Archives For mia wasikowska

I really can’t remember exactly when I started out the Top Flicks About Chicks list on MUBI, but it must have been around the same time I wrote how Chick Flicks was a doomed genre in regards of critics. So it might be almost 4 years… and I’ve finally reached 300 titles in the list!!!

A Chick Flick should center on little girls, girls, young women and women… as students, as neighbors, as friends, as daughters, as granddaughters, as sisters, as mothers, as lovers. They are simply women. With that alone, we can tell all sort of other stories that have little to do with romantic comedies.

The purpose of the list, of course, was to encompass an array of female character — not only in the binary sense, since the list also includes men/boys who identify as women/girls… and viceversa — of various cultural, ethnic, social backgrounds. Not favoring one genre over the other, not valuing dramas over comedies… just simple stories about different women.

Though I’m sure the list could be longer, that’s 300 feature length films out of the 2896 (counting shorts) currently rated on the site- that’s roughly 10% so I suppose the list could expand to up to 500 or maybe 1000 once I reach 5000 or 10000 rated films on the site.

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1. Treeless Mountain 2. Welcome to the Dollhouse 3. Juliana 4. Labyrinth 5. Fuckin’ Amal 6. Mirrormask 7. Gun Hill Road 8. Pariah 9. Bend it like Beckham 10. Swing Girls 11. The Land of the Deaf 12. Sunny 13. Whip It 14. Stoker 15. Maria Full of Grace 16. Breaking the Waves 17. My Marlon and Brando 18. 4 Months, 3 Weeks and 2 Days 19. Dil Bole Hadippa! 20. The Girl with the Dragon Tattoo 21. Kotoko 22. Violeta Went to Heaven 23. Skin 24. Raise the Red Lantern 25. Incendies

I picked 25 of the 300 films to illustrate some of the variety (I hope it’s AS varied as I intend the list to be), though I ran out of picks and couldn’t include any of the ‘older’ female characters. If I could pick 5 more, they’d be: Lemon Tree, Frozen River, Late Bloomers, Mother, For 80 Days.

I’ve got some pretty nice recommendations to share.

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Hmph! Have you seen this video of the international poster for Park Chan-wook’s English-debut, Stoker? I mean, it’s not enough that it’s Park Chan-wook, but it’s also got Nicole Kidman and Mia Wasikowska, with a bunch of other good people. There’s this poster~~~

With the trailer edited with the making of the poster, weaving in and giving links to bits and pieces of the story, all layered on top with Emily Wells’ Becomes the Color. Any ideas on who designed/illustrated this?

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*EDIT*

Gonna share this on the 2011 YAM Blogathon

Let’s see, I missed posting yesterday! Coding is such a mess~ Please, if you know anything about WordPress plugins, programing, and crazy coding talk – HELP ME!

Anyway, to clear my head from that problem, I was having a debate on whether or not The Kids Are All Right is anti-male or not. The participants? The Film Snob (snobbyfilmguy), Kevin Ketchum (KevinnK), Johnny Splash aka. filmcave, Benjamin Vargas aka. bensower, and MovieBungalow.

When the film first came out, a lot of the critics and bloggers were singing praise left and right. TKAAR is my flare, light drama with bits of comedy. Plus, it’s got Julianne Moore and Mark Ruffalo, of course I was going to watch it. However, with positive feedback, there’s also the few that can’t help but feel disappointed… or outraged.

While reading IMDb (battle zone!!), and some comments on AfterEllen.com, you could find lesbians saying the film is “anti-lesbian” because no way Julianne Moore’s character would sleep with a man, saying that it makes it seem like lesbians can’t live without c*ck – their words not mine.

That’s like saying Imagine Me & You is “anti-heterosexual” because no way Piper Perabo’s character would go for a woman. Hmmmmmkay.

Let’s start with the basics. The Kids Are All Right is the story of a lesbian couple that’s going through a rough patch. Nic (Bening) is a doctor that’s spending more time tending to her patients, than her wife Jules (Moore) who’s a stay-at-home mom, whose string of career switches fill her with insecurities.

After years of marriage (ten?), they’ve got two kids, almost-18-year-old Joni (Wasikowska) mothered by Nic, and 15-year-old (16?) Laser (Hutcherson) mothered by Jules. They seem you’re average white upper-middle class family with no kids problems, no money issues. Since Joni is about to turn 18, her brother asks her to contact their sperm-donor father — Enters Paul (Ruffalo), and all hell breaks loose.

WARNING: LOTS OF SPOILERS~~~

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How did I miss this photoshoot? And this is one more reason why Mi Wasikowska is not so Mori Girl — this Sunday Magazine photoshoot by Georges Antoni. Wasikowska looks so fierce with short hair O_O

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Anyway… here we go!
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