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In 2006, when she began promotion of her debut Under the Surface, she released a simple video for the song with the same title, which wasn’t really WOW but promoted the song well. Turns out, since her starting promotion of her music in Germany, they made a new version of Under the Surface…

and they also released a proper video for If a Song Could Get me You~~~
comes with Making Of an all~~~ Marit’s so cute.
Wonder if under all that cuteness, there’s a strong Scandinavian character.
What you say Julz?
Continue Reading…

I noticed some of my music/imeem posts had gone orange on me, and *le gasp* IMEEM is gone?

Apparently, IMEEM had some debts, and MySpace just bought it for only $1M. The transaction has been so quick, that imeem accounts haven’t been moved, and indie artists were left floating… and might not get paid at all.

This is what MySpace said:

We did not acquire imeem’s contracts or relationships as we have our own in place. MySpace Music has its own distribution platform, which includes relationships with prominent aggregators and indie labels, that provides indie artists ways to monetize their music on our site.

Sucks for indie music.

I wonder if I will get back those playlists though. I’m sure MySpace is planning to let people embed stuff, otherwise why “buy technology” from imeem, right? Those orange boxes suck.

via Wired.com

Indie artists, use CDBaby. Besides letting you sell the albums you want, they will digitize it and will sell it and distribute on mp3 form. Or if you really trust your fans, just self-host your album and use paypal. That way is easier to count hits on your own files.

YesAsia keyword alerts suck. LOL

CatchPlay Taiwan has released One Million Yen Girl with English Subtitles on Region 3, if anyone is interested. I will wait a month or so, in case a Hong Kong version shows up — though both would be Region 3 DVDs. In any case, I need to make a bigger order if I want to get it.

If you enjoyed One Million Yen Girl, you should buy the film =D

you know, to support Yu’s career, and that whole “she can carry a film on her own” concept.

Plus, it’s English subs, man!!! You need to be supporting Yu Aoi English Subbed projects~

Continuing with the Multilanguage dubbing~~~
Something reminded me of Winnie the Pooh,
and I ended up finding a bunch of clips in different languages.

My big cousin was a Winnie the Pooh fan.
I bet he still has his teddy. xD
Don’t you, Bruce?

https://www.youtube.com/watch?v=eTK9x4baQY8

That’s the original intro in English, but check out some of the other versions in Spanish, Swedish and even Japanese…

Continue Reading…

ViiKii is Subbing Camouflage!

September 21, 2009 — 6 Comments

Woah! I just had a surprise adrenaline rush. xD
Like the title states (and hopefully my begging and grovelling helped),
I just found out that ViiKii is subbing the remaining episodes of
WOWOW’s Camouflage, starring… if you didn’t know by now, Yu-chan~

I’ve only discussed Chapter 1, so I’m looking forward to discussing the rest.

If someone tells me how to work around the subs so we can used them with the RAWs,
let me know~

So more piracy talk~~~

September 15, 2009 — 4 Comments

So now French users can be (can be, under the current law) banned from using the internet for up to a year, if they are caught downloading illegal music, and a fine of 300k Euros. [AFP] Oh, my! And apparently, Sweden is also monitoring user download activity? Any word on that, Julz~?

There was also this article talking about a DRM server the Japanese RIAA wants to use to check on the music their users are playing on their phones… considering we (iTunes users) have already moved away from DRM tracks, I think it’s a very bad idea…

And then comes this very interesting post/article by dear Lily Allen for The Times, in which she expresses some of her thoughts  about the issue, and the opinion of some of her more “legendary” colleagues…

Music piracy is having a dangerous effect on British music, but some rich and successful artists such as Nick Mason, of Pink Floyd, and Ed O’Brien, of Radiohead, don’t think so. Last week, they told The Times that file sharing is fine. It probably is for them. They do sell-out arena tours and have the biggest Ferrari collections in the world. For new talent, though, file sharing is a disaster — it makes it harder and harder for new acts to emerge.

