Archives For Moving Media
You’re probably tired of me talking about Hana & Alice. It feels like I have posted this before somewhere, but since I can’t find it with a simple google search… I’m posting xD
To quote myself;
Just for the sake of being consistent… I was in the mood for the music of Hana & Alice, which I have come to love after multiple views. I also got the urge to listen to the music for Hyakuman-en’s OST but can’t find anything, so if you know where I can listen to it… let me know.
Anyway, as I was saying~~~ Hana & Alice Soundtrack, it’s so quiet… yet wonderful. Wo Ai Ni breaks my heart. One of the best Yu Aoi film scenes you’ll EVER see~~~ Here are three tracks I found at IMEEM. The rest after the break.
Shunji Iwai is a SOB xD without knowing about music, he composes this score. How’s that for justice?? LOL Now, every time I hear or read Wo Ai Ni (I Love You in Mandarin), I’m reminded of the movie. The way she tells her dad “Papa, Wo Ai Ni” and her dad says “Zai Jian” – OMG, so so sad. Poor Alice. Don’t worry, let’s eat Tokoroten together xD I don’t think I’m into the taste of seaweed in my pudding, but I can eat something else… I’m sure. xD
Ahhh too many posters – a few highlights.
First, the poster for Burlesque beats the Teaser poster for it. Because I like Hot Pink on high contrast black and white. So I’m biased… Plus, I don’t think the trailer looks that bad.
Awww, just to remember Michael Jackson.
They Don’t Care About Us is one of my favorite MJ songs. HIStory was my first MJ album ever, which I got for my 10th birthday — but that’s a story you should know by now [1]. The choreography is killer.
I miss choreography like this. You know what dancing on a show is now? Butt-jiggles and booby-shaking. No one is moving their feet when they dance now! At least singers… I watch So You Think You Can Dance – *legasp!* Yes, I watch some reality tv shows, I’m afraid. xD
I actually had a lot of fun watching the beginning of the show, and seeing all those new winners… at least in the comedy categories… like Jim Parsons winning Best Comedy Actor – more than well-deserved – Eric Stonestreet for Best Comedic Supporting and easily one of the best thing out of Modern Family – which also won Best Comedy, ahead of Glee… who ended up winning Jane Lynch for Best Supporting, and Ryan Murphy for directing — I’m imagining Murphy won Best Comedy for his work on The WB’s Popular, Mmmmkay?
In the Drama categories, I was a little less satisfied… but since Drama is my thing, they are worthy winners – I’m sure. Though, Michael C. Hall winning for Dexter in Best Actor would have made my month. GAWD! I’m still waiting for Dexter to win some mayor award like Best Drama. After the first season, the fourth season was the best. How I wished they had won.
But okay, ’nuff of winners. [see the list here] Fallon, I must admit… wasn’t as hate-inducing as he is. I actually laughed in some bits of the ceremony. But then I got tired again xD I actually stopped watching the last 30min, until Mad Men and Modern Family were announced as the Best of TV last season.
But here you go~ I’m sure it will be gone by the morning xD
Aug 30
Anomalous Material’s Top25s
Anomalous Material is taking some time to list their Top25 Actors and Top25 Actresses under 35. We don’t know how often they will make the postings, so you’ll have to keep an eye on them ;P
In the meantime~~~
and as a bonus, Top 35 Acting Performances of the Decade ;P
And just to refresh your memory, I also did my lists… but since I’m so picky on being precise~~~ my lists have unconventional long names like 20 Actors Between 20-25 to Watch until They’re 30, and 20 Actors Between 25-30 to Watch until They’re 35.
Let’s hope we have cross-over picks xD we already do.
I was thinking of adding a new set of posts highlighting good casting on films. It’s not about picking the greatest actor for a part… I mean, picking Meryl Streep for any role is not really “good casting”, it’s just that Meryl is that good — and to quote Cam on Modern Family… Meryl Streep can be Batman and be the right choice. Those are just things that simply are.
But this is more about picking the right actors to make an on-screen family, or actors that look the part for historical figures, or casting actors to play characters in different periods of their lives… and the likes.
So here we are with the troublesome film Die Päpstin, or Pope Joan — whatever your thoughts they may be on the film. How Telenovela it was, or how Pope Joan aged, but no one else did. LOL The most striking thing on the film, besides actress Johanna Wokalek’s face as she was getting her Pope-powder on, was the resemblance between Johanna (the character) aged 10-14 played by Lotte Flack, and grown-up Johanna played by Wokalek.
With casting by Anja Dihrberg and Toby Whale.
