Archives For Films

Alongside Kimura Takuya [SMAP] (37), and Tadanobu Asano (36).

Takeshi Koike was an animator on the 1995 animated film Memories, was involved in The Animatrix short Program, as well as directing one of my favorite Animatrix shorts… World Record, and worked as the lead animator on the film Taste of Tea (Cha no Aji).

Movie and CM director Ishii Katsuhito created the original story and explained why he picked those three actors in particular. “For this movie I wanted to get the actors I personally respect the most,” he said.

Aoi has been one of his favorite actress for many years as well. You could say that he is really looking forward to have his favorite actors lending their voices to the characters he created himself.

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Sorry for the lack of comment activity yesterday, there was a weird mixed up with me, my server, and my ISP… which was fixed NOT by Telefonica, but my server providers~~~ They’re the best. You should all work with them.

Anyway, a lot of stuff… besides the World Cup,
whose Opening ceremony I missed, because I couldn’t wake up for them…

Toy Story 3 screening in the morning! So I’m making this short~

First~ as you may (or not) have noticed, I have added a Yu Aoi Event Calendar to the right, below the Ads. That’s to help us all to keep track of what’s going on and when. As you can see, Flowers opened today.
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I don’t know if you had heard about Disney’s Rapunzel that suddenly got changed to Tangled. Anyway, the trailer for Tangled, the animated Disney film formerly known as Rapunzel, just hit the net.

And I’m loving it.

Especially because it’s set to Pink’s Trouble music.
I love that album, and that song rocks.

and the trailer is so SO funny.

[iframe width=”560″ height=”349″ src=”https://www.youtube.com/embed/TrStddEYYn8?rel=0″]

Look! It’s the girl from Center Stage!

Hmm… seems like these films take FOREVER to be released.

[iframe width=”560″ height=”349″ src=”https://www.youtube.com/embed/RgZjaxrnlPc?rel=0″]

Holler if you just said “What?”!

You might be asking me why I would put Natalie Portman as #3, who is virtually known by everyone, and is the role model of  virtually 95% of late teens/early 20s young actresses around. We admitedly find Kristen Stewart’s fangirl-y-ness kind of cute and amusing [1][2]. However, if we decided to put Natalie Portman as our #1, then that would be a little bit boring, right?

Plus, this time we are choosing quality over quantity. ;P

So~~~ on our list of 20 Actors to Watch, here it is: Doona Bae on #2.

Born in Seoul, South Korea on October 11th 1979, this 30-year-old actress is best known as archer Park Nam-Joo in the monster film The Host (Gwoemul) by Bong Joon-ho, as well as playing activist Cha Yeong-mi in Sympathy for Mr. Vengeance by Park Chan-wook.

Born to famous stage Korean actress, Kim Hwa-young, it seemed that Bae was born with acting in her veins. However, she always felt that acting was only for people of extraordinary talent, so she kept away. One day in 1998, after graduating from university, Bae was scouted by a model agency, and one year later she was already debuting on the KBS TV drama School — which earned her the KBS Drama Award for Best New Actress, while making her big screen appearance with a brief role on The Ring Virus, the Korean remake of the Japanese horror RINGU.

In year 2000, she was cast as Hyeon-nam in Barking Dogs Never Bite, directed by Bong Joon-ho due to her willingness to appear without makeup, which many other South Korean actresses refused to do. This earned her another award as Best New Actress, at the Blue Dragon Awards. She followed it with two films that were received positively by critics, first in 2001 with Take Care of my Cat by Jeong Jae-eun, for which she earned Best Actress by the Korean Critics Association, the Korean Film Directors’ Society (Chunsa Film Art Award), and the whole South Korean entertainment industry with a PaekSang Arts Award. And in 2002 with Park Chan-wook’s Sympathy for Mr. Vengeance, for which she earned a Best Actress at the Director’s Cut Awards, chosen by Korean Film Directors, and would lead to a future collaboration.

After two weak films in 2003, Bae decided to take some time off from acting, in which she took up photography, and participated in the stage production of Sunday Seoul, co-written by Park Chan-wook.

In 2005, she went across the sea, and starred in the Japanese cult hit Linda Linda Linda, playing a South Korean exchange student in a Japanese girl rock band trying to play at the school’s festival — for which she recorded an EP titled We Are Paranmaum under the name Paranmaum — by Nobuhiro Yamashita, which also became a favorite of the film festival circuit. The year after it, she had a supporting role in Bong Joon-ho’s South Korean biggest box office success The Host.

Bae also appears on a few music videos, and has released Photo essays for London, Tokyo and Seoul. Finally, in 2009 she played an air sex-doll in the Japanese drama Air Doll by acclaimed director Hirokazu Koreeda. For the role, she earned Best Actress wins in festival circuits, as well as nominations at the Asian Film Awards, and the Japanese Academy Awards.

What’s next for Doona Bae? We have no idea. But if she’s making us wait another 3 years for a new movie on the big screen, and it’s as GOOD as Air Doll was when we waited those 3 years after The Host. Well, it’s all worth it.

that is fascinating.

For one thing, Chris Lee doesn’t have the best voice, she doesn’t have the best dancing, or the best lyrics in her album. However, she writes her own music and lyrics — she seemed to have done so in her self-titled album — , she dances, she even directs her own music videos [one of them Youth of China], and has begun her acting career — in the awarded Hong Kong production of Bodyguards and Assassins, for which she was named Best Newcomer of the Year by the Hong Kong Directors Guild. To top it all off, she’s tall — at least, taller than her Asian counterparts — has an amazing face, and stands out from a crowd by being Chris Lee in a room full of other women.

