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~ el arroz zambito, la mazamorra de cochino y la mazamorra morada ~

Todos hemos comido una buena mazamorra morada hecha, no necesariamente por tu propia abuela, por una tía, la amiga de la familia o la señora del barrio. Menos hemos comido una mazamorra de cochino o un buen arroz zambito. La textura de un arroz zambito es muy parecida a un arroz con leche, que todos en América Latina y cualquier hispanohablante posiblemente sí ha probado. Pero la textura de una mazamorra es solo propia de los países andinos— desde emolientes con mucha linaza o sábila en Perú y Ecuador o los apis en el sur peruano o Bolivia. Una textura pegajosa, no masticable, solamente absorbible; no necesariamente del agrado de todo el mundo. Ésta es solo comparable a lo que se consigue en Japón y, a veces China, con una planta conocida como Kudzu/Kuzu (葛) que además de ser de uso medicinal, su raíz tuberosa se utiliza como almidón en diversos postres y para espesar sopas y otros platillos.

Como esta versión moderna de un pudding de coco con lima espesada con kudzu.

Las supuestas raíces pre-colombinas de la mazamorra nos lleva al Ishkupcha, una mezcla de maíz con cal, según los detallado en el blog de Gloria Hinostroza donde escribe Historia de la Gastronomía Peruana – Parte 6 notando antiguas palabras quechua, seleccionadas por Horkheimer de antiguas crónicas de Garcilaso, Domingo de Santo Tomás, Middendorf y Varcárcel. Por otro lado, Mazamorra morada: historia, evolución y receta del postre peruano más popular publicado en el 2024 en El Comercio indica que en el libro La Cocina en el Virreinato del Perú de Rosario Olivas Weston se señala que durante la época incaica se cocinaba el champú (otro postre de textura similar a la mazamorra) y que al fermentarse, éste adquiría un color morado, y que finalmente se le terminó llamando “api.

Con la llegada de los españoles, que ya habían sido influenciados por los árabes, el boom del comercio de especias como la canela y el clavo de olor chocan con la fécula de camote y el maíz morado (¿y la piña?), y así nace la mazamorra morada moderna. Según el historiador peruano Juan José Vegas se cree que los españoles trajeron al Virreinato del Perú unas concubinas moras, que muchas veces se convertían en domésticas y cocineras por lo que se creo el término “masa mora” para referirse a uno de sus platos. Sin embargo, según Larousse de la Gastronomía Peruana de Gastón Acurio, el origen del nombre nos lleva al ámbito de marinos mediterráneos que “quizá conocieron un dulce similar en los viajes que realizaban hacia el Oriente.” Este Oriente puede ser la zona del Maghreb en la actual Marruecos, Argelia, Túnez y Libia, donde supuestamente existe algo llamado “matmora” que nadie encuentra. Sin embargo los tunecinos tienen un postre tipo natilla llamado Bouza, aunque parece estar preparado con sorgo, avellanas, semillas de sésamo, leche y azúcar.

En la búsqueda de un postre muy similar a la mazamorra que sea de origen árabe, me encontré docenas de versiones de arroz con leche, y versiones de éstos hechos con semolina, no obstante me encontré con un postre libanés y zona de influencia cerca al norte de África que se llama Meghli (مغلي, incluído en la foto) o Karawiyah. Considerado un “pudding de arroz” por el uso de harina de arroz en lugar del grano entero, azucarado, especiado y espesado, y adornado con una millonada de nueces, pasas y coco. Su color acaramelado proviene de las especias utilizadas en lugar de la chancaca o panela.

Diferentes, pero también muy parecidos.

Y así pues es la Ruta (de bajo presupuesto) de la Mazamorra.

Feliz 28 de Julio!

It has to be concert films, no?

Like- I totally understand these shots.

They don’t even need to be crowd shots, even. It would be perfectly fine to use concert art. I remember blogging about the concert art and vcrs done for one of Faye Wong’s concerts of the last 15 years. I can’t remember if they were either done by Hi-Organic or Grass Jelly (it was Grass Jelly!), but imagine being surrounded by clouds and mountains while Faye does her electropop sutras.

Bjork’s Cornucopia felt >small< and constrained in comparison. I always enjoy Bjork’s vocals, however. Technically always there, emotionally present. I will always remember that Hunter moment.

YAMMag Mononoke Happened

December 30, 2024 — Leave a comment

This is likely the last post of 2024, breaking a dry spell of the last few years with a record 20 posts since 2018 when I posted 38 times.

This last post of 2024 is dedicated to Kenji Nakamura’s Mononoke the Movie: Phantom in the Rain (劇場版「モノノ怪 唐傘」), which crowfunded a while ago and has recently fulfilled orders. What an adventurous journey! We got a special credit for YAM Magazine!

It is an honor that we get to put our name in one of the team’s favorite series.

Let’s all look forward to what 2025 may bring!

I hope you all had an incredible 2024, and that you all were able to achieve what you set out to do (or close to achievement, anyway).

I stumbled across a vinyl version of Meenaxi – A Tale of Three Cities, and I’m almost disappointed it’s just a generic pressing of one of A.R. Rahman’s most underrated soundtracks and, of course, one of Tabu’s most underrated gems.

For a while now, I’ve been lamenting the death of physical media in India. The movie collection is really really suffering from it.

