I’m just gonna re-post what I wrote on Facebook xD

WOAHHHH, Stella Artois and The Auteurs are letting us watch 6 films for free. What’s better? They are 6 GREAT FILMS. Doesn’t get much better than that.

Polanski’s Repulsion this has been changed for
– Walkabout
– Russian Ark
– Lars Von Trier’s Europa
– Hirokazu Koreeda’s Daremo Shiranai (Nobody Knows)
– Tropical Malady
Hou Hsiao-hsien’s Three Times this has been changed for
– Faust

Just head over there, login and watch.

And remember… if you snooze, you lose.
I’d better watch Tropical Malady before it’s gone like Three Times. xD

Acerk made a great find last night, in case none of you had seen it. It’s a Making-of clip of Don’t Laugh at my Romance. The clip includes a Table Reading, which is the session where the cast, director, writers and producers (or other members of the crew) sit around a table to read the script out loud.

There’s also a brief Yoga session, which reminded me of my acting classes.

And Shugo and Yu are so funny.

x

You guys really REALLY need to work on what you call “Special Features”. It’s been a long time coming, but the review I sent to Amazon.com of Linda Linda Linda never showed up, even though I was reviewing the material in the DVD and even making suggestions… so it was a valid write-up.

Last time I bought something in Amazon.com, my order included a copy for the Viz Media release for Tetsuya Nakashima’s Kamikaze Girls (Shimotsuma Monogatari) and Linda Linda Linda by Nobuhiro Yamashita.

Where to start?

Continue Reading…

Just started this.

My Fake Criterion Collection

DGenerateFilms has translated an essay by director Jia Zhangke with some interesting ideas, as well as some others that I don’t particularly agree with… but maybe it’s one of those things lost in translation.

In a few years, young people throughout Asia will probably sing the same song, be attracted to the same clothes; girls will wear the same makeup and carry the same handbag. What kind of world is this turning into? It is precisely in this cultural environment that only independent films that remain committed to the depiction of local culture can provide some cultural diversity.

That’s an interesting statement, considering I have been talking about the exact opposite. I often talk how there will never be a “definite” 2000’s or 10-19’s list like we had in the 90s, because the internet has opened this gate with floods of information regarding anything… including music, films and overall entertainment. You don’t need to listen to what the record companies send to the radios, or watch what networks believe to be quality television or pay for a movie a distributor thinks you should be watching.

What the essay seems to be referring to is the vapid teenage kids who won’t bother researching and finding out about something that won’t be fed through distributors. I mean, you can’t even rely on what MySpace suggests any longer. LOL

Also… Amateur Cinema? With all the technology and all the quality cinematographers out there, even the most low-budget film can look okay. I’m sorry, but an image alone can speak a thousand words. That’s all I’m saying. I may be a “production value” girl, and I can appreciate costume, and art direction, but I also always give more importance to storyline and overall mood of the film. It shouldn’t matter if it’s “amateur” or a big-budget production.

Don’t give me Amateur Cinema, give me quality Independent Cinema.

I think the website that had the scans for the Boys Style So-En photoshoot is gone, so I took some of my late night hours, un-watermarked and cleaned up the images for re-posting.

Call it… Yu Aoi archiving purposes. LOL

Photos by Mie Morimoto, but you know~ It’s all about the style in this one, right?
Stylist: Junko Kobashi
Hair & Makeup: Takayuki Miyamori [who also did Yu as a Mori Girl]

Continue Reading…

The film is based on an award-winning novel written by rookie author and housewife Kanae Minato. Actress Takako Matsu (K-20, Villon’s Wife) plays a dedicated teacher at a junior high school who’s young daughter is found brutally murdered. Believing two of her own students are responsible, she decides to leave the school, but not before a final chilling confession to her class in which she informs them that she’s already enacted her plan for vengeance.

Watch the trailer via Nippon Cinema.

Awards Daily’s poll is currently going on.

I’m giddy to find out my Top 4 films of 2010 are in the Top10 xD though that could change. Of course, I’m giddy about Inception… why? Nolan + DiCaprio + Marion Cotillard + Ellen Page + Ken Watanabe + Joseph Gordon-Levitt. Hi, there. I’m already there.

Black Swan? Aronofsky + Natalie Portman? I’m sold with that.

The Kids Are All Right? Julianne Moore, Annette Bening, Mark Ruffalo and Mia Wasikowska?

Blue Valentine? Ryan Gosling and Michelle Williams~ Are you kidding?

You can vote for your fave here.

The other films I’m looking forward this 2010?

Hesher, Rabbit Hole, The Killer Inside Me, Norwegian Wood, and Contracorriente (Undertow).

Yu Aoi for Jane Magazine

March 12, 2010 — 9 Comments

It’s been quiet in the Yu Aoi news lately (weird, considering Otouto was released), so I did my usual search on Google and came up with a couple of things. First, that cover.

Two, my HMV order is supposed to get shipped the coming 24th [Salyu’s new album with DVD, Shiina Ringo old albums], and I’m actually pretty excited to get the back issue of Eye Scream magazine with one of my favorite Yu magazine shoots. I think I’ve crossed that fan line with that buy… LOL

I swear, this is the first time I’ve bought a magazine for a photoshoot with my “fave idol”.

If I could have my way, I would have Yu do all her PBs with Yoko Takahashi… or Marisa Shimamoto… and finally Keiichi Nitta. If I could have my way. Of course, Mario Testino would be awesome too. xD

And finally… Anyone know what this article is about? Many news on this, and one of them Google-translated as “Aoi Yu produced” but I doubt she’s producing, or she’ll be all promoting in her website.

ps. I’m fascinated with how those shoes work with the socks…
and the bombachos ha! And that smile is so damn contagious…

What will become of America in five, 25, or even 50 years from today? FUTURESTATES is a series of 11 fictional mini-features exploring possible future scenarios through the lens of today’s global realities. Immerse yourself in the visions of these independent prognosticators as they project a future of their own imagining.

That sounded like a pretty cool idea, so I’m currently on episode 2, though I couldn’t really made myself watch all of episode 1. Episode 2 titled Mister Green is pretty good though.

And it looks oh so pretty.

In the disturbingly near future, Venice is submerged, Canal Street in New York City has become a real canal again, and it’s 87 degrees in December in Boston. Catastrophic global warming has moved from theory to fact. At the Biosphere Climate Change Expo, undersecretary for the Department of Global Warming Mason Park (Tim Kang) informs the crowd of scientists and activists that the tipping point has passed, and that they are all at fault.

You can watch it for free over at the Mister Green Futurestates website.