Multiple-talent threats are often easy to hate because they think they do it all, but in reality they don’t really excel at anything. A few singers who think they can act come to mind, or actors that think they can sing. And even though, Chris may not really excel in any, she’s so difficult to hate because she doesn’t have that superiority air that plagues self-professed artistes. Every time she’s on stage performing or receiving some award, she stands there with an air of a person that’s cool, but also with hints of humility.

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Forget the Film, Watch the Titles just posted the opening titles for Splice, that film by Vicenzo Natali with Adrien Brody and Sarah Poley… which I am dying to see.

While watching the titles [you can WATCH IT HERE], was anyone else reminded of Ang Lee’s Hulk? You know the whole genetic experimentation business… and it’s green. LOL I am one of the few people that actually liked that movie, aren’t I?

I have a slight suspicion that this will get a Best Visual Effects nomination this year, definitely a candidate. It looks fresher than Iron Man 2, you know since it’s not a sequel. Like I said, dying to see.

I am probably being terribly biased by saying that I do not mind them remaking What Women Want in China. Yes, Helen Hunt… and okay, Mel Gibson might have had “something” there, but it’s not like they will be butchering a classic.

But, HELLO? Gong Li? In a power suit bossing Andy Lau around?

As he listens to Beijing women think? Scary stuff right there. I can’t imagine what Chinese women think about, but I think a lot of scary stuff when watching people in the streets.

Adapted from Nancy Meyers’ romantic comedy (and directed) by Daming Chen, the film will begin shooting this or next week at a $5M USD budget — which is like Hollywood independent budget — and the film will hopefully be ready to hit screens by next V-Day (aka. Valentine’s).

Chen puts it best~

“I wanted to bring more strength out in the woman character to reflect what’s happening in China,” said Chen, an actor who most recently directed 2006’s “One Foot Off the Ground.” “Chinese women are leading giant businesses today and winning most of our Olympic gold. Gong Li has the presence to convey this strength.”

Bolding mine. I’m glad I’m not the only one noticing that. What’s up you guys?

via The Hollywood Reporter Asia.

Something to note, Fan Bingbing (28) was rumored to have joined the cast — possibly as a lead? — and this is what is remarkable about this casting news.

Fan, who starred opposite Lau in “Future X-cops” (2009) and “Battle of Wits” (2006), is “too young,” Chen said. “Seeing her again opposite Andy wouldn’t be fresh. Gong Li brings something fresh.”

More bolding of mine. When 28 is “too old” in Hollywood.
Gong Li is 44. China casting  > Hollywood casting?
Maybe this time~

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In an effort to attract more Western musicians and firms, China is building three national music industry parks, serving as performance stages and platforms where musicians from around the world could get together to collaborate, located in Beijing, Shanghai and Guangdong.

But of course, in order to attract Western musicians and firms, they need to tackle piracy.

With programs like the ones 88TC88.com [musicdish.com] are offering for Western acts to get packages translated into Chinese to enter the market, the government is trying to develop a system that will not only help artists get their royalties, but also protect Chinese arts.

Until relatively recently, copyright in China was illegal. All intellectual property belonged to the people, ie. government. If you wrote a book for example, the government would ‘own’ it and reap any ‘profits,’ while providing the author with a salary, housing, medical and education. So when some rant on about piracy or the lack of enforcement, this should be put in context. The Copyright Law of the People’s Republic of China was adopted in 1990 – we in the US on the other hand have had a Copyright Act on the books since 1790 and we still can’t seem to get it right!

On the other hand, the government does often seem capricious in its enforcement of copyright. They like to point to last year’s shutdown of 200 pirate movie sites, including the largest video BitTorrent site. It just so happens though that the crackdown coincided oh so nicely with the launch of CCTV’s major online video initiative. Nor is it clears whether the shutdown didn’t have more to do with fighting pornography – a much bigger taboo for the government – rather than piracy. Having said that though, the fact is that for both economic and diplomatic/political reasons, the Chinese government will increasingly get serious, get tough and tackle the IP issue in the broad sense, not just piracy.

What’s gonna be their system?

The Chinese government will use watermarking technology to embed a unique code into every creative works released – music, film, graphic,… – allowing the government to easily identify, fine and shut down websites peddling pirated material as well as track all plays for royalty collection and disbursement.

all via MusicDish.

Which is already happening when you upload things on YouTube or some file sharing website. Things get deleted, and accounts get shut down. However, coming from China. This is huge.

Look, I am all for China protecting its artists, as long as me as a user NOT in China, is able to have access to their content. I listen to a lot of music in Chinese, which I wouldn’t be doing if it weren’t for illegal downloads in the first place. I wouldn’t own albums by LeeHom Wang, or all of Bibi’s discography if I hadn’t downloaded their albums.

I wouldn’t know about Yuguo or Chang Shilei or Milk @ Coffee.

You know, I use Haoting to stream music now, but some of the artists I just named don’t even show up there. Also, you guys… it would be really awesome if there was an option for language. LOL

Okay, having said that~ I know I support downloads, but I also support paying for the stuff YOU consider to be good. I am not telling you what you should pay for, but I want you to make a conscious decision about paying for the content you deem good enough for your money. If you think such star or group is the best, and that they/he/she deserves your money, make an effort to buy anything by them. It doesn’t have to be the $30 USD import album, it can be the $15 USD poster.

Please, do not tell me this album by this artist is the best of all time, if you haven’t paid for it. If you love it that much, you should buy it… unless it’s already out of print, of course. Don’t tell me this movie is a film that changed your life, if you have it as a pirated copy. You don’t have to have a 100 disc collection, but if you really think that piece of art… being anything from music, to movies or photographs or sculptures… if they made a difference to you, please buy it.