Archives For industry talk

For a few couple of years already, people have been calling on the death of printed paper. And in all honesty, I rarely print stuff for myself — a vast majority of printed documents refer to letterhead letters, which I usually just send on PDF by email. But if I’m printing something, it’s got something to do with branded documentation.

We’ve talked about e-paper [1], digital newspapers, and Samsung’s flexible screens [1] are coming. People are supposedly using smartphones and are all over iPads, as sales for PCs are down dramatically as times flies by. Yet, people apparently still print stuff. At least that’s the premise for this project:

For a long time, people have been playing around with interactive tables [1][2][3][4][5], though I don’t know anyone who can afford one. The guys from Fujitsu Laboratories seem to be aiming at consumer-range products. And though it may sound and look cool that you can turn all your printed documents into something digital and interact with it, wouldn’t it mean that your page with video included has already been digitally design?

There’s digital pop-up books!

creative-sandbox

Of course, there ARE elements in our everyday life that aren’t digital — doodled post-it notes (I can’t think of anything else other than notes). The rest, they wouldn’t have been embedded elements on your digital source document. The question is, why print it?

It’s crazy how technology has developed in the past 20 years. The latest consumer craze? 3D printing, of course! It hasn’t only been featured on shows (with a special mention on The Big Bang Theory), but it’s been used in a broad variety of ways [1]. Miniatures of yourself [1], your face in chocolate [1], miniature of yourself in gummy [1], or candy [1].

Its most striking use, because of its practicality, was how they used 3D Printing in the making of ParaNorman. Technically speaking, it was that usual “wow, why didn’t anyone else think of this before?” Printing the many faces needed to be able to animate your stop-motion movie. It gets the consistency so your animation doesn’t get blotches, and you get incredible detail (I LOVE THE LIGHT GOING THROUGH NORMAN’S EARS).

The question that arises is- if they print the faces needed to animate, once they’ve done the movements in a CG environment. Is it stop-motion? Mixed media is more common than ever. There was a lot of special effects in ParaNorman, especially in its incredibly visual last arc, but the film is still considered stop-motion. So how much use of the computer do you need to have for it to not be stop-motion?

I know so many people who would download loads of music for free, but still buy the stuff they liked (usually discovered from their own or other people’s free downloads). Now those same people listen to Spotify and feel that they have paid the artists, so no longer feel the need to buy the songs they like.

Comment on Artists, Please! Don’t Put Spotify Play Buttons On Your Site…

Additional info: How Much Do Music Artists Earn Online?

Downloads, Streamings, and Buys- Oh, My!

It’s all about money, of course. The International Olympic Committee wants to retain all the control of its brand — who can blame them? — and to retain its control online, it took the social media control from the London Olympic committee, unlike what happened back at the Vancouver 2010 Olympics.

To Olympics lovers’ surprise, the Vancouver Olympic Committee was allowed free social media range, which they put to good use with online apps, tweeting athletes interacting with fans, the whole shebang [1]. I don’t actually care about online apps (nor Vancouver’s nor London’s), and I don’t care if athletes tweet. My only interest in the Olympics is watching the games and finding photographs xD

Cool photo, huh?

Continue Reading…

We’re always bombarded with news at how the music (and movies, and everything else) industry is losing money to piracy, even though we keep hearing all these facts about how Glee has had more songs charted than The Beatles.

When Sarah, from the Music Production Schools’ design team, emailed me this infographic depicting all these facts onto one place… is hard not to share, right?

I won’t lie to you, the numbers are good — though I really don’t know how that works with adjusted inflation — but the numbers also make me sad. To imagine Katy Perry standing on similar ground as MJ or Flo Rida standing on similar ground to The Beatles… or Ke$ha selling MORE than The Beatles. It’s depressing.

Mainly because there are MUCH better artists out there, and half the world haven’t even heard about them. I think it’s a crime that everyone knows Katy Perry, but it’d be rare if someone knows who Shiina Ringo is.

In any case, this is an infographic about sales~ so there you have it.

Full infographic after the break~

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This would be pretty crazy, but how does this work? xD

Film Business Asia is reporting that China Lion Film Distribution has made a deal with AMC to release Chinese films in the cities with most Chinese demographics in the United States and Canada the same day as the films open in China.

Now, that’s how you do distribution.

Sure, Hollywood’s kinda getting good in World Premiere business, but only the big-studio stuff. We actually have to wait a ton for a theater release, or the release of the DVD to catch a film that’s not mainstream. The Chinese film industry lacks distribution — only films that get distributed in the US, get distributed in Latin America. The last Chinese film I saw at the cinema was Curse of the Golden Flower~~~

So with this deal, China expands that ever-expanding Chinese film market with hopefully more than just Martial Arts Films and/or Arthouse Films. And HOPEFULLY, this will mean more Chinese films down here as well.

So guys! Get ready for Aftershocks (aka. After Shock) kicking off this new deal on October 29th in the cities of  New York, Los Angeles, Chicago, San Francisco, Washington D.C., Houston, Boston, Seattle, Toronto and Ottawa.

;P

I’m lazy, don’t wanna make a Top10.

I hate photographing social events, mainly because I’m anti-social. Also because social events are usually all about who you photograph, and them posing, and faking their smiles. There’s nothing I hate more about photos than fake-smiling. But alas, we must photograph those sometimes… not so much about social events parties, but the events themselves.

I have a few rules that I follow. They might be strange rules, and nobody probably does it because they’re not anti-social like me, but I always keep them in mind.

