Tag: digital content

  • China’s Plan to Fight Piracy

    In an effort to attract more Western musicians and firms, China is building three national music industry parks, serving as performance stages and platforms where musicians from around the world could get together to collaborate, located in Beijing, Shanghai and Guangdong.

    But of course, in order to attract Western musicians and firms, they need to tackle piracy.

    With programs like the ones 88TC88.com [musicdish.com] are offering for Western acts to get packages translated into Chinese to enter the market, the government is trying to develop a system that will not only help artists get their royalties, but also protect Chinese arts.

    Until relatively recently, copyright in China was illegal. All intellectual property belonged to the people, ie. government. If you wrote a book for example, the government would ‘own’ it and reap any ‘profits,’ while providing the author with a salary, housing, medical and education. So when some rant on about piracy or the lack of enforcement, this should be put in context. The Copyright Law of the People’s Republic of China was adopted in 1990 – we in the US on the other hand have had a Copyright Act on the books since 1790 and we still can’t seem to get it right!

    On the other hand, the government does often seem capricious in its enforcement of copyright. They like to point to last year’s shutdown of 200 pirate movie sites, including the largest video BitTorrent site. It just so happens though that the crackdown coincided oh so nicely with the launch of CCTV’s major online video initiative. Nor is it clears whether the shutdown didn’t have more to do with fighting pornography – a much bigger taboo for the government – rather than piracy. Having said that though, the fact is that for both economic and diplomatic/political reasons, the Chinese government will increasingly get serious, get tough and tackle the IP issue in the broad sense, not just piracy.

    What’s gonna be their system?

    The Chinese government will use watermarking technology to embed a unique code into every creative works released – music, film, graphic,… – allowing the government to easily identify, fine and shut down websites peddling pirated material as well as track all plays for royalty collection and disbursement.

    all via MusicDish.

    Which is already happening when you upload things on YouTube or some file sharing website. Things get deleted, and accounts get shut down. However, coming from China. This is huge.

    Look, I am all for China protecting its artists, as long as me as a user NOT in China, is able to have access to their content. I listen to a lot of music in Chinese, which I wouldn’t be doing if it weren’t for illegal downloads in the first place. I wouldn’t own albums by LeeHom Wang, or all of Bibi’s discography if I hadn’t downloaded their albums.

    I wouldn’t know about Yuguo or Chang Shilei or Milk @ Coffee.

    You know, I use Haoting to stream music now, but some of the artists I just named don’t even show up there. Also, you guys… it would be really awesome if there was an option for language. LOL

    Okay, having said that~ I know I support downloads, but I also support paying for the stuff YOU consider to be good. I am not telling you what you should pay for, but I want you to make a conscious decision about paying for the content you deem good enough for your money. If you think such star or group is the best, and that they/he/she deserves your money, make an effort to buy anything by them. It doesn’t have to be the $30 USD import album, it can be the $15 USD poster.

    Please, do not tell me this album by this artist is the best of all time, if you haven’t paid for it. If you love it that much, you should buy it… unless it’s already out of print, of course. Don’t tell me this movie is a film that changed your life, if you have it as a pirated copy. You don’t have to have a 100 disc collection, but if you really think that piece of art… being anything from music, to movies or photographs or sculptures… if they made a difference to you, please buy it.


  • U.S Copyright Group to Sue Users?

    The Hollywood Reporter has a piece on how Voltage Pictures is uniting with the US Copyright Group to sue individuals that have downloaded movies via BitTorrent, one of those films? The Hurt Locker…

    The war against movie piracy is getting downright explosive. The producers of the Oscar-winning “The Hurt Locker” are preparing a massive lawsuit against thousands of individuals who pirated the film online. The case could be filed as soon as Wednesday.

    Voltage Pictures, the banner behind the best picture winner, has signed up with the U.S. Copyright Group, the Washington D.C.-based venture that, as first reported in March, has begun a litigation campaign targeting tens of thousands of BitTorrent users.

    We have heard this before when the music industry try to do it, right?

    On this blog, we keep on bringing “distribution” up, because we keep on watching and listening to stuff we can’t get locally. How on earth would I be a Yu Aoi fan if I hadn’t download All About Lily Chou Chou illegally? Same goes for Shunji Iwai, and Salyu…

    How could I have ended up owning all the studio albums by the Dixie Chicks, if I hadn’t downloaded Without You from Napster more than a decade ago?

    And yes, I may not buy as much as I used to when I was a teenager, but that’s only because I buy pricier items and I’m more exigent with what I want. Dude, I just made a $50USD pre-order from Japan… for ONE ITEM. Without counting the 9 films I just bought from a second-hand store. Sucks to be you, but really…

    How do you want me to feel happy spending my dollars in a product sponsored by someone I don’t like? As good as the product can be, I’m not letting my money get into your pockets that easily. And that producer from The Hurt Locker is just making it easier to feel less guilty over not paying for his film.

