Archives For Stills

First, let me spazz as the LA Critics surprise by choosing Korean Actress — awesomest ahjumma for the award season — Kim Hye-ja for Best Actress with her work on Bong Joon-ho’s Madeo (Mother). The pick kind of baffles me since I consider Madeo a 2009 Film, and Kim Hye-ja was even nominated in my first Experiments Awards.

Still… *goes crazy*

Then, the LA Critics also surprise with a tie for Director choosing Olivier Assayas for Carlos, as well as David Fincher for The Social Network. While adding a personal sting by picking Olivia Williams for Best Supporting Actress runner-up — RUNNER-UP!!!! — for her work on The Ghost Writer… beaten by Jacki Weaver in Animal Kingdom. LOL

  • Best Picture – The Social Network
    1st. Carlos
  • Director – Olivier Assayas – Carlos
    tie. David Fincher – The Social Network
  • Actor – Colin Firth – The King’s Speech
    1st. Edgar Ramirez – Carlos
  • Actres – Kim Hye-ja – Madeo (Mother)
    1st. Jennifer Lawrence – Winter’s Bone
  • Supporting Actor – Niels Arestrup – Un Prophete (A Prophet)
    1st. Geoffrey Rush – The King’s Speech
  • Supporting Actress – Jacki Weaver – Animal Kingdom
    1st. Olivia Williams – The Ghost Writer
  • Screenplay – The Social Network
    1st. The King’s Speech
  • Cinematography – Black Swan
    1st. True Grit
  • Documentary – Last Train Home
    1st. Exit Through the Gift Shop
  • Foreign – Carlos
    1st. Madeo (Mother)
  • Animated Film – Toy Story 3
    1st. l’Illusionniste (The Illusionist)
  • Score – The Ghost Writer
    1st. The Social Network
  • Production Design – Inception
    1st. The King’s Speech

via Living in Cinema

And Boston is TOTALLY completely IN LURVVVV with The Social Network.

  • Film – The Social Network
  • Actor – Jesse Eisenberg – The Social Network
  • Actress – Natalie Portman – Black Swan
  • Supporting Actor – Christian Bale – The Fighter
  • Supporting Actress – Juliette Lewis – Conviction
  • Director – David Fincher – The Social Network
  • Screenplay – The Social Network
  • Cinematography – True Grit
  • Documentary – Marwencol
  • Foreign – Madeo (Mother) Korea
  • Animated Film – Toy Story 3
  • Film Editing – Black Swan
  • New Filmmaker – Jef Malmberg – Marwencol
  • Ensemble Cast – The Fighter
  • Music – The Social Network

via BSFC Website

That’s the longest title I’ve ever written. I think. Not sure, but pretty~

First, let’s start with Oscar talk. There are 10 animated shorts line-up for 3/5 spots at the Academy.

  • Coyote Falls
  • Day & Night
  • Let’s Pollute
  • Madagascar, carnet de voyage (Madagascar, A Journey Diary)
  • Sensology
  • The Cow Who Wanted to Be a Hamburger
  • The Gruffalo
  • The Lost Thing
  • Le Silence Sous l’Ecorce (The Silence Beneath the Bark)
  • Urs

Continue Reading…

You know what this means right? I finally saw a new Yu Aoi film, so I can move the queue just a little bit. We’re discussing Honokaa Boy first, then Ikechan to Boku… instead of One Million Yen Girl because of the length of roles that Yu had in the films… and we’re leaving Hyakuman-en up on the feature spot for a while… ;P

First a little about the film~
Honokaa Boy tells the story of a boy – Okay, a young man – who ends up living in the small Hawaiian city of Honokaa, after he mysteriously falls in love with the place during a failed trip with his girlfriend. In there, he meets a bunch of quirky people that are very likable, who end up having an impact on his life.

Genre: Dramedy with a bit of Romance
Starring: Masaki Okada, Chieko Baisho, Keiko Matsuzaka, Jun Hasegawa
Duration: almost 2hrs

Continue Reading…

If you remember, there was a negative (and the only) review for FLOWERS that I ran into. I didn’t look for more… because I was lazy, and I forgot. However, I ran into this info:

The 14th Sydney Japanese Film Festival is showing FLOWERS and Otouto.

As I rant that every film festival gets more up-to-date stuff than my local festivals… I also read a sweet quite glowing positive FLOWERS review, which resembles uzaigaijin‘s thoughts on FLOWERS.

