
it’s like impossible for girl groups to make it.
We’re all missing out on this amazingness~

I’m about to clock 1000 days on Xiami logins xD

Sad for this excitement, I know. LOL But I get obsessive-compulsive over these things easily. I took a screen grab because I don’t know whether the count will reset to zero or continue. Back in March when I went to Japan, I told my friend to login for me, so I don’t lose my clocked days, and there was a weird bug that made the counter go back to zero, so we thought for a while that it was done. A couple of days later, it went back to normal :P
I’ve been using Xiami for a lot longer, of course. And gone are the days when you could find everything on the site for stream and download :P Though you can still find stuff and download, it’s often the case when albums are empty. Recently, Xiami has taken to just be able to stream music (which is better than having blank albums), without download capabilities— Faye Wong’s most recent track is only available for stream, so you gotta find it elsewhere if you want it. The site is still a great source for Chinese music, especially from the independent scene. However, now Xiami-approved artists are allowed to mark their music as only-Mi tracks, meaning that you have to have Xiami credit on your account and not download music from your VIP free-tracks perk or use your red envelopes (points).
Having said that~~~ I have like +500 points (you get points for single days and months counted, albums added and music shared, etc.) and haven’t used them in so long. What the heck~ What are the perks of the VIP account if you still gotta pay for the Chinese music that you download; at least make it so that you use twice or thrice the # of downloads for those.
I still haven’t figured out what the note reputation is (eg. Re*), but I’m just a few hundred away from reaching the other level. Increasing my stars is a little trickier because English reviews don’t get as many likes or comments. lol
Also~ OMO! 1000 days on the 10 of 10. xD
Bless my heart~ I’m the only one celebrating 15 years of Shunji Iwai’s All About Lily Chou Chou xD but if you are too, drop me a line! Tell me how much the film has affected your life~ As a celebration, I sat down for a re-watch and a brand new ‘more professional’ review.

I also sat down for my first watch of Shunji Iwai’s latest— A Bride for Rip Van Winkle. It was glorious. At the moment, it’s battling it out with Kubo for my #1 spot~
How dare you, Studio Ghibli, do that this weekend?
It’s my dad’s third year anniversary, and I’m Setsuko in this GIF.

Grave of the Fireflies is remains my favorite animated film, and the only animated film in my overall Top10 favorites.
Shunji Iwai’s neo-classical romance, Love Letter, about the woman who wrote letters to her deceased lover and got responses back, is over 20 years old now since its release. However, its mark as a pop culture reference across Asia is undeniable. In its time, the film made actress Miho Nakayama a household name, and it launched Shunji Iwai’s filmmaking career (and hence has given us: Ayumi Ito and Yu Aoi).
The film’s style and cinematography, courtesy of Noboru Shinoda (RIP) has inspired countless of filmmakers across East Asia who have headed to Otaru (小樽市) or other similar snowy places to capture the essence of the film [cue: 张一白 Zhang Yibai’s segment in Run for Love (奔爱), which featured Eddie Peng and Zhang Ziyi], and the classic (though simple) quote of “o-genki desuka?” (お元気ですか?) [1] has been referenced in various places…
Just look at the members of -relatively new- Kpop group G-FRIEND, who played a round of movie quotes to decide who would be the host of that specific One Fine Day episode’s segment (10 months after their debut). The group is formed by 6 young women, all who were born post-95. In fact, eldest member (and leader of the group), Sowon, was born almost 8 months after the release of Love Letter. But it is member Yuju (’97) who first references the movie with the knowledge of all the group.

So if you put your hands close together to shout out the words “o-genki desuka?” and the person in front answers back the same way with a “atashi genki desu.” That’s a Shunji Iwai shout-out to ya~
Mina-san! Genki? Ha!
Forgive the complete absent from the blog recently (two entries last month, and this is the first one this month!), I’ve been generally “more busy” updating the MUBI (the site formerly known as The Auteurs lol) database than even actually keeping up with news (trailers/music) on YAM Magazine or watching movies and shows. I’ve also been occupied watching Korean shows, which tend to make everyone procrastinate. And it’s not like it was priority-watching, either~ I’ve been watching Solar and Eric Nam’s We Got Married episodes, but my favorite watch and re-watches was Mamamoo x GFRIEND’s Showtime.
I don’t actually stan GFRIEND, and I already have biases. Bless.

Bless, SinB. Bless SinB with Moonbyul, Bless New Crush Star. LOL
(more…)I just finally finished catching up to Fresh Off the Boat, and though it seems like there were a lot of filler episodes, there were actually a lot of more meaningful moments too. Of course, Chinese New Year celebrations was a major thing, but I also enjoyed the episode of Lao Ban Santa, which focused on Evan’s loss of innocence… alongside the development of his OBVIOUS gambling problem. First the bunny he lost to grandma in poker, now his Pogs. And his totally Machiavellian plans in the Jessica Place Melrose Place spoof.
And Emery gets his own development too! Loved that he was so devastated to find out his parents’ definition of romance, how we got to see him dealing with his anger and frustration, and his best moment having to deal with puberty.
I think I may have to write a review. xD
Anyway~ this post is because my life is literally the “polite fight” every single time we go out for lunch or dinner with my aunties.

So I finally re-watched Inside Out in Original English audio track, and the feelings for Bing Bong were more real than ever. When I originally went to the theater to catch it in one of the late at night shows, it was still presented in Spanish dub and parents with children were still there. One of them parents ruined the movie for me when, at the moment of said tears, his daughter (seating behind us) began to tear up. He did what parents shouldn’t do—- he shamed his kid saying “why are you crying? Is this a scary movie?”
Eff you, dad. Let your kid cry, it’s a freaking emotional scene in the movie. And who the eff cries in scary movies? Se dice “ya pasó, ya pasó” so you can calm your kid down.
Really makes me think of never ever going to big movies because people can ruin your experience.
Chulpan Khamatova’s FB updated a couple of days ago with a link sharing this supercut of her most updated filmography; meaning it includes Under Electric Clouds, as well as The Puppet Syndrome. There’s just a couple of clips I’m not so sure of, they could be from her series Bashnya (Башня) [Wikipedia], which was a little bit difficult to watch for lack of subs xD
Recognized clips (without repeats) are as follow~
The unrecognized scenes could very well be from Sleeping Songs, I honestly don’t remember a thing about that movie. lol I’ll leave you with the screencaps, in case anyone wonders and/or knows. The second cap could be, judging from the hairstyle and the eyebrows, but I’m drawing a blank with 001. xD
Some image confirmation source at kino-teatr.ru + ruskino.ru