    Hi Nicholas, please feel free to leave your house open every time you go out and please tell your family to do so, please invite people in the streets to come in and take things from you, not to make money out of it by reselling it but just to use it for themselves and help themselves. If you think it’s normal they take my work for free, I’m sure you will give away all your furniture and possessions and your family will do the same. I can also send you my bank account information since apparently you work for free and your family too so since you have so much money you should give it away… I actually like to pay my employees, my family, my bank for their work and like to get paid for my work. I’m glad you’re a moron who believes stealing is right. I hope your family and your kids end up in jail one day for stealing so maybe they can be taught the difference. Until then, keep being stupid, you’re doing that very well. And please do not download, rent, or pay for my movies, I actually like smart and more important HONEST people to watch my films.

    via Cinematical.

    Once again, I take the time to highlight the fact that you may not be losing your money to the people who download the most, because it is very likely they are the ones that buy the most DVDs, albums, or pay for a digital copy when it is finally available. However, you are losing money if the people are watching your film from the pirated copy that someone has sold them.

    As much as you’d like to fit your car-lending to a stranger metaphor , it isn’t quite like that. Toyota can’t tell whether me or not I can lend my car to my cousin, or that I can’t borrow his Nissan for a spin. Sadly, Social media has established that you do not need to be close to call someone a “friend”. Hence, all people borrowing and lending from each other online wouldn’t really be just “people in the street”, but just friends doing what friends have done since they have been able to copy stuff from one source to the other.

    As a person working with design and art, I do understand the concerns. I don’t mind if people save one of my photographs in their hard disks or print them, however, I would mind if someone took my photograph, uploaded it somewhere else and said that they’re selling photographs.

    Anyway, I leave you with the reasons Why Peter Serafinowicz Steals Movies… Even One He’s In.


  • The final nail on LimeWire’s coffin?

    People are saying it’s time that LimeWire is put to sleep
    or most likely…

    According to the article, 60% of people use LimeWire. Really?

    I haven’t used LimeWire in… at least, 8 years? I do know about two or three that use it, but that’s because they pretty much suck with anything related to computers. And I mean really suck.

    I have recently used aMule because I needed to get three albums (of an artist… Ding Wei, if you must know), and the only place I found it was on this Chinese website that only supported aMule/eDonkey files. However, I haven’t used it for anything else.

    After Napster — does ANYONE use that for legal downloads anyway? — I went through a lot of other programs, including AudioGalaxy, iMesh, Kazaa, eDonkey, LimeWire… and maybe a few others, but the lines have started to blur already.

    What I have been doing for music? I have been listening to a LOT of stream music over at HaoTing.com [literally meaning “good music” or “good sound” or “pleasant to hear”], and whenever I decide the album is quite good, I download via any place. Those MP3s sit on my HD for a while until I finally add them on my iPod, and once they become my favorite “albums” [hint: albums, not single tracks], I look them up in different online stores, and actually buy the physical album.

    The last album that has defy that system was Salyu’s Maiden Voyage, which I pre-order for fear of losing my copy of the limited edition with DVD concert… like I lost Seo Taiji.


  • I’m a Good Downloader

    Fight illegal downloads, and be cool!

    via Wildgrounds.

    Yes, yet another downloads, distribution and torrents post. Why? Because it is important to discuss this issue as many many cases of people who download are brought to court.

    It is important to point out the different types of uploaders/downloaders. First, the uploaders — there are those who upload to share and spread their interest so they find someone they can share a common interest with. Someone to talk to about this piece. However, they are often confused with the people who upload to get hits and possibly ad revenue… meaning, making a profit.

    This is why so many fansubbing groups are against streaming, many streamers (unless they are authorized) upload videos that don’t belong to them (they don’t even sub stuff themselves!), since streaming is easier than download they get more hits and become more popular from other people’s work.

    (more…)


  • Mininova is Gone?

    When did that happened?

    Well, at least you can still upload your OWN original content to share, if you want. I wish more singers, groups, musicians, filmmakers would use the platform of torrents to distribute their work. After all, all you need is a private tracker to allow a few people… in case you want to charge some for it.


  • Marit Larsen Revamps Music Videos

    In 2006, when she began promotion of her debut Under the Surface, she released a simple video for the song with the same title, which wasn’t really WOW but promoted the song well. Turns out, since her starting promotion of her music in Germany, they made a new version of Under the Surface…

    and they also released a proper video for If a Song Could Get me You~~~
    comes with Making Of an all~~~ Marit’s so cute.
    Wonder if under all that cuteness, there’s a strong Scandinavian character.
    What you say Julz?
    (more…)


  • MySpace Buys IMEEM? What?

