I’ll champion anything Vidya does. This goes hand in hand with her Mother India cover!
Archives For Photographs
Yasuhiro Yoshiura’s Time of Eve is one of my favorite animations of the decade so far, though I do prefer the series, I think. I don’t know how I missed the Kickstarter, though I’ve grown tired of them and it brings the Time of Eve release at the same price of the Japanese release. Sighs. Japanese products.
But look at this beauty~
The ones offered through Amazon, do not offer shipping to my location :( but The Time of Eve Shop does… at a kinda expensive price. Nearly $20 USD in shipping!
So for prep of a movie review, I finally watched 200 Pounds of Beauty and I really was struck by how beautiful Kim Ah-Joong’s face was. I don’t know if it was the way the movie was shot, but this photo of her captured that same feeling I got.
Yu-chan doesn’t get much social media play, but she showed up in (Twitter via) the Facebook page of the Isenoumi Sumo Stable (伊勢ノ海部屋) (WHY is it called a stable?). It takes me back to that Glee Japan commercial, ne?
Todo lo que se diga de mí es mentira, no soy Doña Diabla, ni una mujer sin alma, ni mucho menos China Poblana que se queda con lo que no es suyo. Con la imagen que el público tenía de mí, no hubiera podido vivir, me conformaba con que dijeran que soy la mujer más bella del mundo, salí de El Peñón de las Ánimas y llegué a París como La Bella Otero, he sido una eterna enamorada, pero no soy una diosa arrodillada. He sido La Generala de mi pueblo en Sonora, así como Doña Bárbara, La Mujer de Todos, me conocieron como La Devoradora porque todos eran los ambiciosos que querían a la Maclovia de Pátzcuaro.
Everything that’s been said about me is a lie, I’m not Doña Diabla nor the Woman Without a Soul, much less a China Poblana that keeps what’s not hers. With the image the audience had of me, I wouldn’t have been able to live, I settled for them saying I was the most beautiful woman in the world. I came out of The Rock of Souls and made it to Paris as La Belle Otero, I’ve been A Woman in Love, but I’m not The Kneeling Goddess. I’ve been La Generala of my hometown in Sonora, just like I was Doña Barbara, One Woman for All. They knew me as La Devoradora because everyone else were the overambitious that wanted the Maclovia from Patzcuaro.
For some of her last photoshoots, photographer Chen Man (known for some mad photoshop wiz magic) has been toning down her post processing, and this latest issue of Marie Claire China featuring my bias Zhao Wei is proof. I always think Zhao Wei looks super hot, though.
Is anybody out there? *HELLO-HEllo-hello*
OH, man~ the things one has to do to get Marit Larsen albums. Spark wasn’t that hard, since it somehow made its way to Amazon, but it seemed so unlikely that When the Morning Comes would show up there again, so I went hunting. It was not a fruitful web-hunt with everyone telling me they did not do international shipping.
More power to friends! Way to go, Julz~
Marit’s 4th album has finally joined its siblings. It also means Marit’s the only 2014 album I had actively physically purchased so far, beating my 2013 record when I only got BiBi’s Unlock as a present (more yay friends!). However, I did just recently physically purchased Calle 13’s Multiviral considering it was my album of 2014. I’m surprised myself.
I’m a little sad that most (if not all) my purchases are digital.
I guess I will be cheering for Mary Kom in this upcoming Rio 2016 Olympics.
