Well, at least you can still upload your OWN original content to share, if you want. I wish more singers, groups, musicians, filmmakers would use the platform of torrents to distribute their work. After all, all you need is a private tracker to allow a few people… in case you want to charge some for it.
Archives For distributors
In 2006, when she began promotion of her debut Under the Surface, she released a simple video for the song with the same title, which wasn’t really WOW but promoted the song well. Turns out, since her starting promotion of her music in Germany, they made a new version of Under the Surface…
and they also released a proper video for If a Song Could Get me You~~~
comes with Making Of an all~~~ Marit’s so cute.
Wonder if under all that cuteness, there’s a strong Scandinavian character.
What you say Julz?
Continue Reading…
I noticed some of my music/imeem posts had gone orange on me, and *le gasp* IMEEM is gone?
Apparently, IMEEM had some debts, and MySpace just bought it for only $1M. The transaction has been so quick, that imeem accounts haven’t been moved, and indie artists were left floating… and might not get paid at all.
This is what MySpace said:
We did not acquire imeem’s contracts or relationships as we have our own in place. MySpace Music has its own distribution platform, which includes relationships with prominent aggregators and indie labels, that provides indie artists ways to monetize their music on our site.
Sucks for indie music.
I wonder if I will get back those playlists though. I’m sure MySpace is planning to let people embed stuff, otherwise why “buy technology” from imeem, right? Those orange boxes suck.
via Wired.com
Indie artists, use CDBaby. Besides letting you sell the albums you want, they will digitize it and will sell it and distribute on mp3 form. Or if you really trust your fans, just self-host your album and use paypal. That way is easier to count hits on your own files.
YesAsia keyword alerts suck. LOL
CatchPlay Taiwan has released One Million Yen Girl with English Subtitles on Region 3, if anyone is interested. I will wait a month or so, in case a Hong Kong version shows up — though both would be Region 3 DVDs. In any case, I need to make a bigger order if I want to get it.
If you enjoyed One Million Yen Girl, you should buy the film =D
you know, to support Yu’s career, and that whole “she can carry a film on her own” concept.
Plus, it’s English subs, man!!! You need to be supporting Yu Aoi English Subbed projects~
Continuing with the Multilanguage dubbing~~~
Something reminded me of Winnie the Pooh,
and I ended up finding a bunch of clips in different languages.
My big cousin was a Winnie the Pooh fan.
I bet he still has his teddy. xD
Don’t you, Bruce?
https://www.youtube.com/watch?v=eTK9x4baQY8
That’s the original intro in English, but check out some of the other versions in Spanish, Swedish and even Japanese…
Woah! I just had a surprise adrenaline rush. xD
Like the title states (and hopefully my begging and grovelling helped),
I just found out that ViiKii is subbing the remaining episodes of
WOWOW’s Camouflage, starring… if you didn’t know by now, Yu-chan~
I’ve only discussed Chapter 1, so I’m looking forward to discussing the rest.
If someone tells me how to work around the subs so we can used them with the RAWs,
let me know~
So now French users can be (can be, under the current law) banned from using the internet for up to a year, if they are caught downloading illegal music, and a fine of 300k Euros. [AFP] Oh, my! And apparently, Sweden is also monitoring user download activity? Any word on that, Julz~?
There was also this article talking about a DRM server the Japanese RIAA wants to use to check on the music their users are playing on their phones… considering we (iTunes users) have already moved away from DRM tracks, I think it’s a very bad idea…
And then comes this very interesting post/article by dear Lily Allen for The Times, in which she expresses some of her thoughts about the issue, and the opinion of some of her more “legendary” colleagues…
Music piracy is having a dangerous effect on British music, but some rich and successful artists such as Nick Mason, of Pink Floyd, and Ed O’Brien, of Radiohead, don’t think so. Last week, they told The Times that file sharing is fine. It probably is for them. They do sell-out arena tours and have the biggest Ferrari collections in the world. For new talent, though, file sharing is a disaster — it makes it harder and harder for new acts to emerge.
That’s partly true. But so it’s this…
By moving to a microtransaction model (charging <£1 for an album) for recorded music and increasing the emphasis on live concerts musicians can increase their revenue stream and attempt to reduce the abuse of their IP.
