Archives For distributors

DGenerateFilms has translated an essay by director Jia Zhangke with some interesting ideas, as well as some others that I don’t particularly agree with… but maybe it’s one of those things lost in translation.

In a few years, young people throughout Asia will probably sing the same song, be attracted to the same clothes; girls will wear the same makeup and carry the same handbag. What kind of world is this turning into? It is precisely in this cultural environment that only independent films that remain committed to the depiction of local culture can provide some cultural diversity.

That’s an interesting statement, considering I have been talking about the exact opposite. I often talk how there will never be a “definite” 2000’s or 10-19’s list like we had in the 90s, because the internet has opened this gate with floods of information regarding anything… including music, films and overall entertainment. You don’t need to listen to what the record companies send to the radios, or watch what networks believe to be quality television or pay for a movie a distributor thinks you should be watching.

What the essay seems to be referring to is the vapid teenage kids who won’t bother researching and finding out about something that won’t be fed through distributors. I mean, you can’t even rely on what MySpace suggests any longer. LOL

Also… Amateur Cinema? With all the technology and all the quality cinematographers out there, even the most low-budget film can look okay. I’m sorry, but an image alone can speak a thousand words. That’s all I’m saying. I may be a “production value” girl, and I can appreciate costume, and art direction, but I also always give more importance to storyline and overall mood of the film. It shouldn’t matter if it’s “amateur” or a big-budget production.

Don’t give me Amateur Cinema, give me quality Independent Cinema.

10s on TheAuteurs

March 6, 2010 — Leave a comment

TheAuteurs currently has over 44pg (with 20 films each?) so I wondered which 10 films were the first to be added to their database… you know, just for trivia purposes xD

  1. La Antena (2007)
  2. Elementary Particles (2006)
  3. It’s Winter (2006) *
  4. Kirikou and the Wild Beasts (2005) *
  5. Padre Nuestro (Sangre de mi Sangre) (2007)
    * Online Press Screening Available by Invitation Only.
  6. The Perfume of the Lady in Black (2005) *
  7. Riviera (2005) *
  8. Someone Else’s Happiness (2005)
  9. Young Yakuza (2007) *
  10. The Return (2003)

* available to watch on TheAuteurs [Peru Region]

Then I also decided to check the 10 Most Popular films xD

  1. 2001: A Space Odyssey (1968)
  2. The Godfather (1972)
  3. Citizen Kane (1941)
  4. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
  5. A Clockwork Orange (1971)
  6. Taxi Driver (1976)
  7. Pulp Fiction (1994)
  8. Seven Samurai (1954)
  9. The Shining (1980)
  10. The Godfather II (1974)

Interesting to see 4 films from the 70s, 2 from the 60s… followed by one of the 50s, 40s, 80s and 90s. Then, it’s also 4 films by Stanley Kubrick, 2 by Francis Ford Coppola, and the films by Orson Welles, Martin Scorsese, Quentin Tarantino, and Akira Kurosawa.

Every other time, TheAuteurs.com shows some of their films for free. You only need an account there to watch the films, and you can even login with your Facebook account.

Since I joined, these films were added and restored:

since then, free movies have come and gone…
some are still free, but some others now require paying~

subtitled in English when not in English.

so watch while it’s still available! happy viewing!

Hey, guys~

Just wanted to let everyone know that I created a Yu Aoi list on TheAuteurs ranking her films. I’m still undecided about overall film or just Yu’s performance, so I’m going to say a mix of both.

I think it’s time to take the post-its off…

What’s Up Vevo?

February 8, 2010 — Leave a comment

First, WTF is Vevo, right?

Unless you’ve been looking for a music video by an artist sign by one of the few record companies that have signed deals with Vevo, chances are you haven’t even seen the Vevo logo.

