I’ve got some pretty nice recommendations to share.
Archives For masaki okada
So I’m just picking up things whenever people mention Yu-chan on the blogosphere, especially when they are as funny as this variety segment. I mean, it contains this sequence! xD
Cheap GIF, I know. But it can persuade you to watch the Tudou clip, right? Btw, if any of you have trouble watching things from Tudou, it seems that using FLVCD.com and actually downloading the video works faster than their player for some reason.
Continue Reading…
Kenichi Matsuyama looks so grown-up now… promoting his upcoming NHK Taiga, Taira no Kiyomori — all I know about Kiyomori I learned in Yoshitsune [1] haha. Anyway, as you know I was pretty pumped [1][2][3] for Gou and I defended Juri through it all [1], but I knew Gou’s fault.
Anyway, I’m pretty pumped for Taira no Kiyomori, and this promo for it with a manly Kenichi Matsuyama is kinda… really inspiring haha. I kinda really love that photo.
are you going to be watching?
The 40min. segment from FujiTV’s Tunnels Thanks to Everybody that aired the day before the opening of Raiou… is actually pretty fun. Plus, Yu Aoi talking about food.
A popular segment in which Tunnels and guests take turns trying to guess the food the opponent hates the most.
We need translation for this one xD
Loads of interesting facts, it seems… like Yu owning a shaved-ice machine.
And Yu tearing up when laughing. Does anyone get that when they laugh?
First, let me get this out of the way: All the foreign nominations are American films, which includes Avatar, Toy Story 3, Hurt Locker, Inception and Invictus. Those along are a mixed bag for me xD Invictus was rather insipid, wouldn’t you say? And to include Avatar in the same list as Toy Story 3 is… hmm, rather a pity xD
The 34th Japan Academy Prize is led by Sang-il Lee’s Akunin (Villain) with 15 nods in 13 categories. Followed by Yoji Yamada’s Otouto (Yougner Brother/About her Brother) and Takashi Miike’s 13 Assassins with 11 nods. Rounding up the best pictures is Izuru Narushima’s Kokou no Mesu (A Lone Scalpel) with 5 nods.
And forgive the bias, but Yu Aoi got a nod for Supporting Actress xD
Film
Akunin
Otouto
Kokuhaku
Kokou no Mesu
13 Assassins
You know what this means right? I finally saw a new Yu Aoi film, so I can move the queue just a little bit. We’re discussing Honokaa Boy first, then Ikechan to Boku… instead of One Million Yen Girl because of the length of roles that Yu had in the films… and we’re leaving Hyakuman-en up on the feature spot for a while… ;P
First a little about the film~
Honokaa Boy tells the story of a boy – Okay, a young man – who ends up living in the small Hawaiian city of Honokaa, after he mysteriously falls in love with the place during a failed trip with his girlfriend. In there, he meets a bunch of quirky people that are very likable, who end up having an impact on his life.
Genre: Dramedy with a bit of Romance
Starring: Masaki Okada, Chieko Baisho, Keiko Matsuzaka, Jun Hasegawa
Duration: almost 2hrs
I think this is the first time I post more than one review not of mine of a Yu Aoi film, maybe I’m getting better at finding info… or maybe more people are writing in English. Anyway, this second review of Raiou isn’t so kind either.
I haven’t been able to find Box Office info on whether Raiou opened at #1, or a had weak opening — being a Period Romance, it should open at #1 for various reasons. Anyway~ here’s an excerpt:
Although the charismatic Aoi Yu brings some sorely-needed life to the film with her portrayal of Rai/Yu, her counterpart Okada Masaki is never truly convincing as a man whose inner demons threaten to tear him apart.
Via Screendaily.com
I don’t think those comments will hurt the Okada Masaki fans, but let’s wait for those Box Office numbers~
*EDIT*
Got numbers~ They’re not that good. Raiou opened at #8 ~
Okay, this is bordering on Spam~
But Raiou opened on Friday (it’s been more than half the day in Japan already). So there’s been a lot of news naturally, and I hope there are more reviews… super-hoping in English. xD
You know I’ve been listening to Maika’s album right? That she reminds me of Shakira, and I’ve been pimping some of Maika on YAM [1][never never never give up]. Also OFF-TOPIC, but this made me realize Twitter needs a search your tweets feature.
Anyway, this is Kokoro… but 2 minutes longer =D So more Yu and Msaki Okada singing. LOL
[iframe src=”https://player.yinyuetai.com/video/player/88676/v_5501040.swf” width=”480″ height=”334″]
Okay, the Raiou review isn’t so ouch because it’s in Japanese, and it didn’t seem to talk much about the film – other than the synopsis – but they gave it 2/5 which… you know, it’s bad. It doesn’t really surprise me after Ryuichi Hiroki’s April Bride. We’re not talking about Shinobu Terajima — fully, in-your-face actress — with Ryuichi Hiroki. We’re talking about Eita and Nana Eikura — the idols.
But still, as an idol film, I think it’s gonna floor me. I’ve seen the clips, it’s got Yu-chan riding a horse in slow-motion. Screaming. Talking with an accent. Shooting an arrow. It’s got Yu-chan’s first proper on-screen kiss — it’s not an “in your head” kiss scene, it’s not a stolen kiss — it’s a proper romance.
Then Mark Schilling from the Japan Times – who also kicked FLOWERS in the shins – kicks Redline too. I’m gonna pick the phrases that sum up his review the best:
“Redline” is all about visceral thrills that peak in the first slam-bang, headlong race scene. The film then spends the next 90 minutes trying to top this opener — about 90 minutes too long for me.
…
But the first 10 minutes are terrific.
There you go. He gave it a 2.5/5
But he says the animation is good, which… I mean – have you seen the World Record short from The Animatrix? Same guy directing. I can’t wait to just feast my eyes. Maybe, if the story and action is as sucky as he says (not enough drama, again?) Maybe I’ll just watch it one more time. I mean, he did love Tekkonkinkreet.
Raiou, based on the novel by Mari Ueza about tragic lovers, is set to open next week on Friday the 22nd. It stars idol-in-the-rise Masaki Okada opposite established-idol-transitioning-to-actress Yu Aoi. What does Raiou mean to their careers?
A rising-star and an established-idol starring in a period drama romance? If it succeeds, it means the rising-star will keep on rising, and the established-idol still has “it”. A period drama romance lays solely on its protagonists’ shoulders, and their chemistry. If it fails, it’s because of them. That’s a lot of scary thoughts right there~
Why does Yu Aoi need Raiou to succeed? She is indeed an idol still. She sponsors products, and she makes a living selling products. She’s young — to westerners, anyway — she’s cute, youthful… the whole shebang. However, the life-span of a Japanese female idol is short, some of them have retired at 20! So Yu, having turned 25 already, isn’t… well, a young idol any longer. She’s been away of major mainstream entertainment, she’s had relationships, she’s been on tabloids as people discuss who she really is dating. Everything takes its toll. She’s now a woman. An actress who is still an idol. Will people support her passed her prime-early-twenty years like they did when the hit Hula Girls came out?
Raiou holds Yu’s idol-hood future. Will it be a hit right away? Shoot to number one the first week to then drop the next? Will it slowly climb to number one in two or three weeks and stay there a week or two? Will it climb slowly up to stay there for several weeks? Will it never reach number one?? Whatever happens, it will change Yu’s bankability.
