashima (also at the NY Asian Film Fest)

more films and info via Nippon Cinema.

On Kokuhaku news, there was a little get together for the release of Nakashima’s film, which opens on June 5th, with the actors and actresses from his previous films. Yes, including Miki Nakatani (Memories of Matsuko), Kyoko Fukada and Anna Tsuchiya (Kamikaze Girls).

via Japan Now.

I am all over Ip Man at the moment. So really, there’s no better way to kick of the New York Asian Film Festival than with the American premiere of Ip Man 2, which its pure kick-ass and feeling for martial arts. Sammo Hung will also be there, so that’s pretty kick-ass too.

But the biggest news is that Tetsuya Nakashima’s latest film Kokuhaku (Confessions), which will open in Japan on June 5th, will be the Centerpiece presentation. According to Subway Cinema News, Kokuhaku has left dumbfounded at the market screening in Cannes. Must be the LSD on Nakashima’s film-making.

Can’t effing wait for it now.

via Nippon Cinema.

The film is based on an award-winning novel written by rookie author and housewife Kanae Minato. Actress Takako Matsu (K-20, Villon’s Wife) plays a dedicated teacher at a junior high school who’s young daughter is found brutally murdered. Believing two of her own students are responsible, she decides to leave the school, but not before a final chilling confession to her class in which she informs them that she’s already enacted her plan for vengeance.

Watch the trailer via Nippon Cinema.

Seems like a good Nakashima-san project.
I’m excited for it xD can’t wait for it…

And that Masaki Okada, he seems to be everywhere, eh!?
Check out the trailer via NipponCinema.