That’s partly true. But so it’s this…

By moving to a microtransaction model (charging <£1 for an album) for recorded music and increasing the emphasis on live concerts musicians can increase their revenue stream and attempt to reduce the abuse of their IP.

I understand what Lily Allen is saying, but the music industry spends too much money on advertising and pushing poor catchy music.

If your product is so good, then it does not need advertising or pushing.

Itunes and other sites are still overpriced in terms of album costs.

Books survived the photocopier, music will survive the internet. Real musicians have realised concerts are more of a money spinner and are have brought live music back to the front of entertainment.

As I’ve mentioned before, I watch as many films, and listen to even more music than I ever did. I still buy CDs, but only the really good ones. The ones that are worth my $14 for album/DVD package. Right now, they just happen to be Asian albums… which actually are worth my +$30. So I am paying $30 or $40 for a CD from Japan because it’s good. Wanna wonder why I haven’t bought much from anything else?

And yes, digital content is way overpriced.

I used to be a really good moviegoer when I was 17… 18 and 19~ Perhaps catch 1 or 2 films a week… if there was something indie, maybe 3 or 4 films at the cinema! That’s a lot of money. I don’t go to the movies too often, and I wonder why.

1. Peru doesn’t cater to my taste in movies when I want to… where I want to. I would watch Inglorious Basterds, but it hasn’t open here yet. So considering… I would watch it only if it’s really good. Hopefully it will make it before it comes out on DVD in America xD

2. It takes ages for some films to be released, so by the time they’re released I already bought them on DVD, have already watched them as downloads or have already lost interest.

3. They never make it here. Hooray for cable! LOL But sometimes they don’t even make it there.

4. Little to no independent films. It’s always the big studios… Can I re-suggest IndieScreenings? You can read some of my thoughts about it in this YAM issue.

5. 98% of American films in the market. 0.01% of Asia. 1%Europe… 0.03% Canadian~~~ What gives? xD The rest can be whatever… co-productions, etc.

6. I know it’s about the money-making, but how about opening a specialized cinema that shows new independent/foreign releases?

7. Not cinema means I get to watch films when I have the time, not when they want me. I can watch any film at 2am even if theaters are closed. No need to queue or complain about the noisy couple behind you.

Anyway… how do they choose the films to be distributed? And who chooses??? Maybe I should work for a distributor company or something. Maybe we should work with Indie Screenings for a test.

It’s YAM Time #5!

August 15, 2009 — 8 Comments

LOL
Cheap Mambo #5 mention xD

Anyway~~ Here it is!!!
After much liver disease~~~
YAM005

with Yu on the cover!
Happy early Bday, Yu~
Omedetou!!

YAM005

In it, you’ll read more about Harry Potter 6 (against much of anyone’s Harmonian hearts, lol), Transformers 2, Moon (yeah, that last line kills me), and Public Enemies~ Snap! There’s also DBSK concert review, SNSD (which I always get a typo), Bibi, Seo Taiji, Clazziquai, Popular and more~~~

Head over here to download~~~

Though I sweared to myself that I wouldn’t dish money to watch HP6 for obvious shipping reasons, and my not enjoying Hp6 and HP7. UMPH! – I’ve been tempted, I must admit… these past few days to actually go and check it out. Anyway!

I have made up my mind! – thanks to this

I ain’t going… I ain’t dishing my money. Maybe my time…
who knows~ depends on the time LOL
maybe soon, maybe on cable…

Obviously press get press screenings, so they can review it and properly fuzz about the film. It’s usually an invitation, you go to a certain time and place to watch it, maybe discuss it… enjoy it, and write about it telling everyone to go watch it, or just dismiss it.

It’s commonly known that you’re not to bring your cameras… or camera cellphones (?? what for, can you really record decent footage long enough in a cellphone?) – whatever. It’s just insulting to know that you’re invited somewhere but BEWARE, you will be arrested if you’re seen breaking the rules. ARRESTED! Doesn’t the police force have other things to do????

