I couldn’t resist myself because it’s likely I’ll never see an animated GIF of this golden nugget from Satoshi Miki’s Ore Ore. Especially because there’s not enough Eri Fuse love on the net.
Animated GIFs and bonus after the break.
(more…)
I couldn’t resist myself because it’s likely I’ll never see an animated GIF of this golden nugget from Satoshi Miki’s Ore Ore. Especially because there’s not enough Eri Fuse love on the net.
Animated GIFs and bonus after the break.
(more…)
I found this episode of Koffee with Karan extra hilarious… or maybe this is symptomatic of my Indian movie-watching. In any case, if you have not yet met Vidya Balan- please, get acquainted as soon as possible.
And I just gotten acquainted with Farhan Akhtar in Luck by Chance -literally- just a few hours ago.
Having said that… Vidya Balan talks about her married life and how she arranges books by their thickness (and her husband by height). I was going to ask “Who DOES that?” but my mother came to mind, and she suggested arranging books by color. So there you go~ As for me? I arrange books by topic or function. In the case of educational books (programming, design, photography, etc) or dictionaries. Fiction (books, plays, collections etc) is divided by West/East content arranged by author… and then I have a comic and graphic novel section mostly arranged by author and genre.
And Vidya is such a tease. She knows how to push Karan’s buttons.
https://www.youtube.com/watch?v=XWnkzKOOXWI
She also left us with this quote:
Women like it,need it, want it as much as men do.
I didn’t know you could actually watch The Dirty Picture subbed online. Thank you, Shemaroo.
— EDIT Nov 7, 2914 —
For some reason, StarTV has made the clips private, but you can still watch the episodes on their website.
Fandom funny crossover~
I was watching (finally) Tokyo Kazoku — which I liked more than I thought I would — and just felt this incredible marriage pressure during the the scene in which Yu’s character is accepted by the father with that terribly heavy “There may be some hard times ahead, but if you’ll consent to be his wife, I’ll be able to die in peace.”
My mind immediately went to Arshad Warsi’s Circuit; “No tension, bhai.”
Ever since I saw Madhuri Dixit on Devdas, I was fascinated with her eyebrows because… well, BECAUSE!
Can you do that? HAVE YOU TRIED TO PULL THAT OFF? That’s a talent right there. And it seems to be her thing. I mean, I can move my eyebrows alright- one up and up the other goes, but it looks more like a look of mad confusion than the actual ease with which she uses.
Here~
After watching Fanaa a few weeks ago, I thought I might continue the Indian adventure with Tabu. Then, I watched Devdas — still unimpressed with Aishwarya Rai’s acting prowess and totally committed to watching Indian films because I can write hers and Sanjay Leela Bhansali’s names without googling now HUZZAH! — and was struck by Madhuri Dixit (no googling!) and her amazing “hooker with a heart of gold.” In fact, my favorite scene in Devdas is probably her dance duo with Aishwarya. And Bhansali’s films are still such a beauty to see. Sighs.
Then, when I thought I might head the Madhuri Dixit road, I watch English Vinglish and get struck by Sridevi (no google!). My first shock, of course, was realizing that I had knocked off ten years of her age right off the bat. Then while reading her wiki page (this is why it’s important to have a good Wiki page, fans), it hit me like a bucket full of cold water~
Sridevi was a successful child star, a sex symbol… and is possibly positioning herself as a MILF — my own observation here. Apparently English Vinglish was quite a hit, marking her comeback after 15 years off the screen.
I don’t think there’s ANYONE in the world of movies (or entertainment) that has been able to achieved this. I can’t think of a single actress (or maybe actor) who started out as a child, grew to be the actress made of dreams, moved on to becoming a sensible adult, apparently a great mother, and make a comeback to take all that’s “cinematically” hers.
The performance is okay (by Kpop standards, anyway), but Sridevi is totally charming in this show for the International Indian Film Academy (IIFA). I think the IIFA cameras shoot a quick reaction from Madhuri during the number, just as they showed Sridevi on Madhuri’s own performance (which rocked my socks) [1]. I could do with less Deepika reaction shots, though.
So… I am at a conundrum. Who should I go for first? Sridevi or Madhuri? And since both have sooooo many films, where do I start?
Ganesh will always bring me memories of Asami Mizukawa [1].
Here’s a clip of the show featuring Black Ganesha. xD
*pats, pats*
I really need to make time to watch Rena Nounen and have a clear opinion on her, instead of clouding it with Ama-chan.
I was a little disappointed with a mention of an unmentionable during the Soompi interview with the girls — I think IT was mentioned by Narsha. But they totally made up with this interview with Ask in a Box.
Also makes me love JeA even more. LOL And she won the Kill Bill battle! But really, what got me laughing like an idiot was the response to describing BEG as a flavor, to which Narsha quickly responds “Oriental medicine” xD ‘coz it’s boiled for too long. LOL
When women play tomboy girls or girls who have to pretend to be boys on screen is hardly believable, mainly because mainstream actresses are normally TOO pretty and productions wouldn’t bump the masculinity to make them look less like girls — at least that USED to happen in a film like Queen Christina (and Morocco, though I don’t think Marlene Dietrich intends to play tomboy as much as play Dietrich on that) [1].
Actresses like Bynes in She’s the Man [1] didn’t exactly hit the mark, though it could come close to Ella Chen’s level in Hana Kimi [1]. However, the other adaptations of the same manga series- the Japanese version of Hana Kimi with Horikita Maki [1] or the most recent Korean version To the Beautiful You with f(x)’s Sulli [1] suffer from similar problems. Same could be said for Zhao Wei- maybe I could overlook her role in Red Cliff [1][2], but I definitely CAN’T overlook her prettyfied self in Mulan [1].
In general, though, Taiwan and China leave me very surprised with the gender-bending… intended or unintended. It’s countless the times that I’ve asked myself whether I was seeing or listening to a boy or a girl. It doesn’t help that most names (without characters) look very gender-neutral.
ANYWAY, I’ve gone way off topic here. The main thing in this post is supposed to be Rani Mukerji, whom I saw for the very first time in Dil Bole Hadippa. Though it’s a pretty decent film, I’ve come to appreciate it more now for Rani- especially for her mannerisms in the Bhangra Bistar number. Though the number is before she gets to pretend to be a guy, her character works as a performer at a moving acting troop, with the lack of a leading man… she’s made to play the part.
And she does it perfectly.
I usually very hard to please on these issues, but Mukerji sells me the role of ‘the dude’ in this one. She pulls it off better than Ella or Bynes, though all of them get to be funny while doing so.
You can even see a bit of the shooting of this part of the film [1].
There’s also an official upload, but quality is not as good and they only include the musical numbers without context.