Archives For nhk

nhk-yae-no-sakura

You would have to forgive me as I don’t really follow Ayase Haruka’s career, but she did kinda win me over when she played Saki on that freaking successful jdrama known as JIN [1][2], which got me to give a peak to Ayase’s pop culture oeuvre — Hotaru no Hikari, which okay. No, I couldn’t digest it. So forgive me if I’m late to the party, but- OMG! A WHOLE FREAKING YEAR! 50 episodes of a girl that likes guns? In a period setting. I love it.

Plus it’s got Joe Odagiri at some point in the show.

https://www.youtube.com/watch?v=jg9sOOGDXZM

Yae no Sakura (八重の桜) might be actual must-watch TV (with worthy wait of subtitles) for, at least, ten episodes.

salyu x salyu had a new song out? Titled Color Magic (カラーマジック, or the KATAKANA~ pronunciation KARA~ MAJIKKU — you know Katakana baffles me), it was included in NHK’s Design Ah (デザインあ), but you know it would be the perfect companion song to 6COLORS.

The song (if my Japanese is correct) will be included in the soundtrack of the show to be released on January 23rd.

design ah nhk a no uta

They also have an awesome (interactive) song titled Ah’s Song (「あ」のうた).

osaka radio 6 colors yu aoi

You know, I read that post about Japan — despite its technologically-advanced image — not being a tech nation at all [1][2], so when finding this about a radio drama took me back in time back to when my mom told me they used to watch radio telenovelas (back then known as radionovelas, of course). Having Yu working on one is so bizarre… not to mention troublesome as a fan xD

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I haven’t really been properly following Okaasan to Issho — this means I haven’t been practicing my Japanese much — so I was really REALLY surprised: first, when they changed the weather mascots so soon. I suspect it didn’t suit well with the whole Tohoku Earthquake. They seemed to have lasted just a couple of years compared to some of the others…

Anyway, the second thing that surprised me was… Itou Mayu is no longer there! Apparently she did her last show by the end of March. Sadly, I haven’t found any clip of that online.

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I don’t know what is it about Hayato Ichihara (or Christopher Gorham) that I find so irresistible. Must be the kind of boyish charm, huh? I suddenly ran into Hayato Ichihara on NHK (so lucky I changed the channel!) where he talked about his new NHK project, A Tree in the Sun (陽だまりの樹) — adaptation of an Osamu Tezuka manga, and the interviewers asked him about All About Lily Chou Chou, for its recent 10th anniversary.

I don’t remember seeing him in the anniversary pictures [1], but I’m so glad they asked him about it because Yu-chan got a mention by name as well as a very long clip. Natsukashii na~~~

Anyway, I didn’t get much about the interview (of course!), except that he likes tako nigiri sushi (octopus). LOL — Also, Hiroki Narimiya stars in the new show, and he’s another one of my weaknesses~ I find Narimiya attractive when I see him acting on screen (crazy and all), though, not on photos.

Happy 2012!

January 2, 2012 — Leave a comment

How was the new year celebration?

Most importantly~ did you catch adorable Mana-chan performing? If you didn’t, the Maru Maru Mori Mori performance blended with the Arashi/Disney performance and anything with Disney is full of win for me. I found you this link on Nate.com of the Disney performance.

Mana-chan also had the most graceful fall on stage, that I swear it’s going to last all year and be name Most Graceful On-Stage Fall of 2012~~~ which wasn’t even 2012, but just for the sake of upload times, it was.

[iframe src=”https://www.facebook.com/video/embed?video_id=163309537107207″ width=”580″ height=”326″ /]

You can read my “review” of this years show over in: NHK scouts the web for clips, but we can’t help by talk about the Kouhaku~ blog post.

Oh, I guess I gotta watch NHK all day to get fed all their upcoming series — at least for January. We all knew that Kenichi Matsuyama would be doing this year’s Taiga (Time really does fly!), but who knew Hikari Mitsushima (Love Exposure [1], Sawako Decides, Villain) is ending up on NHK?

