I like mentioned back in April [1], Yu-chan is featured on Hoshikuzu Scat’s (星屑スキャット) most recent music video directed by Birds Without Names director Shiraishi Kazuya~ The song, titled Shinjuku Chanson (新宿シャンソン), is featured on Kesho-shitsu (化粧室), the first album of the drag queen group, and was written by multi-talented illustrator-actor-writer Lily Franky.
‘Tis a thing of beauty~
Damn, I missed ya, Gaji~ I still miss Seju and all her drama, but Pet Aesthetics (애완의 미학) is as close as it’s gonna get for a while (at least), and I did see what you did there *wink wink nudge nudge* Also, I missed those *badump badump* The art, the aesthetic. Damn it.
I do wonder… are you gonna make me cry? lol
I was just staring into space in the middle of the night, unable to sleep, and it hit me that it’s been ten years— It’s my 10th anniversary for a lot of things: it’s my tenth anniversary of Juri Ueno~~~ and Last Friends turned 10 this year! It’s also ten years since the Beijing Olympics, ten years since Beijing, Beijing! Wo Ai Beijing; it’s been ten years since BiBi, ten years of YAM Magazine, and ten-mother-freaking-years since I became a fan of Yu Aoi [1][2][3][4][5]. It didn’t come in this order, but you get the idea.
May 16th is the date. Remember that. This should’ve been posted that day, but I’m way to giddy to wait. It’s taken me a long time to sit down and look back at years of archives to update this entry, but I suppose it still beats trying to figure out how to write a comprehensive Wikipedia entry.
Yu-chan and I, we’ve had our ups and downs, but I’ve always tried to stay as loyal as possible. LOL I may not stalk her tags online 24/7 (all my Japanese sources in English are rubbish now) and my Japanese skills are in the gutter, but I’ve managed to remain the biggest English/Spanish-speaking Yu Aoi fan in this side of the hemisphere (if not the world, xD). It’s been a good ride, Yu-chan. I’m looking forward to all the catching-up of all your latest movies. Here’s to another decade with Yu!
Cheap Yu-puns intended~
I saw this on Twitter, but can’t post there for obvious reasons lol
It’s honestly the hardest thing I’ve had to choose recently. LOL I think I had the most problems choosing the right top node with Dab Dab / Funky Boy / Peppermint Chocolate / Cat Fight / Rude Boy; because – geez, what bops. I also almost had a stroke when I had to choose between Recipe / Be Calm to the point I had to re-think my vote. xD Similar to Spring Fever and Azegag; and honestly, I can’t choose between Recipe and Words Don’t Come Easy. However, this explains so much why Melting remains my (first and) favorite album to date.
Not to say that Yellow Flower isn’t amazing, of course. Rude Boy and Spring Fever, both bops; SWFS and Be Calm, both feeling~~~ Melting is another level, tho.
I was gushing about it over the weekend, but I thought I should also post about it here.
I think it’s oddly befitting that Yu-chan wins her first ever (unbelievable, right?) Japanese Academy Best Actress trophy the year that I’m celebrating my 10th year as her fan. It’s so moving. I’ve had a moving couple of days [low-ley Mamamoo insert, lol]. It was so satisfying seeing Yu-chan being so overwhelmed and so overcome with emotion that it just made me happy for her.
I haven’t seen KanoTori yet, ‘coz duh~ Japan obviousness xDDDDDDDDD but I’ve heard great things about it and, frankly, Yu-chan rarely disappoints me (I’m looking at you Henshin xDDDDDD). I had totally forgotten that Hula Girls was a supporting role for Yu, and that One Million Yen Girl was her last lead for a very long time… until Azumi Haruko and KanoTori.
Please, Yu-chan, don’t make us wait another 8 years or near-decade for your leading roles. You know it’s been ten years since Osen and since Camouflage?
Here’s to many many many more years of successes, Yu!
Your one and only Spanish-speaking Non-Japanese-speaking fan. xD
So close to perfect styling, I’m crying. TuT
Silver, pink, dark brown (white balance seems pushed) bop, long dark.
I’m supposed to be focusing on work, LOL. But Mamamoo comeback news, flood of content. Moo tears, everywhere.
No high resolution pictures (yet), but you can check the Girl Group Zone thread for all the BNT pictures.
Interesting! I figured I watched less movies this 2017 than I did in 2016, but turns out I got a couple more films/hours logged. And there were a couple more titles that I didn’t log because they’re not on Letterboxd. They just happened to be not current movies, I suppose.
I’m still, currently, very much obsessed with Mamamoo, though. LOL That’s 30% of my movie-watching time doing Mamamoo-related stuff.
2018 doesn’t look to be an improvement to 2015 levels xD
I’m also not sure whether Ryo Kase is my Most Watched Actor this year, considering I went on a non-logged marathon of Shweta Menon movies— like 4 or 5. But, once again, latest highest-rated movies reflect some of my movie-watching; a little American indie, a little Indian and a little Chinese.
I did find enough for my usual Top30 Favorite Film Discovery post :)
And a super lengthy post on my favorite films this year, which has already changed xDDDDDD
Well, that was an exciting early morning. I got really hyped 10min. before the pre-orders for Moosical Bluray started because I wasn’t sure I was gonna get a copy, after what people went through while getting Solar’s Emotion. But everything went well, and then I was attacked by Paint Me (칠해줘).