I understand what Lily Allen is saying, but the music industry spends too much money on advertising and pushing poor catchy music.
If your product is so good, then it does not need advertising or pushing.
Itunes and other sites are still overpriced in terms of album costs.
Books survived the photocopier, music will survive the internet. Real musicians have realised concerts are more of a money spinner and are have brought live music back to the front of entertainment.
As I’ve mentioned before, I watch as many films, and listen to even more music than I ever did. I still buy CDs, but only the really good ones. The ones that are worth my $14 for album/DVD package. Right now, they just happen to be Asian albums… which actually are worth my +$30. So I am paying $30 or $40 for a CD from Japan because it’s good. Wanna wonder why I haven’t bought much from anything else?
And yes, digital content is way overpriced.
I used to be a really good moviegoer when I was 17… 18 and 19~ Perhaps catch 1 or 2 films a week… if there was something indie, maybe 3 or 4 films at the cinema! That’s a lot of money. I don’t go to the movies too often, and I wonder why.
1. Peru doesn’t cater to my taste in movies when I want to… where I want to. I would watch Inglorious Basterds, but it hasn’t open here yet. So considering… I would watch it only if it’s really good. Hopefully it will make it before it comes out on DVD in America xD
2. It takes ages for some films to be released, so by the time they’re released I already bought them on DVD, have already watched them as downloads or have already lost interest.
3. They never make it here. Hooray for cable! LOL But sometimes they don’t even make it there.
4. Little to no independent films. It’s always the big studios… Can I re-suggest IndieScreenings? You can read some of my thoughts about it in this YAM issue.
5. 98% of American films in the market. 0.01% of Asia. 1%Europe… 0.03% Canadian~~~ What gives? xD The rest can be whatever… co-productions, etc.
6. I know it’s about the money-making, but how about opening a specialized cinema that shows new independent/foreign releases?
7. Not cinema means I get to watch films when I have the time, not when they want me. I can watch any film at 2am even if theaters are closed. No need to queue or complain about the noisy couple behind you.
Anyway… how do they choose the films to be distributed? And who chooses??? Maybe I should work for a distributor company or something. Maybe we should work with Indie Screenings for a test.
LOL
Cheap Mambo #5 mention xD
Anyway~~ Here it is!!!
After much liver disease~~~
YAM005
with Yu on the cover!
Happy early Bday, Yu~
Omedetou!!
In it, you’ll read more about Harry Potter 6 (against much of anyone’s Harmonian hearts, lol), Transformers 2, Moon (yeah, that last line kills me), and Public Enemies~ Snap! There’s also DBSK concert review, SNSD (which I always get a typo), Bibi, Seo Taiji, Clazziquai, Popular and more~~~
Head over here to download~~~
Though I sweared to myself that I wouldn’t dish money to watch HP6 for obvious shipping reasons, and my not enjoying Hp6 and HP7. UMPH! – I’ve been tempted, I must admit… these past few days to actually go and check it out. Anyway!
I have made up my mind! – thanks to this –
I ain’t going… I ain’t dishing my money. Maybe my time…
who knows~ depends on the time LOL
maybe soon, maybe on cable…
Obviously press get press screenings, so they can review it and properly fuzz about the film. It’s usually an invitation, you go to a certain time and place to watch it, maybe discuss it… enjoy it, and write about it telling everyone to go watch it, or just dismiss it.
It’s commonly known that you’re not to bring your cameras… or camera cellphones (?? what for, can you really record decent footage long enough in a cellphone?) – whatever. It’s just insulting to know that you’re invited somewhere but BEWARE, you will be arrested if you’re seen breaking the rules. ARRESTED! Doesn’t the police force have other things to do????
Why bother then to invite someone if you are already thinking he/she will be ripping your movie off? Are we in the assumption that all guests are there to record your movie?
In any case, I doubt CAM film versions come out of Peru, so not much need to fuzz over it at the moment. They are usually fromo outside… and I doubt CAMs are press screening made. And even then, maybe a nice “this is a screener” text would suffice.
