I haven’t run into many magazine photoshoots with Tabu (only about a handful), but gosh~ look at those striking features. Even in as bare a photoshoot as this one.
And she’s the best when on screen. Effortless flawless.
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For the past week or so, I got into my Tabu movie journey and while watching Hawa, there was a particular shot that just struck me like a lightning bolt (pun!) and reminded me of Joan Crawford.
It’s a strong eyebrow thing (I have going on). Plus, Tabu’s got a nose with character (and the character to back it up). With her acting chops, she could totally pull off- let’s just skip The Women, coz I can’t picture a catty Indian version of that and just go straight into Crawford’s 40s- A Woman’s Face (or its En Kvinnas Ansikte version), Mildred Pierce (of course, I would love that), Humoresque, Possessed (1947), Daisy Kenyon, Flamingo Road, and The Damned Don’t Cry. Tabu is also at the perfect age.
The only thing about her that’s off is that… she doesn’t have the hunger for fame and power that I sense from Crawford.
Possessed and Mildred Pierce in contemporary Indian are topping my list.
Ever since I saw Madhuri Dixit on Devdas, I was fascinated with her eyebrows because… well, BECAUSE!
Can you do that? HAVE YOU TRIED TO PULL THAT OFF? That’s a talent right there. And it seems to be her thing. I mean, I can move my eyebrows alright- one up and up the other goes, but it looks more like a look of mad confusion than the actual ease with which she uses.
Here~
You know how everyone EVERYONE likes to point out Aishwarya Rai was Miss World and ALWAYS point out she was at one point the most beautiful in the world. It irks me, because you get to see Devdas and see the most stunning amazingness.
And she’s overlooked by us (non-indian audience).
I mean, it does help that she’s gorgeously dressed and accessorized. And Madhuri Dixit has such charisma while talking or performing — not her dance numbers on film — but live or pre-recorded presentations. I haven’t gotten around to watching HER starring filmography just yet, but I literally spent a couple of hours browsing through her videos on YouTube.
I loved her throwing in some Michael Jackson movements, and she gave me some Flashdance vibe at some point, but she does have such ease to entertain and enjoy herself on stage. It makes the experience of watching her such a pleasure. I really can’t wait to get to her filmography.
Any day now.
So tell me, is this impressive for a couple of months watching Indian films or what? I must admit, though, that I’m still not familiar enough with Hindi or any other dialect spoken in films. My level of understanding goes from having a ladki or ladka giving their dil tere liye. And I’m not even sure that’s Hindi or Urdu.
Also, though most of the films I’ve come across are subtitled, some weren’t properly sync to their video sources. I think that happened to me with Ghulam, Nayak, Yuva, Chalte Chalte and maybe Hum Tum. I can’t even remember any longer. After this, I realized I really really REALLY love Rani Mukerji on screen… say it with her voice “she’s so cute.” And her eyes are so expressive with such on screen charisma. Her dancing doesn’t seem to be at the level of ease as… let’s say- Madhuri Dixit, but she compensate with the acting.
Though her performance on Hey Ram is barely 10% of the film, I do think it deserves its spot on the Top5 Top6 of her films and everyone should watch it. It’s an amazing movie.
Fan for life!
I think this is how it’s going to go~
… after I’m done with Rani, of course. xD
There are A LOT of Indian movies, and each star has A LOT of films in their filmographies. This time around, I’ve taken the “most voted” films in IMDb alongside the “best rated” and added a star with personal recommendations I’ve been given to create this list. I don’t even know if I will find all these with subtitles. If I managed to watch 15 or 20 of these, I might even have a Madhuri Dixit Films Ranked list [1][2] XD
After watching Fanaa a few weeks ago, I thought I might continue the Indian adventure with Tabu. Then, I watched Devdas — still unimpressed with Aishwarya Rai’s acting prowess and totally committed to watching Indian films because I can write hers and Sanjay Leela Bhansali’s names without googling now HUZZAH! — and was struck by Madhuri Dixit (no googling!) and her amazing “hooker with a heart of gold.” In fact, my favorite scene in Devdas is probably her dance duo with Aishwarya. And Bhansali’s films are still such a beauty to see. Sighs.