The world is also suffering from lack of high definition promo materials and HD transfers for M.F. Hussain’s Meenaxi. The world deserves multiple color vinyl editions to play on the Yeh Rishta [MV]/Rang Hai [MV] color palette themes of the movie. Blue, yellow, orange, purple, besides the red one.

I’ve started buying some vinyl editions of music I’ve been listening to and things I love. I’ve got a few Regina Spektor albums, definitely some Dirty Projectors, Kishi Bashi, and Mamamoo’s Solar Yeba Sunbaenim’s Solar Emotions vinyl (which was my first). I was bummed BUMMED when I signed up to VMP (Vinyl Me, Please) because I had been dying to get Fiona Apple albums on vinyl (I settled for CD) and found out they don’t do shipping down here.

I found a couple Kpop related releases on vinyl, including from Wheein-ah, and it’s just really frustrating RBW hasn’t done a vinyl print of the perfect album for vinyl- Mamamoo’s Melting.

My mockup skills are awful now, so now this will have to do. Why aren’t we getting Melting on vinyl? Black cover and spicy swirly orange vinyl would be cool as design, though.

I was going down memory lane in regards of learning languages (BBC’s The Big Muzzy Story), and had visions of a Disney game I had when I was very little. I just had a vague memory of an orange tablet-like machine that you used punch-cards with. It was obviously “interactive,” and was used to learn English. With this description, I ended up finding this thread on Reddit, with this one thump-up random link that was reprimanded for just being the link. But it was THE link we were looking for.

The Mickey Mouse Disney “Touch & Discover” by Texas Instruments.

Other than remembering Mickey Mouse English gibberish (I, of course, didn’t speak English as a child), I remember the Jungle Book card and the sound that you got when you pressed the Bagheera Panther and Shere Khan Tiger!

The options that seem available online are everywhere in terms of prices— from $25USD (no shipping) up to £285GBP.

I have vague memories of some of these cards— the Bambi one about forest animals, the Winnie the Pooh about the weather and seasons, the Mickey Mouse Apprentice about number memory, definitely the Mad Hatter one with his laughter. As I said before, the Jungle Book one with the jungle animals, the Snow White music fun one, the Peter Pan directions one, the shadows one, the Pinocchio one about telling the time (in clock needles!), and maybe the character order memory games.

What an amazing memory re-discovery.

Isabella Leong has been on and off since she made her official film comeback back in 2015 with Murmur of the Hearts, which is an amazing film. Se also had small roles or almost cameos on 12 Golden Ducks that same year, and got back together with Pang Ho-Cheung for a small role in Missbehavior in 2019.

From her recent interview on A Date with Luyu (鲁豫有约), you can tell that she enjoyed or had fond memories of her debut film Isabella, which Pang directed almost 20 years ago— which also amazes Leong when she realizes how fast/much time has passed. I was also amazed at how she remembered the tracking of the shot, all the more amusing when both clips were put together for contrast.

In 2020, she appeared on Ann Hui’s Love After Love, which was available to watch on MUBI in some territories, and might be available on places like Netflix or Prime, depending on your territory. Now, she’s part of the most recent Dante Lam HK film starring William Chan and Nick Cheung, titled Bursting Point (爆裂點) [Trailer], which I’ve mostly heard positive things about.

Since her teenaged (!!!) sons already give her enough time to move about life, she’s been a lot more active at events and, if you follow her on Instagram, photoshoots. Which finally gets me the reason I was writing this post- she’s the first cover of 2024 for the Condé Nast Traveler China edition, which is a luxury travel magazine based in New York.

I checked their website to see who was the photographer of the shoot, but it looks like they haven’t updated that since their May 2023 issue was published (relatable). Editorial director Shawn Ong only mentions their collaboration with Eastern & Oriental Express Southeast Asia in prep for the launch of their luxury train in two different seasonal routes. The train interiors look (and photograph) amazing. They’re elegant, colorful and textured without looking overwhelming [1][2][3].

However, this is not a travel blog. I took these bad screencaps of some of my favorite shots.

Director Ong’s post features many more pictures, in case anyone’s interested. My favorite is this out of focus one. lol

Oh, wow. Look at this ridiculously good-looking photo of Dita Von Teese. What a face. What a shot. Bless Beau Nelson for this shot.

credits to Dita Von Teese’s FB, who -by the way- won’t let me access her Linktree because it says it goes against community standards. Facebook has become insane. It was bad before, now it’s worse. It’s almost nearly unusable now.

Color of Yu

January 18, 2022 — 1 Comment

Hi, guys!

Long time, no see! I found these new photos of Yu-chan the other day, when my computer broke down. I finally managed to get through that hard disk.

These are done by Mana Yamamoto for Lula Magazine [2][3].

And Yu Aoi Is Married~

June 5, 2019 — 1 Comment

No, it’s not a joke either, despite all the people doing double-takes when we all saw her name and her now-husband’s name, comedian Yamasato Ryota (山里亮太), trending worldwide on Twitter.

After apparently two-months of dating, Yu Aoi and Ryota Yamasato submitted their marriage registration on June 3rd. They were apparently introduce by Yu-chan’s Hula Girls co-star Shizuyo Yamazaki (山崎静代), who is also Yamasato’s comedic partner in their comedy duo [1].

Here’s a picture of the both of them on some variety they did not so long ago.

Congratulations! Took us all by surprise!

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