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Oh, wow. Look at this ridiculously good-looking photo of Dita Von Teese. What a face. What a shot. Bless Beau Nelson for this shot.

credits to Dita Von Teese’s FB, who -by the way- won’t let me access her Linktree because it says it goes against community standards. Facebook has become insane. It was bad before, now it’s worse. It’s almost nearly unusable now.

Happy late holidays and New Year, everyone!

My most awaited Letterboxd e-mail came yesterday with my 2019 movie-data. Though my writing input has definitely not improved, cutting down on Mamamoo stuff has increased my movie watching habits, for sure.

Compared to 2018, I logged 480 films (though over 50 or even many more could be short films), which represents a 23% increase. In terms of hours, there was an increment of over 100hrs or 16%. This increase still doesn’t match my 2015 levels, when I reached 530 logged films (9.5% short) or clocked 959hrs (14% short)… but it’s getting there. I am still at 2017 New-To-Me level of movies, though.

My most-watched actor was Glenn Close because I went on a marathon of her movies because I really thought that she could win the Oscar, not that I wasn’t pleasantly surprised to see Olivia Colman win for The Favourite. And Francois Ozon was my most-watched director because MUBI programmed many of his films, including Les Amants Criminels, Water Drops on Burning Rocks, Young & Beautiful, and L’Amant Double.

And as my writing output has been so poor, I haven’t written any End of the Year (or Decade) posts. Gomen.

After years [1][2][3] of data; Yes, it’s Mamamoo’s fault. The positives, though, I have registered 31 more hours than I did last year with an extra 18 movies. My movie-watching in general got better because I managed to watch 132 brand new 2018 movies (compared to the 103 in 2017).

This year, I didn’t make any particular movie goal. Though, some of my favorite movies this year were Indian, as reflected by my latest highest ratings. No one has been able to surpass my love for Rene Liu’s Us and Them so far, though. It’s been an incredible year for… not movies made by Netflix, but they have expanded their distribution library enough to make it interesting.

My goal for this year is to increase the titles I watch; seeing that from this interview at Film Independent, the guy from IMDb states that “You should feel disappointed if you haven’t seen 700 movies in a particular year [laughs].” O.o I don’t feel half bad about registering half the amount of movies the guy from IMDb watches. Just saying.

Interesting! I figured I watched less movies this 2017 than I did in 2016, but turns out I got a couple more films/hours logged. And there were a couple more titles that I didn’t log because they’re not on Letterboxd. They just happened to be not current movies, I suppose.

I’m still, currently, very much obsessed with Mamamoo, though. LOL That’s 30% of my movie-watching time doing Mamamoo-related stuff.

2018 doesn’t look to be an improvement to 2015 levels xD

I’m also not sure whether Ryo Kase is my Most Watched Actor this year, considering I went on a non-logged marathon of Shweta Menon movies— like 4 or 5. But, once again, latest highest-rated movies reflect some of my movie-watching; a little American indie, a little Indian and a little Chinese.

I did find enough for my usual Top30 Favorite Film Discovery post :)

And a super lengthy post on my favorite films this year, which has already changed xDDDDDD

(*•̀ᴗ•́*)و ̑̑

Bless the Drink, Eat, Sing VLive.

Bless Moomoos. Bless Mamamoo.

Please, include South America in your plans. Rooting for Peru, but I ain’t holding my breath [1]. xD Continue Reading…

Happy 3rd Anniversary, Mamamoo!

Circle of friendship, Moomoos!

I’ve been so emotional this weekend, and got more Emo for the anniversary xD

This helped:

I always give a special shout out to all the people involved in MamamooTrans, who do an incredible job at keeping all non-Korean-speaking iMoomoos up to date. Without them, getting to know Mamamoo would be a thousand times more difficult and not such an amazing ride as it had been so far. VLives, clips, interviews, and most of all, fan meetings. Thank you guys for spoiling us as much as Mamamoo does.