The Pioneers, which is wayyyy easier to type than Kaitakushatachi (開拓者たち), showed a small clip while I was watching and seemed pretty good. According to Tokyograph:

A special “documentary drama” mini-series to commemorate the launch of its BS Premium channel and the 40th anniversary of the restoration of diplomatic ties between Japan and China. […]

The story is set in the region formerly known as Manchuria and is based on the groups trying to resettle there in the years after the Manchurian Incident. The central characters are a family of four siblings who live there, but who are forced to flee due to the Soviet invasion of the region and Japan’s defeat in World War II. As a result, they return to Japan and attempt to forge a new life on a farm in the Tochigi prefecture.

The clip looked really good. We all know Hikari Mitsushima is a pretty good actress and this seems to be one of those projects. But as anything Japanese, no clips online to embed so I stole these:
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Kenichi Matsuyama looks so grown-up now… promoting his upcoming NHK Taiga, Taira no Kiyomori — all I know about Kiyomori I learned in Yoshitsune [1] haha. Anyway, as you know I was pretty pumped [1][2][3] for Gou and I defended Juri through it all [1], but I knew Gou’s fault.

Anyway, I’m pretty pumped for Taira no Kiyomori, and this promo for it with a manly Kenichi Matsuyama is kinda… really inspiring haha. I kinda really love that photo.

are you going to be watching?

I told you there were a few posts…

Anyway, did any of you watched Ryomaden last season? I did try to watch it at the beginning but wasn’t that into it, so it was really troublesome to gather the energy to find a subtitled version of it. Plus, there weren’t any small files, and I didn’t feel like download HD versions.

So I watched on TV with no subs.

Until the very last episode that Yu was on… and then till the very last of the year.

I remember that when I saw the preview of episode 44 with Yu’s character Omoto saying goodbye, I thought to myself — well, what bad number of episode to leave the show xD and it ended up being her 13th guest appearance — pretty sure about that.

Anyway, for those who didn’t watch the show — Yu played Omoto, a geisha who’s a closeted Christian (oh, the irony!). She plays the shamisen, does some traditional dancing and performing, and has some non-explored sexual tension with Ryoma. She was good in it, but I understand that Taiga dramas are a long-term commitment.

Here’s the capture of the interview with photos for those of you who won’t touch a Taiga with a stick xD

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There’s been a recent item talking about Gou’s lowering ratings, and mostly pointing out Juri Ueno’s miscasting or her lacking experience in period dramas.

Of course, I cannot form an opinion on whether Juri’s use of Japanese is appropriate for the era or not, and neither are most of us. However, I do understand why it would turn people off.

I cannot for the life of me, however, understand why would people say they don’t understand Juri Ueno playing a 10-year-old version of Gou, when for the past few Taiga dramas it’s been used. I just began watching Taiga dramas just a few years ago, and I do understand why it would throw people off. It’s weird to you, I get it.

You cannot say Ueno is miscast as a 10-year old when Masaharu Fukuyama played a much MUCH younger version of Ryomaden at the beginning of the show, Satoshi Tsumabuki played a much younger version of his character in Tenchijin, Hideaki Takizawa (Tackey from Tackey & Tsubasa) played pre-teen Yoshitsune when he was 20-something…

and obviously, Aoi Miyazaki (and Eita) played little kids early on Atsuhime, as well as playing them as 40 or 50-ish year-old people.

Also, I want to admit it. I don’t feel passionate enough about Gou. I love Juri, Asami Mizukawa and Rie Miyazawa, I do. But I’m not feeling the story. The three sisters, though they married very important people, feel like simple pawns in the story instead of being the players.

It felt different in Atsuhime.

They made Atsuhime interested in history, learning, and go strategics. She was constantly sent to places, and did things on her own to change her purpose in there. In the show, she was sent to be able to control the Shogun, to disintegrate the Ooku… yet, when she marries into the family, she sets to protect her new family. It’s conflictive.

It was engaging. It was good.

And this is me telling you I like Juri Ueno more than Aoi Miyazaki.

Plus, you don’t need to be a kid to play a kid convincingly.