Why bother then to invite someone if you are already thinking he/she will be ripping your movie off? Are we in the assumption that all guests are there to record your movie?

In any case, I doubt CAM film versions come out of Peru, so not much need to fuzz over it at the moment. They are usually fromo outside… and I doubt CAMs are press screening made. And even then, maybe a nice “this is a screener” text would suffice.

I’ve hated #4 this past weeks. That number is an unlucky number…

Anyway, this is my 4th contribution to the Japanese Cinema Blogathon, if you haven’t been reading… which I hope you have had~~~ because that’s the whole point of this blogathon, right? To promote J-Films…

Which brings me to today’s topic.

First, Your Friends~ Then the World!

How to Make People Watch Japanese Cinema

It’s all about compromise. God knows I’ve tried so hard to get my friends interested in it, because sometimes it can get boring talking to people about it just online… *sighs* I’m sure I come off as pushy, etc~ and many of them won’t budge. I even offer them films to watch for free… they only need to come over, and that’s that.

Last year I had a Foreign Film gathering (they chose the foreign theme, anyway), two of the nine films scheduled that day were Tetsuya Nakashima’s Memories of Matsuko – mainly because I’m crazy about that film, and I had just watched it a few weeks prior – and Shunji Iwai’s Hana & Alice, because Iwai-san and Yu Aoi is lurv. Sadly, no one came on time to watch Matsuko (only one friend arrived… halfway through the film), and I highly doubt they made any connection with Hana & Alice.

Needless to say, I’m setting up another film gathering, though I haven’t made them choose themes yet. I have a few lists I’ve made and they contain a couple of Japanese films. Let’s hope one of them stays this year! *crosses fingers*

Anyway… you don’t want to come off as pushy – and like I said above… it’s all about compromise.

  • You have a friend who wants to make you watch something of his own?? Maybe he wants to get you into Lost, Heroes… or Battlestar Gallactica? Give in, tell him you will watch a season (or maybe a few episodes, depending on your willingness to compromise) in exchange he should watch a film or two.

This will make your friend feel like you are not pushing him to watch something, instead you’re just exchanging interests… and who knows, you might end up enjoying both those hobbies.

  • When you blog about it, mix things up a little. We blog about Japanese Cinema, but in the end people who already like Japanese Cinema read your posts.

The point of this blogathon is to promote Japanese Cinema, but we are the ones dealing and discussing. I mentioned this blogathon to a friend, and she had no idea why she should care. *doh!* – combine the idols with your favorite Japanese Directors, and get them at least skimming through your posts. Make a western comparison… got something to write about vampire films? psych ward films? I mean Clive Owen has said that he wants to work with Wong Kar Wai and Ang Lee again… that means some teenage Owen fans would be at least be interested in checking out some more work by both directors.

How about a crazy collaboration between Johnny Depp and Tetsuya Nakashima? Or Juliette Binoche and Shunji Iwai?

  • Make a fuzz about collaborations. No matter how good or bad you may think they are.

I made a fuzz about Tokyo! – I kind of really worship Michel Gondry’s visual style… then there was Ryo Kase, and Yu Aoi. – I’ve also been making a fuzz over New York, I Love You because it’s got Shunji Iwai’s short with Orlando Bloom. Now, I don’t like Orlando Bloom (I’ve only ever liked him as Legolas LOL), but if there are people who enjoy the short… there is a small chance that a teenage Bloom fan might check out Iwai’s past work.

  • Introduced them with what they like.

My dad likes comedies… and action films, but well~ he also happens to like Asian culture, LOL’ so maybe I’m being a little unfair here. Anyway, I’ve made him watch films like Linda Linda Linda, Matsuko, Swing Girls, Tekkon, Kamikaze Girls… then one day he brought me Akira Kurosawa’s Dreams. *laughs* I was surprised myself, but my dad had a newly-found interest in Japanese films (mostly the epic kind though… xD)

and to just not have FOUR bullet points here…

  • … just keep pushing~

Keep bugging people. Someone will need to budge, right? LOL