Archives For DVD/BR

Early YAM006!

October 8, 2009 — 5 Comments

So I wanted to make some time to work on those subtitles I was supposed to work on, and today is October 8th! So it’s perfect to release YAMM006, even if we are a little ahead.

yam006_Oct09

Thanks to Julz for working so hard on the cover story, and all those reviews. ^^

On this  issue we review a lot of stuff, including Inglourious Basterds, Honokaa Boy, Mother, Treeless Mountain, Big Bang, G-Dragon, Arashi, BackStreet Boys, Imogen Heap, Olafur Arnalds, Chang Shilei, Juri Ueno and the Five Bags, Mad Men… Cusco Bizarro – and we even talk a bit about Glee, Dexter and House~~~

So head over here~~~

xD

I just bought the whole McDull collection over at YesAsia xD, complete with a pre-order for the latest McDull film – Kung Fu Kindergarten… or McDull Ding Ding Dong <- buahahaha.

my mom will approve of that, though. She loved McDull.

And because YesAsia was offering extra special offers, I bought (finally) Battle Royale and Kim Ki Duk’s Breath, I just wished they had marked 3-Iron as well xD hahaha

crap, and then I wonder why I’m always pissed ass broke, eh?

And still, wanna buy more stuff xD – Wanna complete my Shunji Iwai stuff with Swallowtail Butterfly, which you should totally watch, because it’s oh so awesome.

3 a.m. online shopping it’s oh so dangerous~~~

I blame my cousin for this, because she watched Love Happens. Yes, she actually paid to watch Love Happens, which currently has a 16% freshness rate over at Rotten Tomatoes, and OMG I just checked a 0% from Top Critics hahahaha.

Buahahaha. Sorry, I’m still laughing.

Anyway… it reminded me about an Inside the Gold post, in which K was having trouble writing a review for Made of Honor.

Mostly, I was just getting angry about it for reasons I couldn’t understand… then it hit me. There was nothing original about the film. There was so little effort or originality that went into it, that I started to get upset that the film was even made.

That was followed by a request of Chick Flicks – of course, I added a bunch. Good and Bad, and the Guilty Pleasures, because that’s what was asked… which brings me back to now. I just got to see (500) Days of Summer, which you could say it’s one of those “hipster” films, but in reality it’s a romantic comedy. The movie is good, I liked it a lot… in fact, I can’t wait to get it on DVD xD It’s a not-a-love-story, and it’s sort of a chick flick, I think – and it’s good. So I don’t think it’s a doomed genre, there’s just a lot of crap around the genre for you to take seriously the really good ones.

In reality, Action films should suffer from the same. There’s a lot of crap action films out there that outnumber the really good action films. You can just say “oh, it’s another mindless action film.” but it still has a better tone to it than saying “it’s a chick flick.” – that simply sounds negative, without having the intention to.

I made a list of films by themes, and one of them was the “chick-centric” theme – it contained some really good films with female protagonists as mothers, daughters, granddaughters, friends, neighbors, girls, young women and women… etc, etc. – and from the 3 different themes I put together, “chick-centric” was the only one with no votes at all. So we do have a trigger that makes us think the word “chick” immediately means bad PMS mood swings, put your panties up in a bunch, and make your ovaries ache for that brooding-but-charming or geeky-but-charming hunk.

With female-centric films such as Linda, Linda, Linda – or Rachel Getting Married, One Million Yen Girl, The Guitar, Il y a Longtemps que Je t’Aime, Whale Rider, Hana & Alice… Hula Girls, Swing Girls, Kamikaze Girls~~~ or Romantic Dramas and Romantic Comedies like Shunji Iwai’s Love Letter. Perhaps American Chick Flicks should think of moving away from the frivolous girl meets boy, boy meets girl and they fall in love forever and always stories that they love to tell over and over again, and actually focus on another aspect of their protagonists lives.

A group of friends trying to make it to the school rock festival, a young woman trying to get one million Yen, a woman who just found out she’s about to die, a mother that comes out of jail, a girl trying to follow tradition in the opposite direction. Two friends who are growing up and perhaps growing apart, a group of girls trying to save their town, another group of girls who find something special in their lives, and two girls who find friendship in each other… etc, etc etc.

Yu Aoi and the Rest of 2009~~~

September 15, 2009 — 4 Comments

It’s hard to believe it’s almost the end of the year… only 3 proper months left!

Anyway! I was checking YesAsia stuffs and turns out Ikechan to Boku will be released this coming December 4th… sadly, no English subtitles listed. TuT So I’d figure we’d list what’s left of upcoming Yu related stuff (without counting magazine and CMs appearances because frankly those are hard to keep track of).

October 9th, 2009
NHK – Gakuya Presentation

October 15th, 2009
2009 Calendar Launch [Amazon.co.jp][HMV.co.jp]

eh… Nov? xD

December 4th, 2009
Ikechan and Me DVD [R2, no subs] [YesAsia][Amazon.co.jp][book]

So more piracy talk~~~

September 15, 2009 — 4 Comments

So now French users can be (can be, under the current law) banned from using the internet for up to a year, if they are caught downloading illegal music, and a fine of 300k Euros. [AFP] Oh, my! And apparently, Sweden is also monitoring user download activity? Any word on that, Julz~?