But the single biggest thing that makes “Flowers” so remarkable is the authenticity of its feel from a cinematic viewpoint. It is an experience tailored to the psychology of moviegoers as a class. As such, it functions as a tribute not only to the growth of Japan as a society, but to the development of movie-making in general.

And I love that they mention that Yu-chan is one of the most talented and bankable actresses. (see Why Raiou Needs to Reach #1, which it didn’t)

Koizumi-san, at least, shares his vision of the 1930s in gorgeous antiquated tones as he beautifully captures Yu Aoi, one of Japan’s most talented and bankable actresses, in crisp black and white. Aoi-san comes across delightfully in vintage; the part well suits her subtle and subdued acting style. She flawlessly looks the part of the Yamato Nadeshiko, resplendent in various kimonos and decked out in traditional bridal regalia. One of the most memorable scenes in the film sees Aoi-san running through a sakura (cherry tree) grove in full bloom with mountains visible in the distance, a wide shot reminiscent of some old time silver screen epic.

You can read the full review over at the Japanese Film Festival blog.

In honor of Top 10 Films’ 1st anniversary~~~

1. First Film: Enter the Dragon

I figured it must be one of my dad’s favorites, since he’s the one who got the tapes and did the recordings on the Betamax from tv broadcasts…

I literally know the dialog to Enter the Dragon ;P

Continue Reading…

I was watching my newly-purchased copy of Strait-Jacket with my father, having a blast — seriously, that movie is a hoot! Can’t really wait to take a look at the extras, and see Ms. Crawford with that ax.

But then, almost at the end of the film when Crawford is wrapping up, my dad goes on and says “Look, it’s Mario Vargas Llosa!” Freezing the image, we burst out laughing.

do you see it? I mean this photo of Crawford in the film isn’t really it. You must see her with her not-a-wig hair from where she is normal. It’s uncanny.

It is common knowledge that I’m not really partial to un-scripted television. I grew up with things like MTV’s The Real World in the background of my mind, sometimes watching it quietly when I was a teen. But then it just exploded, and it’s not like I’m bothered by the actual programs… what bothers me is that contestants later become “celebrities”. It’s like being a celebrity means nothing. You can eat crap (literally) for money, win and become a “celebrity”. That’s sad.

Having said that, I have a few shows that I do watch. It doesn’t have to do with who’s in it, or who’s going to be in it… who says it’s what, or if it’s hot or not to watch it.

It’s simply 3 things I would like to be able to do.

First, dancing.

Continue Reading…

More Emma Watson

November 12, 2010 — 3 Comments

With the release of Harry Potter and the Deathly Hallows… er, Part 1, there’s been a few interviews… events, magazine shoots, covers etc. Lainey is even interviewing the not-so-kids, and then… there’s of course the rumors.

Apparently there’s fake nude pics running around the Brown University campus… after Emma spoke how her Brown experience had been pretty great. And I just love that Sarah, who now writes pretty often for Lainey, has come up with this article. It’s like Emma is her little sister.

Who would take the time to photoshop Emma’s head to a naked picture? What are they 12? I find it completely childish to be doing such a thing at that age… in university! And while I certainly don’t think it’s the police’s jurisdiction to handle an investigation, it should be Brown’s responsibility to find out who did it and sanction them.

It’s not even the action of photoshopping these photos. I’m sure there’s people around the world that do that and post this stuff online, but the fact that your peers do it. These are people that study with her.

Why Kurt Hummel is Important

November 11, 2010 — 5 Comments

This week’s episode of Glee created a bit of a ripple. Some of my friends said “intense” because people were surprised that the football (?) – let’s just call him jock – that he smack one on Kurt. At first I was like Kurt, kinda quiet, but then thought to myself “Oh, okay… I’m not really surprised.”

I went to the ever present IMDb boards to read some of the things people were saying, and was surprised at the amount of people that have begun to hate Kurt… or should I say Kurt’s gay storyline. Okay, I’ll concede in that Glee’s not doing a great balance of the funny, the cheesy and the drama — Popular had a bit of that plus more — but I don’t have a problem with that. I usually like Glee’s cheese, I can handle my drama fine, and I like the funny. But I know what you mean when you guys talk about Glee not being the same.

However, some of the comments left me perplexed with things like “I don’t have a problem with Kurt being gay, but why does his story need to revolve around him being gay?” People saying that Will & Grace was a better representation of homosexuals, and other programs that do the “gay thing” much better.

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