Tag: japan

  • Why Juri Ueno Cast as 10-Year-Old Gou Doesn’t Matter

    There’s been a recent item talking about Gou’s lowering ratings, and mostly pointing out Juri Ueno’s miscasting or her lacking experience in period dramas.

    Of course, I cannot form an opinion on whether Juri’s use of Japanese is appropriate for the era or not, and neither are most of us. However, I do understand why it would turn people off.

    I cannot for the life of me, however, understand why would people say they don’t understand Juri Ueno playing a 10-year-old version of Gou, when for the past few Taiga dramas it’s been used. I just began watching Taiga dramas just a few years ago, and I do understand why it would throw people off. It’s weird to you, I get it.

    You cannot say Ueno is miscast as a 10-year old when Masaharu Fukuyama played a much MUCH younger version of Ryomaden at the beginning of the show, Satoshi Tsumabuki played a much younger version of his character in Tenchijin, Hideaki Takizawa (Tackey from Tackey & Tsubasa) played pre-teen Yoshitsune when he was 20-something…

    and obviously, Aoi Miyazaki (and Eita) played little kids early on Atsuhime, as well as playing them as 40 or 50-ish year-old people.

    Also, I want to admit it. I don’t feel passionate enough about Gou. I love Juri, Asami Mizukawa and Rie Miyazawa, I do. But I’m not feeling the story. The three sisters, though they married very important people, feel like simple pawns in the story instead of being the players.

    It felt different in Atsuhime.

    They made Atsuhime interested in history, learning, and go strategics. She was constantly sent to places, and did things on her own to change her purpose in there. In the show, she was sent to be able to control the Shogun, to disintegrate the Ooku… yet, when she marries into the family, she sets to protect her new family. It’s conflictive.

    It was engaging. It was good.

    And this is me telling you I like Juri Ueno more than Aoi Miyazaki.

    Plus, you don’t need to be a kid to play a kid convincingly.


  • Minami he (To the South)

    So… you don’t live in Tokyo? Or you live in Tokyo but don’t have the time or money to spend a couple of hours in the theater? Well, tough luck!

    Yu-chan’s at the theater in her brand new play with Satoshi Tsumabuki, as previously reported.

    Tsumabuki portrays a seismologist named Minami who is station at the foot of the fictional Mt. Buji, a volcano that is getting ready to erupt. Aoi portrays Amane, a woman found wandering the slopes of Mt. Buji. The only thing is she may not be Amane at all. Aoi’s character keeps changing the story of who she is, where she comes from and even what her real name is.

    via J-Film Pow-Wow (Chris MaGee’s awesome, non?)

    Check J-Film Pow-Wow for more information and a photo where Yu’s on the side looking different. Then there’s a video of Yu-chan commenting on the play, and inviting all of us (who can’t go) to see the play.

    But it’s not embeddable, so head over here for the video.

    But really, even if I were in Tokyo… and I had the time and money to go watch Yu on stage, it’d be for nothing! Because I’m not fluent in Japanese. It’d be like a wasted seat on someone who would just stare O_O and that’d be creepy.

    So… is anyone going? And does anyone want to share their thoughts on it?


  • Yu Aoi x Ayumi Ito for H Magazine

    Please, I finally have found out about this photoshoot. I didn’t really recognized Ayumi Ito on this, since I wasn’t really THAT familiar with her work when I found the pictures, and I was probably too embarrassed to ask anyone about this shoot… because, the photos actually make me feel kind of uncomfortable LOL

    And you know I wouldn’t post photos just for posting. I wanted to know, and I finally figured it out.

    Whenever I see Yu-chan sharing a photoshoot with a co-star — usually male — it’s weird, like really awkward. I always thought it was a Japanese thing… have no chemistry, or barely touching your co-star. It’s something that worked with Ninomiya in that Tekkon photoshoot, because it’s him… and he’s pretty much sexless to me. LOL

    I have no idea if it’s because Ayumi Ito is really REALLY awesome, and that Yu Aoi really gets along with her, but this photoshoot made me re-think my whole “it’s a Japanese thing” theory. Maybe it’s because Yu-chan feels more comfortable doing this stuff with girls — because there’s no sexual tension… or if she doesn’t get along with most her male co-stars. Or maybe it is a cultural thing, and it’s wrong in Japan to see her getting cozy with her male co-star for a shoot~~~

    Anyone can explain? Enlighten us~~~

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  • The Best Performance on NHK’s 61st Kouhaku? DREAMS COME TRUE

    I’m not even a fan, but woman knows how to work that stage. She certainly knows how to close a show! On a very VERY long new year night… imagine having to download 11Gb to watch a roughly 6hr show, Jpop duo DREAMS COME TRUE was the most memorable number of the night — which includes a giant tsuru (crane), and a rock n’ roller tongue-wiggling ojiisan,

    [iframe src=”https://you.video.sina.com.cn/api/sinawebApi/outplayrefer.php/vid=44605592_1463781897_Z0LkG3M5B2LK+l1lHz2stqkP7KQNt6nkjWy3vFqlLQdeQ0/XM5GdZtsH5SzfAtkEqDhAQJw5dfsj3h8/s.swf” width=”480″ height=”370″]

    Are you kidding me? A marching band (the Kouhaku Marching band) with a lead singer jumping in a kimono? That’s an automatic win. xD Plus, Ikite yuku no desu (生きてゆくのです) is super catchy, the performance just brings it to the level of memorable.

