Archives For distributors

Frak You, Sony BMG

July 12, 2010 — 2 Comments

I’m tired of you, and your region restriction.

It’s not only in your channel, but also any channel with artists you signed on? Or any video that has music of your artists? And then you fraking wonder why I get my stuff somewhere else…

Well, FRAK YOU.

It’s not only that you monopolize Michael Jackson… Christina Aguilera, and even Pink, I think and all the other pop acts because… let’s face it, all the record companies have merged into one big butt family with the likes of Arista, LaFace, Jive, J Records, etc etc. You also monopolize Wang Lee Hom’s videos. So Sony BMG, YOU SUCK.

Ugh, still can’t get used to MUBI.

Anyway~ The guys at the site formerly known as The Auteurs are letting you watch some of the films screening at the Libertas Film Fest in Croatia.

My personal favorite was the animated short Guliver, which sorta reminded me of Tim Burton’s style… but you know, about Guliver, in a much more grim setting.

All I know is that you can only watch it through MUBI with an account, which is FREE. You can join, and watch it. They always have a bunch of free stuff, and free stuff is always good. xD

If you’re still not sure, here’s the trailer~
Continue Reading…

We have been talking about Mobile Phone Dramas for a while here… a little more than half a year.

Then there’s Mobile Phone Dramas. Sort of a hybrid between a series and commercials.. or other PR material, maybe a mix between short films and commercials that end up becoming a movie…

While Asia is taking product placement and marketing to a whole new level, here… they try to shove ads and other silly commercials on printed media. And more commercial time. And more clicking banners.

It seems BeeTV, which focuses on broadcasting dramas through cellphone carrier DoCoMo, has grown into more than 1 million subscribers paying $3 a month to watch this 5min pieces. Dude, that’s $3M a month for roughly 30min of footage in a cellphone.

Hollywood is jealous.

BeeTV broadcasts more than 20 short programs in eight genres like drama, music and comedy and plans to add shows on cooking, fashion and beauty for a total of more than 50 programs. The two most-popular are drama series “Love Letter in Five Years” and “Death Game Park.”

Some of BeeTV’s more popular shows are later released on DVD. The saucy drama series “Women Have Fun Twice,” starring five well-known actresses, will be screened in late June at the Taipei Film Festival after the number of episodes downloaded hit 900 million, a BeeTV record.

via Japan Now.

Women Have Fun Twice is that Asami Mizukawa mobile phone drama I was telling you about. And, OMG! It’s going to be screened at the Taipei Film Fest? Jealous!

I am eating up all this commercial stuff. Geez, and I don’t even own a cellphone. xD
I am not prepared for this type of marketing~

Hello Xiami.com

June 15, 2010 — 1 Comment

Hi, China! You rock.

Right next to Haoting.com, there’s Xiami.com – whose name makes little sense to me… apparently it means Dried Shrimps. Huh, right? xD Anyway, seems like it has a pretty collection of Chinese, Japanese, Korean, and Western music…

No region restrictions!

Highlights? Which we reviewed and rated on the latest YAM~~~

Just hit the PLAY button there.

Also, big info!

Bibi’s soon-to-be released i.Light.Fish album contains a song written by Diane Warren. *Excited*

I have been enjoying this for a little more than a week.

just spent $35 USD on the limited edition… just to proof that you pay for the goods.

so stop complaining music and movie industry. just make good stuff happen.

Nobody knows what it is really, but Cinematical thinks it’s footage released by Warner to test the audiences. And from the comments, people like it. I dig. Totally freaked me out. Wanna watch more.

Right?

In an effort to attract more Western musicians and firms, China is building three national music industry parks, serving as performance stages and platforms where musicians from around the world could get together to collaborate, located in Beijing, Shanghai and Guangdong.

But of course, in order to attract Western musicians and firms, they need to tackle piracy.

With programs like the ones 88TC88.com [musicdish.com] are offering for Western acts to get packages translated into Chinese to enter the market, the government is trying to develop a system that will not only help artists get their royalties, but also protect Chinese arts.

