Archives For japan

I might start with a trend.

I’ve always liked Japan… if you know me, you know I grew up singing Sukiyaki and my father had a Karaoke bar. I’ve always been more connected to Japanese culture than Chinese — I know/get/understand more Japanese than I do Mandarin.

I really respect them for their quiet nature, and the respect they have for everyone and everything around them.

I think over the past five days, a lot of people have been able to see a part of what is amazing about Japan and its people. As we watched the footage of the earthquake and the tsunami in action, they acted calmly when a majority of us would lose it. They didn’t scream, they didn’t fainted, it wasn’t chaos.

As the day went by, a lot of the people who didn’t know thought that the Japanese would break, that they would turn against one another for food, gas, and other things needed for survival.

Instead, things like this happened.

This experience taught us a renewed recognition of what we had and regained its real spirits. I didn’t see any crimes but those who helped each other. All were willing to do their duty gentlemanly. I had been felt that Japanese got cold attitude in a way but today I knew that they regain their bond. It made me cry…I was moved.

Despite the terrible weekend, you’ve showed many around the world how amazing you really are. Despite all that’s wrong with many governments around the world, you’ve showed us that we, as developing societies, should strive to be more like you.

日本を誇りに思っている!

Yu-chan is safe.

March 14, 2011 — 8 Comments

Hey, guys~

Just wanted to update for the people that have been leaving messages or sending me emails~ Yu-chan has just updated her website with a message as well as – what seems – cancelled or re-scheduled shows of Minami he.

Check the News section on her site for that info.

Continue Reading…

First, a few things.

People I know from Japan are fine. Call came through at 3am here, waking us up, but at least we knew. Many out there are at a loss, not knowing is the worse… many others have lost loved ones and my condolences go to those.

My hope is that Japan rises, as it’s done under other terrible circumstances. Though, there are obviously things with which we don’t agree, Japan as a culture, they are lovely. So I can’t believe what some people say online… but I guess it’s the internet, and we can’t stop ignorant comments.

I’ve read some horrible HORRIBLE things, and it was just a couple and I couldn’t take them anymore. I hope these people lose their internet connection so they can’t spread such ignorance and hate.

Now that we got all of that out of the way…

Please, take a moment to donate some money through the Japan Society, which is an Japanese-American organization that deals with cultural events.

100% of funds raised will go directly to the efforts.

Even if you’re broke, one or two dollars will suffice.

I grew up with a song by Vico C called Me Acuerdo, which was on constant rotation those days when we still listened to the radio. I listen to that song, and I immediately think of those days.

So when clicking on the video for Ken the 390 titled 壊れやすいもの (Koware Yasui Mono) – Breakable, it brought me back to that song. Must be the male vocal, the slow hip hop thing, and the female backing vocals.
Continue Reading…

There’s been a recent item talking about Gou’s lowering ratings, and mostly pointing out Juri Ueno’s miscasting or her lacking experience in period dramas.

Of course, I cannot form an opinion on whether Juri’s use of Japanese is appropriate for the era or not, and neither are most of us. However, I do understand why it would turn people off.

I cannot for the life of me, however, understand why would people say they don’t understand Juri Ueno playing a 10-year-old version of Gou, when for the past few Taiga dramas it’s been used. I just began watching Taiga dramas just a few years ago, and I do understand why it would throw people off. It’s weird to you, I get it.

You cannot say Ueno is miscast as a 10-year old when Masaharu Fukuyama played a much MUCH younger version of Ryomaden at the beginning of the show, Satoshi Tsumabuki played a much younger version of his character in Tenchijin, Hideaki Takizawa (Tackey from Tackey & Tsubasa) played pre-teen Yoshitsune when he was 20-something…

and obviously, Aoi Miyazaki (and Eita) played little kids early on Atsuhime, as well as playing them as 40 or 50-ish year-old people.

Also, I want to admit it. I don’t feel passionate enough about Gou. I love Juri, Asami Mizukawa and Rie Miyazawa, I do. But I’m not feeling the story. The three sisters, though they married very important people, feel like simple pawns in the story instead of being the players.

It felt different in Atsuhime.

They made Atsuhime interested in history, learning, and go strategics. She was constantly sent to places, and did things on her own to change her purpose in there. In the show, she was sent to be able to control the Shogun, to disintegrate the Ooku… yet, when she marries into the family, she sets to protect her new family. It’s conflictive.