– I never call out celebrities so I can take pictures of them. I don’t want them to see me — I do carry weird hair, and that calls attention… but that just goes with the hair — I don’t want them to look into my camera. I like that when they don’t look at my camera, it feels voyeuristic. LOL

– I never use flash. Flash is hard on the skin – mind you, sometimes events are so badly lit, it’s impossible to take photos without it. However, in those cases, sometimes I borrow/steal other people’s flashes. I believe the use of flash is only appropriate on studio settings, because when flash is used in a natural or “non-set-up” setting, it just makes it look out of place.

Plus, women who aren’t necessarily made-up like models for a shoot look rough with a flash hitting on their faces. Clear skin women looks very pale like zombies… and overall, people have shiny skin. Plus PLUS, flash in these cases make wrinkles pop up as if they were the grand canyon.

I have a lot of issues with flash.

– A natural pose is better than Pose-Hard. I rather catch a person standing naturally in conversation with someone else, than having to photograph them standing in pose and smiling at cameras.

– Be a tourist. I love photographing the stages and how the light hits different parts of the scenery. It makes the event about the place, as well as the people behind it. You know, the people who work on the stage and the lights.

So having said that, these are my Top5 Tips for Red Carpets Events from my photographing point of views – as well as a viewer at home ;P

Continue Reading…

We have been talking about Mobile Phone Dramas for a while here… a little more than half a year.

Then there’s Mobile Phone Dramas. Sort of a hybrid between a series and commercials.. or other PR material, maybe a mix between short films and commercials that end up becoming a movie…

While Asia is taking product placement and marketing to a whole new level, here… they try to shove ads and other silly commercials on printed media. And more commercial time. And more clicking banners.

It seems BeeTV, which focuses on broadcasting dramas through cellphone carrier DoCoMo, has grown into more than 1 million subscribers paying $3 a month to watch this 5min pieces. Dude, that’s $3M a month for roughly 30min of footage in a cellphone.

Hollywood is jealous.

BeeTV broadcasts more than 20 short programs in eight genres like drama, music and comedy and plans to add shows on cooking, fashion and beauty for a total of more than 50 programs. The two most-popular are drama series “Love Letter in Five Years” and “Death Game Park.”

Some of BeeTV’s more popular shows are later released on DVD. The saucy drama series “Women Have Fun Twice,” starring five well-known actresses, will be screened in late June at the Taipei Film Festival after the number of episodes downloaded hit 900 million, a BeeTV record.

via Japan Now.

Women Have Fun Twice is that Asami Mizukawa mobile phone drama I was telling you about. And, OMG! It’s going to be screened at the Taipei Film Fest? Jealous!

I am eating up all this commercial stuff. Geez, and I don’t even own a cellphone. xD
I am not prepared for this type of marketing~

In an effort to attract more Western musicians and firms, China is building three national music industry parks, serving as performance stages and platforms where musicians from around the world could get together to collaborate, located in Beijing, Shanghai and Guangdong.

But of course, in order to attract Western musicians and firms, they need to tackle piracy.

With programs like the ones 88TC88.com [musicdish.com] are offering for Western acts to get packages translated into Chinese to enter the market, the government is trying to develop a system that will not only help artists get their royalties, but also protect Chinese arts.

Until relatively recently, copyright in China was illegal. All intellectual property belonged to the people, ie. government. If you wrote a book for example, the government would ‘own’ it and reap any ‘profits,’ while providing the author with a salary, housing, medical and education. So when some rant on about piracy or the lack of enforcement, this should be put in context. The Copyright Law of the People’s Republic of China was adopted in 1990 – we in the US on the other hand have had a Copyright Act on the books since 1790 and we still can’t seem to get it right!

On the other hand, the government does often seem capricious in its enforcement of copyright. They like to point to last year’s shutdown of 200 pirate movie sites, including the largest video BitTorrent site. It just so happens though that the crackdown coincided oh so nicely with the launch of CCTV’s major online video initiative. Nor is it clears whether the shutdown didn’t have more to do with fighting pornography – a much bigger taboo for the government – rather than piracy. Having said that though, the fact is that for both economic and diplomatic/political reasons, the Chinese government will increasingly get serious, get tough and tackle the IP issue in the broad sense, not just piracy.

What’s gonna be their system?

The Chinese government will use watermarking technology to embed a unique code into every creative works released – music, film, graphic,… – allowing the government to easily identify, fine and shut down websites peddling pirated material as well as track all plays for royalty collection and disbursement.

all via MusicDish.

Which is already happening when you upload things on YouTube or some file sharing website. Things get deleted, and accounts get shut down. However, coming from China. This is huge.

Look, I am all for China protecting its artists, as long as me as a user NOT in China, is able to have access to their content. I listen to a lot of music in Chinese, which I wouldn’t be doing if it weren’t for illegal downloads in the first place. I wouldn’t own albums by LeeHom Wang, or all of Bibi’s discography if I hadn’t downloaded their albums.

I wouldn’t know about Yuguo or Chang Shilei or Milk @ Coffee.

You know, I use Haoting to stream music now, but some of the artists I just named don’t even show up there. Also, you guys… it would be really awesome if there was an option for language. LOL

Okay, having said that~ I know I support downloads, but I also support paying for the stuff YOU consider to be good. I am not telling you what you should pay for, but I want you to make a conscious decision about paying for the content you deem good enough for your money. If you think such star or group is the best, and that they/he/she deserves your money, make an effort to buy anything by them. It doesn’t have to be the $30 USD import album, it can be the $15 USD poster.

Please, do not tell me this album by this artist is the best of all time, if you haven’t paid for it. If you love it that much, you should buy it… unless it’s already out of print, of course. Don’t tell me this movie is a film that changed your life, if you have it as a pirated copy. You don’t have to have a 100 disc collection, but if you really think that piece of art… being anything from music, to movies or photographs or sculptures… if they made a difference to you, please buy it.