I’m never really good with Satellite Awards, I always forget them. But then again, there’s so many Satellite nominees per category… it seems a bit excessive. It’s like chucking all the best performances of the year, instead of choosing five spots even if three good performances will be left out.
And when there’s not enough good performances… they just fill the category up!
Inception is leading this one ;P
It’s begun~~~ officially xD
and look! Another banner~~~ LOL
I generally like the Indie Spirits marketing. It’s a little more loose, but also generally more fun than the Golden Globes or the Oscar. And it’s certainly better than most Critics Choices…
This year’s nominations… don’t surprise much, actually. It seems those most nominated have been “big” independent films. You know, we’ve talked about this already — American independent films: There are different types of indie films~~~ The pseudo-indie, known in Hollywood as indie because they “only” cost $1M, there’s the more regular indie that could cost between a few thousand dollars, then there’s indie-indie of a couple of thousand dollars, and hardcore indie which… is, just really hardcore.
This year’s Indies seem more like pseudo-indie. Sadly… and at the same time exciting.
I hope we get good screeners. =D Last year we got a few good ones. The most elaborate one that time was Precious. Don’t worry, I didn’t vote because of the packaging.
I think it should be required for First Features, foreign, docus and the John Cassavetes noms to send screeners, or allow screeners to be sent. But maybe that’s just me.
Anyway~~~ here are the nominees~~~
I can feel it in the air. Award season is approaching. I think Indie Spirit Awards are also done with submissions, and their nominations should arrive come early December.
In the meantime, the Academy Awards has released the list of the 65 countries (or not-countries… Greenland?) that will be competing for 5 spots as “Best Foreign” nominees, as well as their 8 short documentaries.
Here are some of the reviews of the ones I’ve seen.
Let’s talk wild guess predictions in here. Which countries will be the 5 chosen ones?
Mexico’s Biutiful seems like an easy assumption.
China’s Aftershocks seems to be a good candidate for several reasons besides “film”. Whatever your thoughts on melodrama are, I mean… you really need to be a sour grape not to feel something for the family in that film. Either that, or you’ve never been in a natural disaster. Having said that, it is because it’s a melodrama that it’s perfect for Oscar. Moving family drama that deals with catastrophe with a really powerful and magnificently handled Earthquake scene that was a box office hit in China. It’s just good business.
Also, China being nominated is controversial. Anything to do with China since 2008 is controversial. Controversial always brings ratings. Also nominating China is just plain good business. If China gets nominated – I dunno, what are the chances of some state channel broadcasting the Oscar? Just imaging 2/3 of China’s internet population watches the Oscar that night. That’s 200 million viewers. Anything in China is big.
If there’s no China, it must be another cheese movie… like South Korea’s A Barefoot Dream. An underdog story of a kiddie football team and a coach. It shall make you feel happy xD
Canada’s Incendies?
and… I dunno what else. Peru’s chances? From what I have seen, and what I’ve heard. It could very well get into the nine before they select the final five. I’ll have a better grasp once the 9 are out xD
Okay, too much Yu-overload this week. My fan-brain can’t handle all this information. Plus, the new film opens nearly one week after my 25th bday –oh, Grilled Cheesus! I’m so old!
[iframe src=”https://www.nipponcinema.com/v2/play.swf?config=https://www.nipponcinema.com/cfg/yogashiten-coin-de-rue-trailer” width=”560″ height=”315″]
Highlights from the trailer? Hello, tasty pastries? It wasn’t long ago that I was trying to think of nice Foodie films. I think Coin de Rue could be a good candidate. That mousse looked potentially-mouthwatering-inducing.
Second, I love that Yu-chan gets to work with pastries. And this one’s even more about the pastries.
Third, Yu-chan cheek-pulling. I literally burst out laughing when I saw that. Does that happen a lot? I know that in America is considered very “aunt-y” for a woman to pull her nephew or niece’s cheek. I think it happens a lot in Asia. All my Korean roommates (and some friends), we used to pull each other’s cheeks all the time. But then again, there was also some un-wanted Korean spanking.
via Nippon Cinema.
Ah… English, such a direct language. I often have discussions with people about the nuances of the different languages. Friends tell me that French and Italian are great for flirting, and my mom keeps telling me that different dialects in Chinese have so many words to describe food flavors, impossible to describe in Spanish or English.
However, what about songs?
My favorite songs, my favorite artists in English — 99% of the time, I try not to find the lyrics any longer. Whenever I have enjoyed the songs, looked for the lyrics, 90% of the time I’ve ended up disappointed.
My first language is Spanish, however, I often find myself thinking in English – so, whenever I listen to music in Spanish, my brain begins translating lyrics into English. The repertoire of songs that I actually like in Spanish tend to be songs that are hard to translate literally into English.
So… today it’s voting Sunday. And I’ve also setup my About page… and got rid of my Favorites page because… well, it seemed redundant to have two pages about me. LOL
In case you missed the post in which I talked about my taste in film, this is a similar post that talks about my history… or lack of history with music.