There was also this article talking about a DRM server the Japanese RIAA wants to use to check on the music their users are playing on their phones… considering we (iTunes users) have already moved away from DRM tracks, I think it’s a very bad idea…

And then comes this very interesting post/article by dear Lily Allen for The Times, in which she expresses some of her thoughts  about the issue, and the opinion of some of her more “legendary” colleagues…

Music piracy is having a dangerous effect on British music, but some rich and successful artists such as Nick Mason, of Pink Floyd, and Ed O’Brien, of Radiohead, don’t think so. Last week, they told The Times that file sharing is fine. It probably is for them. They do sell-out arena tours and have the biggest Ferrari collections in the world. For new talent, though, file sharing is a disaster — it makes it harder and harder for new acts to emerge.

That’s partly true. But so it’s this…

By moving to a microtransaction model (charging <£1 for an album) for recorded music and increasing the emphasis on live concerts musicians can increase their revenue stream and attempt to reduce the abuse of their IP.

I understand what Lily Allen is saying, but the music industry spends too much money on advertising and pushing poor catchy music.

If your product is so good, then it does not need advertising or pushing.

Itunes and other sites are still overpriced in terms of album costs.

Books survived the photocopier, music will survive the internet. Real musicians have realised concerts are more of a money spinner and are have brought live music back to the front of entertainment.

As I’ve mentioned before, I watch as many films, and listen to even more music than I ever did. I still buy CDs, but only the really good ones. The ones that are worth my $14 for album/DVD package. Right now, they just happen to be Asian albums… which actually are worth my +$30. So I am paying $30 or $40 for a CD from Japan because it’s good. Wanna wonder why I haven’t bought much from anything else?

And yes, digital content is way overpriced.

Well, long time no see, eh?

It’s been nearly 4 or 5 months since our last discussion, and I really thought there’d be more people discussing Tekkonkinkreet, but alas~ No one has commented on it. If you have just discovered Yu Aoi (either through Osen, or a random watch of either Hana & Alice, One Million Yen Girl or Lily Chou Chou) and have been hit in the face with like a meteor, I invite you to watch Tekkon as well. Any animation fan won’t really regret it.

Anyway, we’re here to discuss Don’t Laugh at my Romance, or Sex is no Laughing Matter or Hito no SEKKUSU~~~ whatever your pick on names is.

First a little about the film~
Don’t Laugh at my Romance is a 2008 film adaptation of the the novel by Naocola Yamazaki, directed and sort of adapted by Nami Iguchi. It is about a 19-year-old student (Matsuyama) who falls in love/lust with his lithography teacher (Hiromi Nagasaku) at university, though he isn’t aware that his friend and classmate (Yu Aoi) is quite fond of him.

Genre: Dramedy with Romance
Starring: Kenichi Matsuyama, Hiromi Nagasaku, Yu Aoi, Shugo Oshinari, Yoichi Nukumizu
Duration: a little over +2hrs

Beware! Possible film spoilers~~~

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July + August Films~

September 3, 2009 — Leave a comment

Let’s see how the movie count goes~
shall we?

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I used to be a really good moviegoer when I was 17… 18 and 19~ Perhaps catch 1 or 2 films a week… if there was something indie, maybe 3 or 4 films at the cinema! That’s a lot of money. I don’t go to the movies too often, and I wonder why.

1. Peru doesn’t cater to my taste in movies when I want to… where I want to. I would watch Inglorious Basterds, but it hasn’t open here yet. So considering… I would watch it only if it’s really good. Hopefully it will make it before it comes out on DVD in America xD

2. It takes ages for some films to be released, so by the time they’re released I already bought them on DVD, have already watched them as downloads or have already lost interest.

3. They never make it here. Hooray for cable! LOL But sometimes they don’t even make it there.

4. Little to no independent films. It’s always the big studios… Can I re-suggest IndieScreenings? You can read some of my thoughts about it in this YAM issue.

5. 98% of American films in the market. 0.01% of Asia. 1%Europe… 0.03% Canadian~~~ What gives? xD The rest can be whatever… co-productions, etc.

6. I know it’s about the money-making, but how about opening a specialized cinema that shows new independent/foreign releases?

7. Not cinema means I get to watch films when I have the time, not when they want me. I can watch any film at 2am even if theaters are closed. No need to queue or complain about the noisy couple behind you.

Anyway… how do they choose the films to be distributed? And who chooses??? Maybe I should work for a distributor company or something. Maybe we should work with Indie Screenings for a test.

I loved Pixar’s UP. The first 15min. of the film is pure magic, so when I saw it on my Amazon recommended page, I was thrilled because I want to get it. But here’s the thing…

**Edit**
Since this post, they have announced a 2-disc DVD.

There’s only the single-disc DVD, and the 4-disc Blu-ray (which comes with the blu-ray, plus digital copy, plus DVD and who knows what else…) – To be honest, the $+30 price tag on the Blu-ray makes me not want to get it. Even worse because I haven’t made the switch to the format yet…

Then… the +$10 price tag on the single disc… which is ONE disc only, hardly any worthy extras. Compared that to the $20-something 3-disc DVD WALL-E version. And I’m not sold on UP. I’m sorry. If the price doesn’t go down below $15 for the single disc, I’m not buying it. I would’ve paid $20 for a two-disc DVD. What gives?

It’s here, it’s here!

Bibi Zhou - Time - Package

Pretty photos courtesy of me (so please, respect hot pink watermarks LOL),
plus a professional/sort-of-fan product review below the break~
enjoy, and link back if you’re sharing! xD

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