Category: Moving Media

  • The Chronicles of Narnia: The Voyage of the Dawn Treader

    First, let me just say that when the trailer for Dawn Treader came out, I thought it looked terrible. The CGI work in the film looked positively subpar in comparison to what you thought of Lion and Caspian when they came out. I also wondered why I couldn’t remember any details in regards of the book, since I’ve only read the series once. Except for the annoying cousin, I was blank.

    The Voyage of the Dawn Treader tells the story of Edmund and Lucy Pevensie who stayed over at their cousin Eustace’s place as they’re separated from their family… including Susan and Peter. Eustace is annoying, played very convincingly by Will Poulter (Son of Rambow), he’s loud, whiny, a complete pain. Then one day as the cousins are arguing in a room that includes a painting of a ship at sea, water starts dripping from the painting. The room fills with water, and they’re transported to Narnia.

    Edmund, Lucy and Eustace — who’s freaking out by now — get rescued by Prince (now King) Caspian and his crew, plus Reepicheep, on board of the Dawn Treader in search for the 7 allies of Caspian’s kingdom who were betrayed by his uncle when he took power. Stopping in the first kingdom/island, they discovered a group that’s been taking people away to give them as offering to something known as “The Green Mist”.

    Aslan’s totally against this Green Mist, so Caspian, the Pevensie bros, Eustace and company must trail the rest of the kingdom’s allies, get their swords together, and vanquish the Green Mist.

    Looking at these not-longer-kids makes me feel old. Lucy (Georgie Henley) is even more grown-up that I remember from Caspian. Same thing for Edmund (Skandar Keynes). Peter (William Moseley) and Susan (Anna Popplewell), however, look ageless. At least they do on the film.

    Because my expectations were low in regards to the CG and the conversion, I must say Dawn Treader delivers better than expected. The fakeness of the CG in the 2D trailers was lost in the 3D conversion which made the picture darker and blurry. You can’t have crisp action, that defeats the purpose of action. Also, the shots use in the film work quite fine as “3D” shots, you could even believe they had thought in terms of 3D environment.

    The problem with Dawn Treader, however, lies in that it’s pretty thin on story. Even in the book, it seemed to only work as an introduction to Eustace… maybe the reason why that’s all I remember about the actual book. The film also includes some very cringe-worthy dialog, but maybe that’s an issue with the dubbing I had to watch.

    But I did enjoy it. What the movie makes better than the book is that it fixes the pacing, there’s a lot of action going on while they’re on their way to search for the allies and their swords. They also make a great build-up for Reepicheep, despite the lack of screen-time he’s had in the movies, to give him a deserving send-off. Actually, it’s probably my favorite scene — despite the blatant Christianity hitting me in the face always on the series, I’m rather fond of how the series ended.

    However, I wish they had done something more emotional with Lucy and Edmund’s Narnia farewell, because I felt Susan and Peter’s were much more serious, much more felt… after all, we won’t see Lucy and Edmund! We could see a glimpse of Ben Barns as Caspian on The Silver Chair, but not Keynes and Henley.

    I hope they do make it to The Silver Chair, and The Last Battle… even cooler if they make The Magician’s Nephew. I really REALLY hate The Horse and his Boy, though.

    3/5


  • National Board of Review 2010 Winners

    I think I’m too aware of awards this year, it’s just TOO MANY awards from around the world.

    The NBR has named David Fincher’s The Social Network the Best Film of 2010, as well as Best Director for Fincher and Best Actor for Jesse Eisenberg who played MovieZuckerberg.

    Don’t really know how I feel about The Social Network — I liked it fine, but didn’t completely love it. I would say it’s a good movie, but it really lacked a personal point for me.

    Anyway~~~ here we go~

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  • Satellite Awards 2010 Nominations

    I’m never really good with Satellite Awards, I always forget them. But then again, there’s so many Satellite nominees per category… it seems a bit excessive. It’s like chucking all the best performances of the year, instead of choosing five spots even if three good performances will be left out.

    And when there’s not enough good performances… they just fill the category up!

    Inception is leading this one ;P

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  • Asia Pacific Screen Winners 2010

    They were held today at my worst possible timezone. I only made it to the Best Actress award… barely. I was already nodding off, but I had to stay up for that one.