    This is the best I can do for the moment, the only clip I’ve been able to find. If/when I find something better, will re-post. Now, if NHK was smart, they’d be posting the Kouhaku performances on their own site for embedding, instead of taking down the performances that make it online…


  • Yu Aoi + Juri Ueno for FRaU Magazine Covers

    Not together, because that would be too much awesomeness for one cover.

    And because Juri’s is the latest one — promoting her upcoming Taiga drama… CAN’T WAIT O_O — it goes before the break~

    (more…)


  • Word Lens: Spanish to English + Viceversa

    This $hit is amazing stuff.

    But I’m pretty sure I’ve seen some Japanese cellphone that could do that same thing translating on the spot, but in Kanji. Now take that and tell me that’s not amazing? xD


  • 34th Japan Academy Prize Noms

    First, let me get this out of the way: All the foreign nominations are American films, which includes Avatar, Toy Story 3, Hurt Locker, Inception and Invictus. Those along are a mixed bag for me xD Invictus was rather insipid, wouldn’t you say? And to include Avatar in the same list as Toy Story 3 is… hmm, rather a pity xD

    The 34th Japan Academy Prize is led by Sang-il Lee’s Akunin (Villain) with 15 nods in 13 categories. Followed by Yoji Yamada’s Otouto (Yougner Brother/About her Brother) and Takashi Miike’s 13 Assassins with 11 nods. Rounding up the best pictures is Izuru Narushima’s Kokou no Mesu (A Lone Scalpel) with 5 nods.

    And forgive the bias, but Yu Aoi got a nod for Supporting Actress xD

    Film
    Akunin
    Otouto
    Kokuhaku
    Kokou no Mesu
    13 Assassins

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  • Australian Film Institute Noms, Yokohama Film Festival Awards, Plus Oscar Animated Shorts and VFX

    That’s the longest title I’ve ever written. I think. Not sure, but pretty~

    First, let’s start with Oscar talk. There are 10 animated shorts line-up for 3/5 spots at the Academy.

    • Coyote Falls
    • Day & Night
    • Let’s Pollute
    • Madagascar, carnet de voyage (Madagascar, A Journey Diary)
    • Sensology
    • The Cow Who Wanted to Be a Hamburger
    • The Gruffalo
    • The Lost Thing
    • Le Silence Sous l’Ecorce (The Silence Beneath the Bark)
    • Urs

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  • Lily Chou Chou – Ether

    This is the best I’m going to get from Lily. A new song.

    For those of you who don’t know, Lily Chou Chou is the fictional singer portrayed in Shunji Iwai’s film All About Lily Chou Chou. Lily was played by Salyu on the film, and there was an album released under that artist name. This is the only new material ever since the film was released… and it’s even rare to get to hear the Lily songs in a Salyu concert.

    If you haven’t watched All About Lily Chou Chou, it is a rough experience.

    Visitor Uzaigaijin kept me posted on the status of her concert ticket, and she messaged me saying she got one! So she will be writing a review of Lily Chou Chou’s concert this week for YAM Magazine. ;P

    I’m excited and jealous. xD


  • Asia Pacific Screen Winners 2010

    They were held today at my worst possible timezone. I only made it to the Best Actress award… barely. I was already nodding off, but I had to stay up for that one.

    I knew Yun Jeong-hee was pretty much a shoo-in for Best Actress for her amazing role on Poetry — what’s up with all these Korean ahjumas, they are fierce! — but I was secretly rooting for Fan Xu on Aftershocks because her role left me emotionally drained.

    Also~~~ APSA > Oscar – why?

    Please, awarding Aftershocks, Poetry and Caterpillar? Anyone who awards these, it’s on my good list — even if it’s not an “official” category, Shinobu Terajima winning the Jury Award is big. Oscars will never EVER nominate Shinobu Terajima for Best Actress — unless they surprise me. Please, surprise me  — and they will never ever nominated Yun Jeong-hee either. Considering Japan and Korea chose other films to send…

    Anyway! So many awards, eh? Check the sidebar to keep up to date with the Award Season~~~

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