Also, just wanted to make this clear~
I’ve moved most my blog activity over to YAM Magazine.
It’s been a long time, Yu-chan~
Just ran into this new photo of Yu, still with her shorter hair and looking very relaxed. I wasn’t so into her shortest shorter hair style, but I think this length is perfect if she’s interested in keeping it shorter than what was her usual. I’ve always been jealous of her bare-face gift. She really does look her best with minimum makeup, familiar freckles on sight and all chillaxed.
I’m not sure about the source of the image, but it could be a shot in the May issue of Soup Magazine. Ever since her website redesign, I’ve lost track of her magazine appearances.
Lajja has got to have to longest and best emotionally-biting monologue in pseudo parallel-would-be-commercial film in the history of Indian cinema. Pseudo parallel because subtlety isn’t exactly the film’s strongest point; it’s got some over the top drama, comedic moments, big stars, musical numbers , chopping of the limbs, and a super evil baddie that gets a la chancla  payback. Plus, a big BIG social message.
Are you kidding me? I love it. This is my second time watching, and I moaned, denounced, clapped, sang, shouted at the screen, called people names, and cheered.
I was so into Manisha Koirala’s ‘shame on you‘ monologue, I tried to make an image sequence of it. It’s impossible. It’s so long, but here’s part of it. Considering, the not so recent events in Delhi and Mumbai, Lajja is more relevant now than ever. It freaking needs a re-release, and more freaking women need to get off their bums and watch it.
I ran into this interview Tabu did for the promotion of Toh Baat Pakki! for Hungama — or as I’ve labeled ’15 minutes in heaven’ — where they speak about her roles and experience in films like Maachis, Astitva, Chandni Bar, Cheeni Kum, Maqbool, and The Namesake.
Here’s Part 2 of that interview.
Then my procrastination got ridiculous when I found this really old interview of her, and things got out of control from then on~
I find interesting the last clip, because (I think) she thanks her dad, but in previous interviews (like in the first link) completely ignores his existence. Or maybe I’m mishearing, and she’s thanking Gulzar as if he were her dad. As a side note, I love that her mind just drifts off after the announcement coz she’s just too damn excited, and totally ignores the question.
Talk about experiences. Keeping an eye out for Korea’s Jambinai x)
I’m not a fan of the cowboy gauchito hat, but I was surprised that Madhuri Dixit’s Facebook page shared this photo of her showering all her swag. It’s the first time I’ve seen some sort of gender-bending from India. Like… I would die with all the femininity that is supposed to embody women there with their overly long hair, their strong accentuating make-up, the saris and anarkalis.
Rani… sorta did the gender-bending gig for Dil Bole Hadippa! , and she had swag but the role was played for laughs, while Tabu has worn suits for different reasons in a number of films (lawyering up in Ghaath, gender-switcheroo gag in Aamdani Atthani Kharcha Rupaiyaa), and wore short hair for a brief period during Hu Tu Tu, but I’ve never come to grips with that.
Maybe I’m just used to seeing them with long hair and saris. I also love how the color red suits Tabu. Sure~ it looks good on film and photoshoots, and it could be local – so of your own – and exotic at the same time, but I would find having to live with it exhausting.