    I knew Yun Jeong-hee was pretty much a shoo-in for Best Actress for her amazing role on Poetry — what’s up with all these Korean ahjumas, they are fierce! — but I was secretly rooting for Fan Xu on Aftershocks because her role left me emotionally drained.

    Also~~~ APSA > Oscar – why?

    Please, awarding Aftershocks, Poetry and Caterpillar? Anyone who awards these, it’s on my good list — even if it’s not an “official” category, Shinobu Terajima winning the Jury Award is big. Oscars will never EVER nominate Shinobu Terajima for Best Actress — unless they surprise me. Please, surprise me  — and they will never ever nominated Yun Jeong-hee either. Considering Japan and Korea chose other films to send…

    Anyway! So many awards, eh? Check the sidebar to keep up to date with the Award Season~~~

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  • Luna Papa – Watch Out for those Cows~

    I don’t think I’ve seen too many Russian films. At the moment, I can remember The Russian Ark — because it’s got Russian in the title — and I just did an IMDb search. I’ve also seen 12, Night Watch… and I guess Mongol is kind of Russian, even though it was the Kazakhstan Oscar entry.

    So this is actually my 4th official Russian film.

    Despite having very limited on-screen time on Good Bye, Lenin!, Chulpan Khamatova floored me. Plus, I love how Daniel Bruhl says “Lara!” So I was always meaning to watch all of Khamatova’s filmography. But do you know how difficult it is to find Russian films on actual DVD? Anyway, I finally got hold of Luna Papa. I had literally no idea what is was about, so I went in blind. This is what you should generally do. No expectations, good surprises.

    Luna Papa tells the story of a 17-year-old named Mamlakat whose love for theater and the arts lead her to one of the theater company’s presentation. She misses it by a hair, as she is walking in the dark paths only lit by the moonlight, she is mysteriously seduced by a no-face man. Next thing she knows, she wakes up in the morning with her torn dress… no longer a virgin.

    Now, you may think this is all serious business and that the film gets all drama from this point forward, but it doesn’t.

    Luna Papa is actually the fantastic tale of a young mother from the point of view of an unborn baby. Whatever your opinion on pro-life or pro-choice is, you can’t just dismiss this simply as either of those.

    Unless I really REALLY suck at math, Khamatova should be in her 20s while shooting this role, but actually looks like she’s about 15. She’s terribly endearing, and terribly sassy.

    Khamatova’s mentally-ill brother is played by German actor Moritz Bleibtreu… who I thought was going to be playing a talking role in Russian, but he mumbles one-words. It isn’t bad, he’s actually very effective and quite endearing as an over-protective older brother. As well as the father, who despite cultural prejudice in the town, does a lot for her daughter and son.

    I have no idea if it was the lack of any knowledge about the film, but that ending came from nowhere. It didn’t feel like cheating, because there were a lot of things that came left field since the beginning. Luna Papa — I still have no idea why it’s called like that — was just a pretty nice blend of wacky comedy with some high tension moments.

    My only real big issue with a highly entertaining film like this is that Khamatova — who is of Tartar origin — doesn’t look like she’s a Tajik girl. Not like I have any grasp on ethnicity, but she felt so out of place from where the movie was taking place.

    My favorite scene’s got to be Mamlakat at the abortion clinic, as the doctor tells her to lie down.

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  • Tuva Novotny on Eat, Pray, Love

    Because I couldn’t post these until the DVD ;P

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  • 2011 Independent Spirit Awards Nominations!

    It’s begun~~~ officially xD

    and look! Another banner~~~ LOL

    I generally like the Indie Spirits marketing. It’s a little more loose, but also generally more fun than the Golden Globes or the Oscar. And it’s certainly better than most Critics Choices…

    This year’s nominations… don’t surprise much, actually. It seems those most nominated have been “big” independent films. You know, we’ve talked about this already — American independent films: There are different types of indie films~~~ The pseudo-indie, known in Hollywood as indie because they “only” cost $1M, there’s the more regular indie that could cost between a few thousand dollars, then there’s indie-indie of a couple of thousand dollars, and hardcore indie which… is, just really hardcore.

    This year’s Indies seem more like pseudo-indie. Sadly… and at the same time exciting.

    I hope we get good screeners. =D Last year we got a few good ones. The most elaborate one that time was Precious. Don’t worry, I didn’t vote because of the packaging.