Vevo started out with a celebrity packed opening, yet bumpy. Some of the musicians that day were Lady Gaga, Rhianna, Mariah, Taylor Swift, and even Justin Timberlake… but nobody cares if your platform is buggy. Users complained of slow “buffering” times, wondering why it was buffering instead of streaming. International users were shown a big splash saying they couldn’t use Vevo because it was only for US residents, however, some US users were also given the big splash for no apparent reason.

In short, very few people like Vevo for one reason or the other.

Some can’t use it, some others hate the waiting, others hate the buggy player, others hate the loading time, others (those who get to use it) hate the music collection… you know, since there are no indie labels.

Then, YouTube began using specific Vevo links, which seems to work for non-US users. However, loading times are still an issue. Add to that that it seems to be very random when it decides to not let non-US users watch videos. For example, I can watch some videos on my WinXP computer, but I can’t wtch them on the Vista I’ve got at home. Both are same location, and same internet connection. What gives?

Vevo: What’s the Deal
5 Tips to Make Vevo Better

Add to that International viewing.

Fight illegal downloads, and be cool!

via Wildgrounds.

Yes, yet another downloads, distribution and torrents post. Why? Because it is important to discuss this issue as many many cases of people who download are brought to court.

It is important to point out the different types of uploaders/downloaders. First, the uploaders — there are those who upload to share and spread their interest so they find someone they can share a common interest with. Someone to talk to about this piece. However, they are often confused with the people who upload to get hits and possibly ad revenue… meaning, making a profit.

This is why so many fansubbing groups are against streaming, many streamers (unless they are authorized) upload videos that don’t belong to them (they don’t even sub stuff themselves!), since streaming is easier than download they get more hits and become more popular from other people’s work.

Continue Reading…

Viz Cinema (Pictures, etc etc) is the answer to J-Film fans in the US, Canada… and well, pretty much the whole continent. These coming weeks, besides showcasing 20th Century Boys 2, and Gurren Lagann, Viz will be screening two of Isshin Inudo’s films. The first one being Josee, the Tiger, and the Fish — on my bday xD — and La Maison de Himiko.

Josee counts with the presence of Juri Ueno in a small role ;P alongside Satoshi Tsumabuki, and Chizuru Ikewaki. While Himiko stars Joe Odagiri and Kou Shibasaki.

more info about the screenings over at Nippon Cinema.

RIP Miramax

January 29, 2010 — 3 Comments

Well, not a death particularly.

But it’s a sad day as Disney (who bought them for only $70M) has decided to shut down Miramax.

Yes, that same Disney that keeps feeding us with ABC’s Grey’s Anatomy, cancels Pushing Daisies… and gave us Miley Cyrus to rot the minds of our younger generation.

Miramax gave us The Piano, Reservoir Dogs, The English Patient, Shakespeare in Love, Chicago, The Talented Mr. Ripley, Clerks, Doubt, There Will Be Blood, Gone Baby Gone, Happy-Go-Lucky, Le Scaphandre et le Papillon, No Country for Old Men, Kinky Boots, Finding Neverland… just to name a few.

Good taste is dead. *sighs*

Independent Film has a new post by Heidi Van Lier talking about her hopes for Indies this year, which I found interesting… considering last night’s People’s Choice gave Favorite Indie Film to Inglourious Basterds. If you do a quick google, it turns out that Inglourious Basterds cost about $70M USD to make. That’s indie in America for you.

Small studios to actually give out, en masse, small amounts of funding to indie filmmakers to make films under $500,000, and not just talk about doing it. Hell, even $250,000. (Do you know the fab film I could make with $250,000?)

I’m all for more distribution of indie films and foreign.

I’m still trying to find someone to pick up my idea.

Mininova is Gone?

December 28, 2009 — 1 Comment

When did that happened?

Well, at least you can still upload your OWN original content to share, if you want. I wish more singers, groups, musicians, filmmakers would use the platform of torrents to distribute their work. After all, all you need is a private tracker to allow a few people… in case you want to charge some for it.