When I was about 7, my dad opened a Karaoke bar (how Asian, non?). But by then, I had already grown up with the likes of the music of La Nueva Ola (the new wave) — you know, the type of Rock n’ Roll from The King… Jailhouse Rock or Houndog but in Spanish. My favorite tunes were probably La Plaga (the plage, the Spanish version of Little Richard’s Good Golly, Miss Molly), and La Mantequilla (the butter, the Spanish version of Cliff Richard and the Shadows’ Move It).
Of course, I was a little kid going to Chinese/Peruvian school, so my repertoire also included the Cantonese Counting Song Yat Yi Sam, as well as the counting Elefantes song… as well as the Sukiyaki song. So from the very beginning… I had a predisposition for all types of music in many different languages.
Continue Reading…
Other than not having anything to post, I thought I could write a little about me (maybe add an “about page”) – who knows… I mean, other than having the seldom post with an anecdote related to the post, what do most people who visit know about me other than the fact that I like to post about Yu Aoi, I post weekly on Glee, what I watch or what I listen to.
My favorite genre is tear-jerking dramas… of the art house foreign kind. The more I cry, the more I feel satisfied with a film. For two hours of my life – or how many films or shows I get to watch in a day – I like high-tension dramas that will get my heart beating faster, and feel so much pain for the characters. I often like to put myself in the position of the main character, and pretend I can be them — making me cry even more. So as I grow older, the movies I tend to watch have less to do with the younger crowd. LOL Sometimes I think I could be an actress. LOL
Anyway, in real life? I’m the complete opposite. I like my life tension-free. I hate drama, and I live a simple life enjoying art and eating. I avoid high-tension situations, I avoid big crowds, and avoid meeting too many people at once. I prefer a dinner for two on a weekend at home with a good film to watch, than partying in a room full of people I see less than twice a year.
So while I love super dramatic dramas xD my life is more like an artsy fartsy film in which nothing happens. xD
In my life, a lot of people speak Spanish… then someone mixes in Cantonese. We also speak English… and sometimes… only sometimes, we end up a bit snobbish with some French. See, very artsy fartsy.
My home life was very much like some quirky Asian film – queue Hong Kong film – maybe a reason why I have a soft spot for them despite some of their lacking points. My grandfather was a character, out of World War II, telling me how in China he was relatives with someone of Royal blood. LOL I never really believed THAT but it’s one of those things that’s funny to remember.
I have a weak heart for films that deal with Alzheimer disease – I literally spent half of Away from Her crying every time she didn’t remember a thing. And I cried my heart out watching Ken Watanabe on Memories of Tomorrow struggling with living with the disease as he begun forgetting his own wife. Another reason why The Notebook affected me as it did… LOL
I also have a soft spot for Family dramas… less prominent in America or Europe, but oh so popular in Asia. I wonder why? LOL Asian and Latin Americans are similar that way. Despite all the arguments I may have with my family — not only parents, but extended family as well… uncles, aunts, cousins~~~ we poke fun at each other in good spirits. We actually do love each other.
In light entertainment? I literally haven’t enjoyed a silly comedy since I saw Zoolander at the cinemas, though The Sweetest Thing is a good one. My humor tends to be either silly — as in Asian gag-related — or really bizarre… which I only use with members of my family, because we all get each other. That’s political humor, religious humor, race humor… and so on. We sometimes poke fun of dead people on the news LOL
I love musicals – sometimes I think I’m a gay man trapped in a little girl’s body? LOL – I love hipster films, I like romantic comedies… but I tend to avoid Jennifer Aniston. I like animation (can you imagine how much I enjoyed Happy Feet? LOL), and I think female comedians are funnier than male ones. Romantic comedy Dan in Real Life with gorgeous Juliette Binoche… and a surprisingly good Steve Carell (and zing! Emily Blunt) was great… except for the annoying experience to see Dane Cook on screen. I despise Cook. It’s something I can’t explain. xD
In case you missed it, you can still vote for APRICOT at the Vimeo Festival for Best Narrative. It goes against Nuit Blanche, as well as The Raven by Peruvian director Ricardo de Montreuil (Mujer de mi Hermano, Mancora).
The blog C’est la Gene had an article posted a while back during the release of Nine, titled La Plus Grande Actrice du Monde. That’s a big name to uphold… but you know, in honor of the positives reviews that Kidman’s Rabbit Hole has received, and for getting picked up by Lionsgate for distribution and entering the Award race, I decided to take some time to “translate” and dust off on my French.
Look, I made a banner. LOL
While reading my usual news, I found out that Kokuhaku (aka. Confessions) by Tetsuya Nakashima has been chosen by Japan as their submission for the upcoming Academy Awards. I haven’t even seen the film, but I really thought they would choose something like Norwegian Wood, which seems to be getting in all the major festivals, while Kokuhaku… has been, well… doing well in Japanese Box Office. So it’s a surprise.
These are the other films sent for consideration:
Any more? xD
Germany has a shortlist that include 3 Nazi-related dramas. Their pick will be announced in about 10 days.