As Mamamoo prepares for their comeback this week [Praise the L0rd! But let them succeed!], I’ve been getting my fix with Moonbyul on IDOT. I’ve been loving the girls in IDOT, but specially Somi and Seulgi and D.ANA. And now their Immortal Song performance, their most recent VLive [Did you guys stay up or woke up earlier for it?]. I am ready for the 22nd.

I already pre-ordered Purple — the double album version, I don’t even know why — so I am ready for it to be released.

April Blessings~

April 17, 2017 — 2 Comments

It’s no longer Whee-in’s birthday in S.Korea, but it still technically is here— so, Happy Birthday Wheepup! You Spongebob-laughing tripe-and-raw-liver-eating laughing machine you. I still haven’t check out the recent Bday Vapp, but bless you, Mamamoo kids.

April started with blessings of Shiina Ringo releasing her concert DVD/Bluray Hyakkiyagyo 2015 (百鬼夜行2015) [which is the term used for onis, yokais, monsters and spirits whatevers doing a conga line through the night (LOL)]; then Gesu Kiwami are finally releasing their Daruma Ringo (達磨林檎) [which was supposed to released last year], which are set to be released in May. There were also announcements of a new BiBi album and a Mamamoo comeback.

Mamamoo, of course, have been blessing us all year— I’ve sorta lost track of the many song releases, but I’m pretty sure it was like this: LOVE for the Goblin OST, Solar’s collab with Luna and Hani for Honey Bee, Solar’s Emotion Part 4, San E’s collab with Hwasa in I Am Me, Jungkey’s son with Whee-in Anymore, Double Trouble Couple for the Strong Woman Do Bong Soon OST, and now eSNa’s collab with Hwasa Love Comes. Bless and poor, yo!

I’ve also just discovered DADARAY, Residente (otherwise known as the voice of Calle 13) released his new album [1]… and so did La Vida Boheme [1], Mary and the Witch’s Flower (メアリと魔女の花) LOOKS FREAKING AMAZING, I’ve been watching Sister’s Slam Dunk Season 2 and loving every minute of it, and Minzy’s made her official comeback with the release of Minzy Work 01 UNO and NINANO, as a main single.

Last night, of course, started with Minzy’s comeback, but got so much better with the announcement that Shiina Ringo did a CM for a Luxury Mall, but the song they did expanded into a digital single called Menukidori (目抜き通り), which is set to be released on the 20th, which is the day of the mall’s inauguration [1]. And then I found out that Jambinai released a new song called Damdamhi Jeogsigona (담담히 적시고나), which translates to “slightly wet,” which features the voice of folk singer Park Min Hee (박민희) [1].

Then I went to bed, and Mamamoo was in it. I talked (and laughed) a lot with Whee-in [this is the first time I interact, in broken English, with Mamamoo]. It was a party, and Shahrukh Khan was also there hahahahaha, so I got to shake his hand xD and then I went to talk to Hwasa, and she was telling me she was planning to come to Peru to visit Machu Picchu, so I was like- giving her tips. Sting was also there (so random!), and he had hair. HAHAHA.

Bless my Wheesa dream, though. Wheesa’s not my bias OTP, but bless them.

I was secretly looking forward to my Letterboxd Year in Review newsletter :P Compared to last year, my hours watched dropped in a staggering 32% yo! And it’s not even because I’ve been watching shorter movies LOL The total number of movies watched also dropped around 32% (31.89%). I still haven’t decided whether that’s because I got obsessed over Mamamoo or because I got caught up with work.

This year I made it a point to brush up on my Chinese cinema, but it doesn’t make sense that Johnnie To is my most-watched director because I can only recall watching 2 movies of his last year — Office in early January and Mad Detective was my last watch — LOL Oh, nevermind, I also watched Three xD which matched the three other movies I saw in 2015. And yeah, Anna May Wong was definitely my Most Watched Actor with 7 titles— The Thief of Bagdad, ImpactThe Toll of the SeaA Study in ScarletDaughter of the DragonBombs Over Burma, and Lady from Chungking.