It was engaging. It was good.

And this is me telling you I like Juri Ueno more than Aoi Miyazaki.

Plus, you don’t need to be a kid to play a kid convincingly.

Minami he (To the South)

February 12, 2011 — 5 Comments

So… you don’t live in Tokyo? Or you live in Tokyo but don’t have the time or money to spend a couple of hours in the theater? Well, tough luck!

Yu-chan’s at the theater in her brand new play with Satoshi Tsumabuki, as previously reported.

Tsumabuki portrays a seismologist named Minami who is station at the foot of the fictional Mt. Buji, a volcano that is getting ready to erupt. Aoi portrays Amane, a woman found wandering the slopes of Mt. Buji. The only thing is she may not be Amane at all. Aoi’s character keeps changing the story of who she is, where she comes from and even what her real name is.

via J-Film Pow-Wow (Chris MaGee’s awesome, non?)

Check J-Film Pow-Wow for more information and a photo where Yu’s on the side looking different. Then there’s a video of Yu-chan commenting on the play, and inviting all of us (who can’t go) to see the play.

But it’s not embeddable, so head over here for the video.

But really, even if I were in Tokyo… and I had the time and money to go watch Yu on stage, it’d be for nothing! Because I’m not fluent in Japanese. It’d be like a wasted seat on someone who would just stare O_O and that’d be creepy.

So… is anyone going? And does anyone want to share their thoughts on it?

Please, I finally have found out about this photoshoot. I didn’t really recognized Ayumi Ito on this, since I wasn’t really THAT familiar with her work when I found the pictures, and I was probably too embarrassed to ask anyone about this shoot… because, the photos actually make me feel kind of uncomfortable LOL

And you know I wouldn’t post photos just for posting. I wanted to know, and I finally figured it out.

Whenever I see Yu-chan sharing a photoshoot with a co-star — usually male — it’s weird, like really awkward. I always thought it was a Japanese thing… have no chemistry, or barely touching your co-star. It’s something that worked with Ninomiya in that Tekkon photoshoot, because it’s him… and he’s pretty much sexless to me. LOL

I have no idea if it’s because Ayumi Ito is really REALLY awesome, and that Yu Aoi really gets along with her, but this photoshoot made me re-think my whole “it’s a Japanese thing” theory. Maybe it’s because Yu-chan feels more comfortable doing this stuff with girls — because there’s no sexual tension… or if she doesn’t get along with most her male co-stars. Or maybe it is a cultural thing, and it’s wrong in Japan to see her getting cozy with her male co-star for a shoot~~~

Anyone can explain? Enlighten us~~~

Continue Reading…

I’m not even a fan, but woman knows how to work that stage. She certainly knows how to close a show! On a very VERY long new year night… imagine having to download 11Gb to watch a roughly 6hr show, Jpop duo DREAMS COME TRUE was the most memorable number of the night — which includes a giant tsuru (crane), and a rock n’ roller tongue-wiggling ojiisan,

[iframe src=”https://you.video.sina.com.cn/api/sinawebApi/outplayrefer.php/vid=44605592_1463781897_Z0LkG3M5B2LK+l1lHz2stqkP7KQNt6nkjWy3vFqlLQdeQ0/XM5GdZtsH5SzfAtkEqDhAQJw5dfsj3h8/s.swf” width=”480″ height=”370″]

Are you kidding me? A marching band (the Kouhaku Marching band) with a lead singer jumping in a kimono? That’s an automatic win. xD Plus, Ikite yuku no desu (生きてゆくのです) is super catchy, the performance just brings it to the level of memorable.

This is the best I can do for the moment, the only clip I’ve been able to find. If/when I find something better, will re-post. Now, if NHK was smart, they’d be posting the Kouhaku performances on their own site for embedding, instead of taking down the performances that make it online…

Not together, because that would be too much awesomeness for one cover.

And because Juri’s is the latest one — promoting her upcoming Taiga drama… CAN’T WAIT O_O — it goes before the break~

Continue Reading…

This $hit is amazing stuff.

But I’m pretty sure I’ve seen some Japanese cellphone that could do that same thing translating on the spot, but in Kanji. Now take that and tell me that’s not amazing? xD