Damn you, Solar, you making me cry for picking that song for Solar Gamsung. LOL
Like- the song on its own is super sad, but it works well with its video… but the Japanese version? Literally, Nada Sou Sou. xD With the Shamisen, and the goddamn subs in Spanish. ToT
Makes me miss my dad so much.
Me acostumbré a rezarle a la primera estrella, al atardecer miro al cielo y con el corazón lleno te busco. En la tristeza y la alegría, pienso en esa sonrisa; si desde donde te encuentras, me puedes ver, yo viviré creyendo que seguro nos encontraremos algún día.
I think there might have been an extra coma on the YT subs, that I may have put on my screencap, but whatever.
Feelings. Feelings were had. Maybe not the song as a whole, I still think World Without Tears (沒有眼淚的世界) [LV] is much more interesting musically, but the music video for Dearest (親愛的) [MV] by Chen Hung-i (陈宏一) totally sells it. I cried so much, I’ve been crying quite easy these past couple of days. Hwasa made me cry with her short version of Lee Moon Se’s (이문세) Whistle (휘파람). Then this, and now Leehom.
Dearest, you will forever be Baba’s baby.
A kiss on your cheek, so you sleep well through the night.
Dearest, no matter how long the road,
my love will be with you because
you are forever my Dearest.
I started listening to Chen Weilun (陈伟伦)’s album, Think Miss Sorrow (念思愁), which just came out last week. While adding it to my iTunes library, it struck me how difficult it was to translate the song names. xD
For those who don’t know because you’ve just stumble upon this post, I usually keep a very organized library of foreign music, which includes ‘Original Name (romanization) – English Name/Translation’; so I was looking if there were official English titles for the songs on Chen Weilun’s album available on Xiami, KKBox or iNDIEVOX. There were not. On my search, already on title #3, I realized they were all titles (or most are, I haven’t gone through all of them yet xDDDDD) for Li Qingzhao (李清照), who is known as the greatest Chinese female poet of the Song Dynasty, mostly for her ci (词)/lyrics form of poetry [1][2].
So this is going to be a (hopefully brief) project to translate just the song names xDDDDDDDD
一剪梅·红藕香残玉簟秋
A Twig of Plum Blossoms: The Jade-like Mat Feels Autumn’s Cold [1][2]
念奴娇·春情
The Charm of Nien-nu: Spring Feelings [1][2]
如梦令·常记溪亭日暮
Like a Dream: I Will Always Recall that Day at Dusk, the Pavilion by the Creek [1][2]
相见欢·无言独上西楼
Happy Meeting: Wordless, A Lone Ascend Up the West Tower [1][2]
浪淘沙令·帘外雨潺潺
Waves Against Sand: As the Rain Patters Outside the Drapes [1][2][3]
声声慢·寻寻觅觅
The Sounds of Adagio: Searching and Searching [1]
I’m currently basking myself in the beauty that is Henry Huo’s (霍尊) first full-length album Heavenly Song or Tianyun (天韵). He was the winner of the first season of Sing my Song (中国好歌曲) when he cause a ruckus with his song Rolled-up Pearl Curtain (卷珠帘) [1], which he ended up performing at the 2014 CCTV Spring Festival Gala.
You can listen to the album over at Xiami or Migu Music (for US locked).
Lyrics, English/Español translations and song embed below the break~
Once again, all Chinese translations by me to be taken with a pinch of salt. xD
You do probably know that my Hindi should suck, but that doesn’t stop me from keeping my iTunes library in order… which means I take all of the tracks from Indian movies that I’ve downloaded and try to give an English translation — after all, I should know, at least, what the title of a song means! That, of course, means that titles from hard-to-find movies/OSTs have to do with my own interpretation. One of them is Hu Tu Tu, because no one’s bothered to translate the songs… and my copy of the movie doesn’t come with subtitles in the sung parts.
Most of the titles are easy- Chhai Chhapa Chhai is classic onomatopoeic Gulzar (Jhini Mini Jhini from Maqbool gave me a clue), Jai Hind Hind (Hail, India!), Bandobast Hai (It’s the System), Ghapla Hai Bhai (It’s a Mess, Brother), and Jago Jago Jagte Raho (Get Up, Always Be Awake) seem quite straight forward. Even Yeh Nam Aankhein (These Drenched Eyes) can seem easy when compared to Itna Lamba Kash Lo Yaaron and Nikla Neem Ke Talese Nikla.
