I ran into this oldie clip of Chulpan Khamatova reciting an extract of an Andrei Voznesensky (Андрея Вознесенского) poem, shot by Peter Shepotinnik (Петра Шепотинника) titled Lirika (Лирика)- though, I don’t know whether that’s an extract of the Voznesensky’s works of the same title. I couldn’t find a literal extract of the poem online that wasn’t taken from the video.
Ты мне прозвонилась сквозь страшную полночь:
“А ты меня помнишь?”
ну, как позабыть тебя, ангел-звереныш?
“А ты меня помнишь?”
твой голос настаивал, стонущ и тонущ –
“А ты меня помнишь?” “А ты меня помнишь?”
и ухало эхо во тьме телефонищ –
рыдало по-русски, in English, in Polish-
you promise? Astonish…
а ты меня помнишь?
А ты меня помнишь, дорога до Бронниц?
И нос твой, напудренный утренним пончиком?
В ночном самолете отстегнуты помочи –
Вы, кресла, нас помните?
Понять, обмануться, окликнуть по имени:
А ты меня…
Помнишь? Как скорая помощь,
В беспамятном веке запомни одно лишь –
“А ты меня помнишь?”
For some of her last photoshoots, photographer Chen Man (known for some mad photoshop wiz magic) has been toning down her post processing, and this latest issue of Marie Claire China featuring my bias Zhao Wei is proof. I always think Zhao Wei looks super hot, though.
Ah~ I thought I would do a post compilation of the Chulpan Khamatova TV serials that I’ve been able to find on YouTube. Starting with these two~ Children of the Arbat (Дети Арбата) and Pepel (Пепел). I’ve seen Pepel with Google translated subtitles, but I haven’t seen Arbat yet, as subtitles online are incomplete.
I’m totally not the demographic for Bravo, but here goes Janeane Garofalo telling it like it is- like my mom told my school 20 years ago when they “required’ her to do parenting lessons for my catechesis. I’m totally bummed she’s no longer on the show.
I apologize for having a job. I’m sorry I make a substantial income to pay for your green-grocer small-batched locally-sourced farm-to-table ethically-butchered hormone-free gluten-intolerant bills, but- here’s the thing; I don’t work, my kids don’t go to school. So if you wanna call and tell me tuition is free, I’d be happy to be here for Story Time, and Arbor Day, and kids court, and snack bar, and talent night, and the Nose-Picking Olympics, and every other bullshit holiday that costs me a fortune. But if you’re not gonna tell me it’s free, then I gotta work, ‘coz I’m a working mother… with a boatload of mouths to feed.
Girlfriends’ Guide to Divorce 1×03 – Rule #47: Always Take Advantage of “Me” Time
I’ve mentioned this before [1], Hula Girls was shot in Iwaki prefecture, so when the tsunami and eventual nuclear meltdown affected the zone, the Hula Girls team as well as the dancers lent their support and/or donated money. Now, Yu-chan is lending her time (maybe there’s money too, though I’d like to think this is from the bottom of her heart) to jump-start visits to Iwaki with the campaign Tadaima Iwaki (ただいま! いわき).
It doesn’t matter, I’d watch 1hr. of Yu eating savory things and visiting places if they’d made a movie about it. LOL As naturally charming as ever~ I’ll watch this 30-sec clip instead.
If you read this blog and/or have stumbled upon a post on the subject or -somehow- seen my comments on social media or… maybe a review or feature I’ve written, you’d know I’m not very fond of Sonam Kapoor [1]. Or I wasn’t. At the moment, I’m not sure anymore. A while ago, I saw her on Khoobsurat, which in normal circumstances I wouldn’t have picked, but it was Disney (!) so I couldn’t help myself.
It’s perfectly fine light entertainment, though I think this is the first time I’ve seen a Disney movie where our female protagonist gets (though admitedly quite endearingly funny) pissed drunk, who then later accepts a bottle of soda with ruffies to end up kidnapped (don’t worry, it’s still Disney so nothing happens), and finally ends up with a (hot) prince that was engaged to some other woman. Anyway~ since then, I found myself not hating Sonam as it seems like she’s TRYING. Like- you can sense a change of pace/vibe.
Dolly ki Doli doesn’t look awful.
And in this segment for Anupama Chopra’s The Meeting Ground, Rajkummar Rao (who is also in DkD) makes her palatable. It gets a bit awkward when they keep going on their talk on star children and their upper hand in the industry. Sonam tries to make a point, but Angelina Jolie didn’t make her starring debut in a studio picture with a brand director. Angelina’s credits went from a small role in one of her dad’s films, to straight-to-video releases and shorts until Without Evidence.
Gwyneth and all her Gwynethness is a bit more lucky, but not as lucky as star children in India. TV Movie debut directed by her dad, small role on a movie until she cameo’d on godfather Steven Spielberg’s Hook. It wasn’t until a few years later when she landed Se7en with Fincher and PTA’s Hard Eight.
Nobody goes to Eva Amurri or Rumer Willis and tells their parents Susan Sarandon, Demi Moore or Bruce Willis, “I want to launch your daughter with this banner.”
LOL, this seemingly harmless post turned into a rant. But honestly, no one would care if a star child would begin with small roles in movies, working their way up. Instead, they are given starring roles in medium-big budget films to launch them.