The movie-watching also got very influenced with the #52FilmsByWomen project [1][2][3].

My 2017 didn’t start off with a bang, so I’m just hoping to match my 2016 record~

I’m not a social media fan, though I do spend a lot of time posting links on the YAM Magazine Twitter account. Less active on Facebook, though I regularly use my own profile. No Instagram or any other site. I’m mostly active on movie websites— still active on IMDb, because they make searching for stuff easier [year, country, language, etc. filters], still active on MUBI (and helping with profiles and database submissions), and Letterboxd coz they help keeping an orderly diary of movie-watching.

No longer have music sites, and Living Social FB apps have long gone.

I’ve always been reluctant in creating new profiles, new accounts, new emails and different passwords. However, my level of obsession with Mamamoo has reached such point that I finally logged in V Live with my real-life identity, and though I’ve only left like 3 or 4 comments (so far), I’m a Level 5. Each artist you follow starts with a Level 1, adding points by watching videos, leaving comments and who knows what else, but I digress~~~ I wanted to comment on V Live as a platform. I’m amazed by it. I don’t exactly know why. I’ve seen countless of web stream concerts [1][2], I’ve seen a couple of Facebook Live sessions, but somehow V Live sessions make me feel closer to artists.

Of course, they can start a random session just like in Facebook, though FB is always a 1:1 ratio, no? There’s comments, and the artist can actually reply to your comments, which is something V Live doesn’t have since comments are live, they scroll as they keep coming just like in a YouTube stream. But YouTube streams always seem so impersonal, more like online TV broadcasts, which is actually GREAT for TV broadcasts [KBS World 24][KBS World]. Add to V Live multi-camera broadcast, HD quality, multilingual subtitles and there’s just this added something to it.

I recently saw Brown Eyed Girls’ JeA’s Orgel Live with JOKER, a 50-min multi-camera phone shot in portrait. I didn’t watch it live, because the show began at 6AM, but the replay was available quite fast — in probably just a few couple of hours — with subtitles in English, Chinese, Viet and Korean; and available auto-translate for others like Spanish. They started reading some of the comments, I lamented not being able to say hi to JeA [this is what I’m talking about], and proceeded to perform a couple of songs, while also going through the live comments.

Fans are also allowed to give ‘hearts.’ Though, I haven’t actually figured out how to give hearts (it’s not by clicking the heart icon, lol), I supposed it’s just pasting hearts in the comments, and that’s why users can give multi-hearts all around. Since a video can have 200k views and one million hearts. :P

And apparently, if you have the V Live App, you can chat with your faves. I don’t have mobile, so……………….

jea-joker-live-v-live

If you could do this for movies, it’ll be amazing. About 8 years ago, I wrote a proposal for screening movies like this xD but I didn’t know how to go through with it. Imagine you have a screening event, fans gather online 30min. before the movie begins, they chat among them. The movie streams, and afterwards there’s an online Q&A with the cast/crew. Because videos from the Q&A and the movie to be screened are different video sources, you can only have the Q&A available for replay instead of the movie.

See? Someone make it happen.

Are you guys following Yoko Takahashi’s instagram account? If not, you’re missing out on the snaps she’s sharing of Mikako Ichikawa traveling to Osaka with Masako Motai and Satomi Kobayashi— aptly hashtagged “Noppo to Masako no Futari Tabi” (#のっぽとまさこのふたり旅) and “Noppo to Jukujo no Futari Tabi” (のっぽと熟女のふたり旅). In this case, Mikako Ichikawa is Noppo because she’s lanky. xD There’s only one Noppo in my life, but it makes so much sense.

I also learned how to say a version of MILF in Japanese, coz Jukujo (熟女) is the word used for “attractive mature lady,” which is refering to Kobayashi.

Masako-san is just Masako. xD

yoko-takahashi-mikako-ichikawa-masako-motai-001

I’m almost hoping Hairi Katagiri shows up at one point in an actual photo.

I’ve also added a travel/tourism tag, finally. xD