So what do those last titles mean?
I’ve sort of translated Itna Lamba Kash Lo Yaaron– since Itna refers to a Quantity (this much or so much), Lamba refers to the Length (height or otherwise), Kash means to Take a Puff or a Smoke (considering the scene), and Yaaron refers to Friends. I sorta translated it to It’s Such a Long Smoke, My Friend. And in the lyrics~
Itna lamba kash lo yaaron, dam nikal jaaye Zindagi sulagaao yaaron, gam nikal jaaye Yaaron, yaaron
Dam = (staying) Power
Nikal = Get out/get lost
Sulagaao/Sulagana = Ignite/set on fire
Gam = Regret
It’s such a long smoke, my friend.
Power, be gone.
Life is set on fire, my friend.
Regret, be gone.
How did I do with that?
Though, Nikla Neem Ke Talese Nikla escapes my comprehension. It doesn’t even look Hindi to me- oh, wait. Never mind. *goes crazy* Why is Talese together when it should be Tale Se? As in Nikla Neem Ke Tale Se Nikla (निकला नीम के तले से निकला) *growls*
Anyone ANYONE who is able to help me out with that title and make my life easier?- I’ll love you forever! LOL From the deep Google that I did, Nikla seemed to refer to “being out,” or “something that sticks out” and I know Neem can refer to the bitterness of the Neem tree [1] or the tree itself, and Tale is “the bottom or base of something” — Does that mean… The Bottom of the Neem Tree Turned Upside Down? LOL, I need to watch this movie again. xD
All this much touching should be forbidden! They don’t eve kiss, yet-yet is just so over-the-top-Pyramid-dancing-and-musical-non-graphic-love-making. I’m obsessed with the song, and specially the clip of the video, which I actually had caught on a Top SRK-Kajol songs video, that I immediately added to my list to watch because THOSE VISUALS.
That’s some sexy stuff without ever taking any piece of clothing or over-touching. Considering the lack of touchy-touch that I’ve seen in mainstream Bollywood, this feels like it almost should be censored for some audiences. Yet, deprive the audience of such a song feels like a sin.
I also love the lyrics to the song…
The sun dims into twilight, the moon beams simmer brightly,
and the sky seems to be melting.
I stand still as the earth spins around me,
my heart beats faster, as my breath goes deeper.
Is it the sigh of first love?
My love, is it the sign of first love?
Savour these beauteous moments, when everything changes-
Our dream blends into the realms of reality,
I wonder if our love travels through centuries,
and has bound us in its silken threads.
Let this season of love remain eternal,
Let us meet through birth after birth, like today.
The colors of our souls have melted into one,
I’m losing myself to your love.
Beloved, it’s the waves of your love that drown me,
before transporting me to the shore.
It’s the thirst of the ocean, it’s the dream of the night,
the hearts of the flames have been set afire
When I translate things, I usually go from Spanish into English, so when I listened to (and obsessed a little) over Neil Patrick Harris at the Tonys, I thought that it’d be good practice for a quick English to Spanish translation exercise.
I just began listening (truly listen) to Mayday’s discography pre the Born to Love days, finishing off titles/pinyin/title translations, when I ran into this song titled Masquerade (Male, Female, One Body) from their 2003 album, Time Machine (時光機). The thing is, the title of the song is Ci Xiong Tong Ti (雌雄同體), which is the term used to refer to “hermaphrodites” (which, by the way, isn’t longer a term accepted for people, who are now referred to as “intersex”). Perplexed, thinking that Google Translate was giving me a wonky translation, I checked the dictionary to double check.
On a quick google search, I found a pretty terrific (singable) translation of the song.
Rather than you understand me—I’d rather be a mystery
A puzzle you just cannot solve, of what’s false and real, it’ll play at your heartstrings
I’ll play you, or play your opposite form; partake in this game of love that you’ve borne.
My mind was melted. I mean, it’s not VERY often you get playful duality in music, playing on gender-role conventions and completely avoiding the titillation that seethes from… well, everywhere now.