I, obviously, have all the feels. The song DOES get better with replays. It did sound very West power pop ballad to me, which is explained by the fact that the song was composed by Mich Hansen, Peter Wallevik, Daniel Davidsen, Chelcee Grimes, and Kara DioGuardi, who happened to have worked in Christina Aguilera’s Back to Basics, which I loved. What really sold me the song are the lyrics, though. Written by JYP’s Jowul (조울), the structure of the song is telling the story of lovers— the beginning of love, the happiness of being in a relationship, the passion, and the heartbreak, with an abrupt ending that works thematically. It’s also a freaking sexy song, so I won’t lie that I wasn’t thinking that my favorite Kpop MV director, Hwang Soo-ah, should’ve done it. LOL
The song really called for a MV with storyline, but I know Mamamoo’s strengths aren’t on acting (‘Be Normal’ xD) and I also understand that Mamamoo aren’t in the position of not showing their face on their MV yet. But I imagined a very intimate MV with actors xD
I’m really looking forward to what they do in the album, even though I’m not looking forward to Sleep in the Car (잠이라도 자지) [1] AND Paint Me being in the same album [see: making albums].
Having said that— the promo photos. Whee-in, you bias wrecker, you. So I finally decided to put together my favorite era looks for each member ^^ Continue Reading…
There was a time, a long time ago, when I really took to streaming music. My music buying habits, but specially my music download habits, changed to basically streaming to the point when licensing and catalogs began changing, and I found my music collection shrinking. In the end, I started downloading once again.
I have come to the realization that I buy less and less physical albums, or it takes me longer to buy them. :(
As I found myself deeper and deeper into Kpop fandom once again, so deep into Mamamoo fandom that I begun to get irked by fans who publicly post about their illegal downloads AND complain about numbers of comebacks/group activities. I ended up writing this nonchalant post about music earnings, as well as other Mamamoo activities fans can support besides comebacks [1][2][3]. Yes, I’ve become that type of fan. The old one. LOL
As a grown-up who loves the arts, I always try to remind people that if they love and support their artists that they should buy instead of stream because streaming doesn’t pay. I was literally shook when Hyori mentioned that she had learned that PSY’s Gangnam Style only made $38k [1]; even though I knew some of the horror stories like the one of musician Lee Lang (이랑) who, during her acceptance speech for winning Best Folk Song at the Korean Music Awards, stated that she had only made $370 USD in total earnings on the month of January, so she decided to auction her award starting from the base price of her rent [1].
You can support Lee Lang by buying her album, Playing God (신의 놀이), on Bandcamp :)
And to my surprise, one of my favorite groups this year~~~ the lovely girls from Bolbbalgan4, who are considered digital monsters with their songs almost always charting within the Top10 of Melon, South Korea’s most used music site, had made only $61k USD by August this year [1]. Red Diary Page.1 didn’t drop until a month later, and all 5 songs in the album charted within the Top15. But that’s still besides the point. The point being that your faves don’t make money because you stream music on YouTube or Apple Music or Spotify.
So stop demanding expensive music videos that can cost from $100k-$500k for an average medium size budget, or go up to $1M for the splashy ones that we don’t often see nowadays. At the height of the music video era in the 90s, Michael Jackson and Madonna’s most expensive videos hovered the $5M budget without adjustments for inflation [1]. Stop demanding multiple comebacks a year with infinite number of physical prints (these cost production budgets AND storage budget for large stocks) that you will be waiting for price drops and re-sellers.
So now, let’s do some math~
Let’s say a physical album, a regular jewel case priced at -let’s say- $10 USD. According to prices in 2017— Apple takes a 30% cut [1], Bandcamp takes a 15% cut for digital sales and a 10% for merch [1], whereas CD baby takes a 9% cut off digital sales and $4 USD off physical sales [1]. That means that by selling a $14USD album, the independent artist makes $10USD. In the parallel universe in which your fave is an independent, they keep $7 of those $10 in iTunes, but if there’s a label, the artist (meaning singer) probably gets $1 of those $10. If they’re their own lyricist, musician, producer or sound engineer, fees are different.
Streaming is a whole different beast— according to this post on Digital Music News from 2016, to make a single dollar $1 in Tidal, Google Play, Apple Music and Deezer; you gotta play the song +180 times. 196, to be exact, for Apple Music and Deezer. Make that 279 times on Spotify, 483 times on Vevo, 766 times on Soundcloud, and… at the end of the list, YouTube, where you gotta play songs 776 times to make that one dollar. That means a song/music video that has 100 million views on its YouTube official channel, has made roughly $125k USD, which would be made by selling 12.5k physical albums on CD Baby.
So remember, the next time you complain about X official store prices or limited stocks, it’s because all adds up to the price. If you found a cheap album, it’s because someone along the way lost money.
Yes, I’m low-key talking about Bizent LOL I’ve compared prices with YesAsia, and since I don’t get YesAsia free shipping, that’s paying double shipping because the YA price includes the Bizent $20 shipping fee. I’d rather that money go directly to Mamamoo. xD
Of course, I’m suffering again re-reading WDtFS and catching the new chapters… because Ron Weasley is my motto.
Wae life gotta be so cruel~