Then, when I thought I might head the Madhuri Dixit road, I watch English Vinglish and get struck by Sridevi (no google!). My first shock, of course, was realizing that I had knocked off ten years of her age right off the bat. Then while reading her wiki page (this is why it’s important to have a good Wiki page, fans), it hit me like a bucket full of cold water~
Sridevi was a successful child star, a sex symbol… and is possibly positioning herself as a MILF — my own observation here. Apparently English Vinglish was quite a hit, marking her comeback after 15 years off the screen.
I don’t think there’s ANYONE in the world of movies (or entertainment) that has been able to achieved this. I can’t think of a single actress (or maybe actor) who started out as a child, grew to be the actress made of dreams, moved on to becoming a sensible adult, apparently a great mother, and make a comeback to take all that’s “cinematically” hers.
The performance is okay (by Kpop standards, anyway), but Sridevi is totally charming in this show for the International Indian Film Academy (IIFA). I think the IIFA cameras shoot a quick reaction from Madhuri during the number, just as they showed Sridevi on Madhuri’s own performance (which rocked my socks) [1]. I could do with less Deepika reaction shots, though.
So… I am at a conundrum. Who should I go for first? Sridevi or Madhuri? And since both have sooooo many films, where do I start?
I remember the first time I got to watch Swallowtail Butterfly and found it interesting that Ayumi Ito spoke a couple of lines in Mandarin. Later I was surprised she was in the cast of The Go Master; it just seemed like Ayumi Ito had maybe some interest in working outside Japan. Interestingly, she’s also the one Japanese actress working in Kpop music videos [1], and I know for certain she speaks pretty good English.
Then again, Japan doesn’t seem to like its actresses trying to work in other markets [eg. Rinko Kikuchi, Koyuki xD]. I wonder if she hasn’t considered working in the US or Europe, or maybe they don’t consider her Japanese enough or hot enough. After all, US and European casting seems to be so random at times.
Anyway, while googling a photo of Ito for the previous post, I ended up running into this short film she did back in 2005 directed by someone called Nomura Yasuo (野村泰夫) titled Shanghai Lian Xiang (上海恋香) or translated to Shanghai Love Fragrance… or possibly referring to the smell of incense. The short that lasts 50ish minutes sees a Japanese young woman (I don’t think they mention her name) that arrives to Shanghai to deliver her grandmother’s ashes to the bay because she had spent the 1930s in the Japanese concession of the city. In there she met a young Chinese man and fell in love… and it’s all melancholy and sadness due to the events of the time.
[iframe height=380 width=580 src=”https://player.youku.com/embed/XNzkyMjg4NTY=” ]
There’s no much info except for this page.
Ito plays both characters of the woman and the young version of her grandmother, with dialog in different levels of Mandarin and Japanese. It gets a little confusing when you have to read Japanese for big chunks of Mandarin, and Chinese characters for most chunks of Japanese dialog xD But I think you get the point across.
You gotta get your Ayumi Ito fix any way you can.
There’s also a song that plays throughout~
春天来了树发芽
冬天来了飘雪花
你等的人等来了吗
我还在等我还在等
我还在等他
千山越过到你家
万水越过到我的家
你找的人找到了吗
我在寻找我在寻找
我在寻找他
夏天来了花儿美
秋天到了云追月
你等的人等来了吗
我还在等我还在等
我还在等他
This is my first (proper) Aishwarya Rai movie, and though I wasn’t blown away or bothered by her acting (maybe yet); Sanjay Leela Bhansali more than over-compensates for his direction. While watching Hum Dil De Chuke Sanam, I just kept thinking “this has got to be the most artistic movie to ever have a fart joke in.” It’s a pretty gorgeous movie to watch.
While watching the performance for Dholi Taro Dhol Baaje [lyrics + translation], my brain just went “OMG, this is a beautiful sequence.” Then again, so was my reaction while watching Black. And so it was with Khamoshi: The Musical. Can you tell I’ve been taken by his directing?
And the music in this was awesome. Is it really true that they spent two years working on it? Coz with IMDb, you never really know these things for sure.
https://www.youtube.com/watch?v=6VBAGMkTjTs
Think this already deserves an India tag.
I just checked Amazon (and other online sources), and there doesn’t seem to be HD releases of his movies, though. It pains me so much.