Until relatively recently, copyright in China was illegal. All intellectual property belonged to the people, ie. government. If you wrote a book for example, the government would ‘own’ it and reap any ‘profits,’ while providing the author with a salary, housing, medical and education. So when some rant on about piracy or the lack of enforcement, this should be put in context. The Copyright Law of the People’s Republic of China was adopted in 1990 – we in the US on the other hand have had a Copyright Act on the books since 1790 and we still can’t seem to get it right!

On the other hand, the government does often seem capricious in its enforcement of copyright. They like to point to last year’s shutdown of 200 pirate movie sites, including the largest video BitTorrent site. It just so happens though that the crackdown coincided oh so nicely with the launch of CCTV’s major online video initiative. Nor is it clears whether the shutdown didn’t have more to do with fighting pornography – a much bigger taboo for the government – rather than piracy. Having said that though, the fact is that for both economic and diplomatic/political reasons, the Chinese government will increasingly get serious, get tough and tackle the IP issue in the broad sense, not just piracy.

What’s gonna be their system?

The Chinese government will use watermarking technology to embed a unique code into every creative works released – music, film, graphic,… – allowing the government to easily identify, fine and shut down websites peddling pirated material as well as track all plays for royalty collection and disbursement.

all via MusicDish.

Which is already happening when you upload things on YouTube or some file sharing website. Things get deleted, and accounts get shut down. However, coming from China. This is huge.

Look, I am all for China protecting its artists, as long as me as a user NOT in China, is able to have access to their content. I listen to a lot of music in Chinese, which I wouldn’t be doing if it weren’t for illegal downloads in the first place. I wouldn’t own albums by LeeHom Wang, or all of Bibi’s discography if I hadn’t downloaded their albums.

I wouldn’t know about Yuguo or Chang Shilei or Milk @ Coffee.

You know, I use Haoting to stream music now, but some of the artists I just named don’t even show up there. Also, you guys… it would be really awesome if there was an option for language. LOL

Okay, having said that~ I know I support downloads, but I also support paying for the stuff YOU consider to be good. I am not telling you what you should pay for, but I want you to make a conscious decision about paying for the content you deem good enough for your money. If you think such star or group is the best, and that they/he/she deserves your money, make an effort to buy anything by them. It doesn’t have to be the $30 USD import album, it can be the $15 USD poster.

Please, do not tell me this album by this artist is the best of all time, if you haven’t paid for it. If you love it that much, you should buy it… unless it’s already out of print, of course. Don’t tell me this movie is a film that changed your life, if you have it as a pirated copy. You don’t have to have a 100 disc collection, but if you really think that piece of art… being anything from music, to movies or photographs or sculptures… if they made a difference to you, please buy it.

The Hollywood Reporter has a piece on how Voltage Pictures is uniting with the US Copyright Group to sue individuals that have downloaded movies via BitTorrent, one of those films? The Hurt Locker…

The war against movie piracy is getting downright explosive. The producers of the Oscar-winning “The Hurt Locker” are preparing a massive lawsuit against thousands of individuals who pirated the film online. The case could be filed as soon as Wednesday.

Voltage Pictures, the banner behind the best picture winner, has signed up with the U.S. Copyright Group, the Washington D.C.-based venture that, as first reported in March, has begun a litigation campaign targeting tens of thousands of BitTorrent users.

We have heard this before when the music industry try to do it, right?

On this blog, we keep on bringing “distribution” up, because we keep on watching and listening to stuff we can’t get locally. How on earth would I be a Yu Aoi fan if I hadn’t download All About Lily Chou Chou illegally? Same goes for Shunji Iwai, and Salyu…

How could I have ended up owning all the studio albums by the Dixie Chicks, if I hadn’t downloaded Without You from Napster more than a decade ago?

And yes, I may not buy as much as I used to when I was a teenager, but that’s only because I buy pricier items and I’m more exigent with what I want. Dude, I just made a $50USD pre-order from Japan… for ONE ITEM. Without counting the 9 films I just bought from a second-hand store. Sucks to be you, but really…

How do you want me to feel happy spending my dollars in a product sponsored by someone I don’t like? As good as the product can be, I’m not letting my money get into your pockets that easily. And that producer from The Hurt Locker is just making it easier to feel less guilty over not paying for his film.