My mom thought they were real-life sisters xD
Well, we already know that Fincher chose Rooney Mara to be his American/Swedish — really? the accents? — Lisbeth Salander, but I’m still convinced Olivia Thirlby should have been chosen. Why? I just got cracking with the series, which I bought a few months ago… so mind, the Spanish translation.
[…]su investigadora estrella era una chica pálida de una delgadez anoréxica […] Lisbeth era pelirroja, pero se había teñido de negro azabache. Solía dar la impresión de que se acababa de levantar tras haber pasado una semana de orgía con una banda de heavy metal.
En realidad, no tenía problemas de anorexia; […] Simplemente había nacido delgada, con una delicada estructura ósea que le daba aspecto de niña esbelta de manos finas, tobillos delgados y unos pechos que apenas se adivinaban bajo su ropa. Tenía veinticuatro años, pero aparentaba catorce.
Una boca ancha, una nariz pequeña y unos prominentes pómulos le daban cierto aire oriental. […] Su cuerpo no era el más indicado para triunfar en los desfiles de moda, pero, bien maquillada, un primer plano de su cara podría haberse colocado en cualquier anuncio publicitario […] resultaba … humm… atractiva, de una manera absolutamente incomprensible.
Los hombres que no amaban a las mujeres
8va edición
pg. 50– on the go translation –
his most important investigator was a pale girl with an anorexic skinniness […] Lisbeth was a redhead, but she had died her hair pitch black. She seemed to have just woken up after a week-long orgy with a heavy metal band.
Truth be told, she didn’t have anorexia problems […] she was simply born skinny, with a delicate bone structure that made her look like a slim girl with fine hands, skinny ankles and breasts you could barely see through her clothing. She was twenty-four years old, but seemed to be fourteen.
A wide mouth, tiny nose and prominent cheekbones gave her an asian/oriental air. […] Her body wasn’t exactly made to triumph in the catwalks, but with good makeup, a close-up of her face could have been used for any ad […] she was… hmmm… attractive, in an absolute incomprehensible way.
David Yost came out of the closet with an interview and a shoot for the NOH8 Campaign.
Now I understand why Undertow has been winning audience awards everywhere, it plays with your bobito (heart). And comparisons with Brokeback Mountain seem to be inevitable, since they are both dealing with a “gay” thematic in a setting not usually linked to “gay behavior” and they both have to deal with extramarital affairs, but they are little alike.
In Undertow, Miguel (Cristian Mercado) is a fisherman in the small town of Cabo Blanco, Peru, where he is having a baby with his wife Mariela (Tatiana Astengo). The model citizen, a good husband, and well-liked by everyone in town, no one knows that Miguel is having an extramarital affair with Santiago (Manolo Cardona), an artist who’s visited the place since he can remember.
As the melodrama unfolds, writer/director Javier Fuentes Leon doesn’t really take us nowhere we’ve never seen before — if you’ve seen many LGBT-themed films that is, except with that bit with Santiago’s destiny, where the Magic Realism finally kicks in. Ultimately, the film is just a love story, which on one side makes you wonder how well the story would be received if it didn’t have a gay relationship at its core, and on the other side you’re presented with a gay relationship that’s as normal as any heterosexual one.
Undertow will probably get placed next to other LGBT favorites in the following years — once more people get to watch it — right next to crowd’s faves like Brokeback Mountain, Shelter, Where the World Mine, Imagine Me & You, and Show Me Love.
The acting is strong by the three lead actors, being able to carry the whole film in its 100 minutes of running time. The strongest moment in the film was perhaps better condensed in the song by Celso Piña featuring Cafe Tacuba, Aunque No Sea Conmigo, used in the trailer and the film for the line of “Quiero que seas feliz, aunque no se conmigo” (I want you to be happy, even if it’s not with me).
Visually, the film delivers some hunting scenes — I still believe Ricardo de Montreuil (La Mujer de mi Hermano, Mancora) is visually better in his work with his advantage work on some very high profile music videos in Latin America… so how about a collaboration, guys?
3.5/5
Here’s some reading material ;P
- Whatever Happened to Queer Cinema [2007]
- Top50 TV Gay Characters of All Time [2010]
- Top20 Groundbreaking Gay Films [2007]
- Top50 Greatest Gay Movies [2009]
- Top50 Lesbian and Bisexual Characters [2010]
- Bisexual Women in Film From the Early 1990s to Today [2006]
- Lesbian Sex Scenes that Made Movie History [2007]
- I’m pretty sure there was a Top50 Lesbian film, will add that here when I find it.