    I noticed some of my music/imeem posts had gone orange on me, and *le gasp* IMEEM is gone?

    Apparently, IMEEM had some debts, and MySpace just bought it for only $1M. The transaction has been so quick, that imeem accounts haven’t been moved, and indie artists were left floating… and might not get paid at all.

    This is what MySpace said:

    We did not acquire imeem’s contracts or relationships as we have our own in place. MySpace Music has its own distribution platform, which includes relationships with prominent aggregators and indie labels, that provides indie artists ways to monetize their music on our site.

    Sucks for indie music.

    I wonder if I will get back those playlists though. I’m sure MySpace is planning to let people embed stuff, otherwise why “buy technology” from imeem, right? Those orange boxes suck.

    via Wired.com

    Indie artists, use CDBaby. Besides letting you sell the albums you want, they will digitize it and will sell it and distribute on mp3 form. Or if you really trust your fans, just self-host your album and use paypal. That way is easier to count hits on your own files.


  • So more piracy talk~~~

    So now French users can be (can be, under the current law) banned from using the internet for up to a year, if they are caught downloading illegal music, and a fine of 300k Euros. [AFP] Oh, my! And apparently, Sweden is also monitoring user download activity? Any word on that, Julz~?

    There was also this article talking about a DRM server the Japanese RIAA wants to use to check on the music their users are playing on their phones… considering we (iTunes users) have already moved away from DRM tracks, I think it’s a very bad idea…

    And then comes this very interesting post/article by dear Lily Allen for The Times, in which she expresses some of her thoughts  about the issue, and the opinion of some of her more “legendary” colleagues…

    Music piracy is having a dangerous effect on British music, but some rich and successful artists such as Nick Mason, of Pink Floyd, and Ed O’Brien, of Radiohead, don’t think so. Last week, they told The Times that file sharing is fine. It probably is for them. They do sell-out arena tours and have the biggest Ferrari collections in the world. For new talent, though, file sharing is a disaster — it makes it harder and harder for new acts to emerge.

    That’s partly true. But so it’s this…

    By moving to a microtransaction model (charging <£1 for an album) for recorded music and increasing the emphasis on live concerts musicians can increase their revenue stream and attempt to reduce the abuse of their IP.

    I understand what Lily Allen is saying, but the music industry spends too much money on advertising and pushing poor catchy music.

    If your product is so good, then it does not need advertising or pushing.

    Itunes and other sites are still overpriced in terms of album costs.

    Books survived the photocopier, music will survive the internet. Real musicians have realised concerts are more of a money spinner and are have brought live music back to the front of entertainment.

    As I’ve mentioned before, I watch as many films, and listen to even more music than I ever did. I still buy CDs, but only the really good ones. The ones that are worth my $14 for album/DVD package. Right now, they just happen to be Asian albums… which actually are worth my +$30. So I am paying $30 or $40 for a CD from Japan because it’s good. Wanna wonder why I haven’t bought much from anything else?

    And yes, digital content is way overpriced.


  • Go Digital, Save Some Trees~

    Though, I must admit… some printed magazines are so pretty.
    xD – though a magazine like National Geographic should go completely green.
    but that’s just my opinion…

    Anyway, here comes an article saying that CBS will be running a video ad on the newest issue of the printed Entertainment Weekly. Say what? I must be confused!? Nope, nope~ it’s true, it will be a tiny 320x240px screen of 2mm of thickness, and you’ll be able to watch their Fall line-up.

    Hmm… okay. I’ll be honest with you. I hardly watch any television, that means I hardly watch any commercials on TV – Now, if I don’t watch commercials on TV, I don’t think I’ll watch them in a magazine. To be even more honest, all commercials I watch are on-line… maybe YouTube, or on one of my favorite motion graphic/design websites.

    I still support digital media!

    Like this Paperless Book by Piel.Skin – an architecture book with Google Map links included! LOL – Now, that’s useful, right? – Also check out this old article asking if we are ready for digital paper… obviously we aren’t.

    I remember seeing a prototype for a digital newspaper that used e-paper with simple motion (shaking the paper, folding it, etc) that would change the page/news section of your newspaper “virtually”. Can you imagine that? Sitting on your kitchen table one morning for breakfast, grab your blank e-paper. Shake it once. Headlines appear. Shake it once more, and it skips to the next section. Fold it and open it, to continue to next page. O.o Nifty.


  • Oh, eBooks!

    I think finally someone over at Cnet has caught up with what I’ve been saying
    tsk tsk…

    the only thing missing is that distributors are probably greedy bastards~
    just saying…

    I would also buy more digital content (eBooks, etc) if it were tagged at $2USD

    Anyway… here are some of my suggestions~

    MP3Sale.ru – price-tagged by song duration.
    MovieBerry.com – with DVD, DivX HQ, DivX and iPod versions.

    any book site suggestion?