Hi Nicholas, please feel free to leave your house open every time you go out and please tell your family to do so, please invite people in the streets to come in and take things from you, not to make money out of it by reselling it but just to use it for themselves and help themselves. If you think it’s normal they take my work for free, I’m sure you will give away all your furniture and possessions and your family will do the same. I can also send you my bank account information since apparently you work for free and your family too so since you have so much money you should give it away… I actually like to pay my employees, my family, my bank for their work and like to get paid for my work. I’m glad you’re a moron who believes stealing is right. I hope your family and your kids end up in jail one day for stealing so maybe they can be taught the difference. Until then, keep being stupid, you’re doing that very well. And please do not download, rent, or pay for my movies, I actually like smart and more important HONEST people to watch my films.

via Cinematical.

Once again, I take the time to highlight the fact that you may not be losing your money to the people who download the most, because it is very likely they are the ones that buy the most DVDs, albums, or pay for a digital copy when it is finally available. However, you are losing money if the people are watching your film from the pirated copy that someone has sold them.

As much as you’d like to fit your car-lending to a stranger metaphor , it isn’t quite like that. Toyota can’t tell whether me or not I can lend my car to my cousin, or that I can’t borrow his Nissan for a spin. Sadly, Social media has established that you do not need to be close to call someone a “friend”. Hence, all people borrowing and lending from each other online wouldn’t really be just “people in the street”, but just friends doing what friends have done since they have been able to copy stuff from one source to the other.

As a person working with design and art, I do understand the concerns. I don’t mind if people save one of my photographs in their hard disks or print them, however, I would mind if someone took my photograph, uploaded it somewhere else and said that they’re selling photographs.

Anyway, I leave you with the reasons Why Peter Serafinowicz Steals Movies… Even One He’s In.

Welcome to Tokyo

May 15, 2010 — Leave a comment

A while ago the Tokyo Metropolitan Government commissioned Studio 4°C to make an animated short to promote visiting Tokyo. Available in original Japanese audio with English, Korean, Chinese Traditional and Simplified, Italian, French, Spanish and Dutch, the short is titled Honey Tokyo and tells the story of a girl from the future traveling to present-day Japan to bring back Happiness to her time. A boy named Takeru serves as her guide to different places in the city, doing different activities and learning about traditions.

The short had a budget of around half a million $USD, and can I just say~~~
it’s a really great investment? It just fuels my wanting to go to Japan.

Check it out at the Welcome to Tokyo website.

Great way to mix Art and PR. Tagged as commercial and short! xD

First reaction was a shriek. What the hell had happened to my TheAuteurs.com account? Well, it had just turned into a MUBI account instead.

From indieWIRE;

It had to happen. The cinephile site The Auteurs has changed its name.

Cakarel wants to grow members into the millions. So he went on a quest for a new name. He called on ad agencies all over the world to find a simple, easily-typed name. “Find me my global brand, my Sony,” he told them. It took nine months, but finally an agency in Tokyo knew they had found the name. Mubi.

The word “movie” is mispronounced in many cultures that have trouble with the letter V. It isn’t a word in any language. It is a city in Nigeria. And Cakarel plans to make that city the movie-lover capital of the world.

Even if finding out about the change of names through indieWIRE and not TheAuteurs itself is just a little offensive, I could understand a change in branding. However, the change in brand seems to be a complete move towards the mainstream market to attract more members, who aren’t necessarily interested in auteur-driven films, and hence wouldn’t know how to type “auteur” in the first place… than a re-brand to actually make the product better for its core audience. It’s like Inca Kola trying to be hip and cool, when it doesn’t taste the same.

With this “strategic” branding idea, they have stirred up their community by having many users complaining about the change of name, and those who aren’t complaining? Well, they are indifferent to the change. Overall feedback seems to be quite negative so it has prompted forum boards by now-MUBI Efe (Cakarel) titled “Why did we change our name to MUBI

The most interesting part of it all, is their deals with the Sao Paulo Film Fest to stream their films — and possible future deals with the likes of Tribeca — and deals with Cannes.

Let’s just hope they continue to focus on Silents, Foreign Films, Classic Films and other hard to watch films, and/or other hard to find for people to share with, than mainstream Hollywood films.