    I think it should be required for First Features, foreign, docus  and the John Cassavetes noms to send screeners, or allow screeners to be sent. But maybe that’s just me.

    Anyway~~~ here are the nominees~~~

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  • Juri Ueno as Gou on NHK’s 2011 Taiga Drama

    You know, I was watching the last episode of Ryomaden on Sunday’s afternoon before lunch. Sorry, Ryoma-san ~~~ I didn’t feel ya. But I did feel Teruyuki Kagawa’s Iwasaki — frienemy of Ryoma. Just like I enjoyed Kiyomori’s grey relationship with Yoshitsune.

    There’s something about not so good characters in history that’s just wayyyyy more interesting than the heroes. Heroes are boring. That’s why Atsuhime was so good! She was actually sent to manipulate the Shogun in favor of her clan… then she married the Shogun, and not-really turned on her family, but she didn’t do what she was sent to do.

    Looking forward to Gou… as well as Kenichi Matsuyama’s starring on the 2012 NHK Taiga drama about the life of Kiyomori. That’s all sorts of awesome considering he’s gonna battle it out with Hiroshi Tamaki playing Yoshitsune’s father, Minamoto.

    Yup, I just showed you all my samurai / taiga drama knowledge right there.

    It’s like I know history! I feel knowledgeable ~~~


  • The Kids Are All Right: Anti-male and/or Anti-Lesbian?

    *EDIT*

    Gonna share this on the 2011 YAM Blogathon

    Let’s see, I missed posting yesterday! Coding is such a mess~ Please, if you know anything about WordPress plugins, programing, and crazy coding talk – HELP ME!

    Anyway, to clear my head from that problem, I was having a debate on whether or not The Kids Are All Right is anti-male or not. The participants? The Film Snob (snobbyfilmguy), Kevin Ketchum (KevinnK), Johnny Splash aka. filmcave, Benjamin Vargas aka. bensower, and MovieBungalow.

    When the film first came out, a lot of the critics and bloggers were singing praise left and right. TKAAR is my flare, light drama with bits of comedy. Plus, it’s got Julianne Moore and Mark Ruffalo, of course I was going to watch it. However, with positive feedback, there’s also the few that can’t help but feel disappointed… or outraged.

    While reading IMDb (battle zone!!), and some comments on AfterEllen.com, you could find lesbians saying the film is “anti-lesbian” because no way Julianne Moore’s character would sleep with a man, saying that it makes it seem like lesbians can’t live without c*ck – their words not mine.

    That’s like saying Imagine Me & You is “anti-heterosexual” because no way Piper Perabo’s character would go for a woman. Hmmmmmkay.

    Let’s start with the basics. The Kids Are All Right is the story of a lesbian couple that’s going through a rough patch. Nic (Bening) is a doctor that’s spending more time tending to her patients, than her wife Jules (Moore) who’s a stay-at-home mom, whose string of career switches fill her with insecurities.

    After years of marriage (ten?), they’ve got two kids, almost-18-year-old Joni (Wasikowska) mothered by Nic, and 15-year-old (16?) Laser (Hutcherson) mothered by Jules. They seem you’re average white upper-middle class family with no kids problems, no money issues. Since Joni is about to turn 18, her brother asks her to contact their sperm-donor father — Enters Paul (Ruffalo), and all hell breaks loose.

    WARNING: LOTS OF SPOILERS~~~

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  • The 90s Were Back: New Kids on the Block + BackStreet Boys @ AMA2010

    I know a bunch of people were watching the American Music Awards on Sunday – does anyone care about the AMA once we grow older? I actually complained there was no broadcast, when there actually was… I just didn’t know there was, because I guess I didn’t care.

    Also I rarely have the TV on in anything other than CNN, NHK, or CCTV LOL

    Anyway, the New Kids on the Block and the BackStreet Boys performed together – which they’ve done before, only the video leaked that time was just a bunch of women screaming. So this one is an actual broadcast performance bringing oh so many memories.

    They sang a mash-up (Glee fan-mode on) of Hanging Tough with Everybody, which then turned into I Want it that Way, which turned into Step by Step with The Right Stuff, and they finished off with Larger than Life.

    Please, I was a teenage girl once – I know every single track name from any pop song of any pop idol prior to 2002. I know the choreography to those music videos. LOL

    But now? Now I work on YAM, and I’m all about WORLDWIDE stuff.

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